Tag: Jules Verne

  • Jules Verne Movie Music on KWAX Picture Perfect

    Jules Verne Movie Music on KWAX Picture Perfect

    This week on “Picture Perfect,” with the New Year only days away, we’ll greet the future with music from movies inspired by Jules Verne’s novels of science, progress, and adventure.

    We’ll hear selections from “20,000 Leagues Under the Sea,” composed by Paul J. Smith; “In Search of the Castaways,” by William Alwyn; “Journey to the Center of the Earth,” by Bernard Herrmann; and “Around the World in 80 Days,” by Victor Young.

    Of course, science and technology are all well and good for what they are, but there are times when the best solution is an expertly-wielded harpoon!

    Your grit and resourcefulness are always welcome on “Picture Perfect,” music for the movies, now in syndication on KWAX, the radio station of the University of Oregon!


    Remember, KWAX is on the West Coast, so there’s a three-hour difference for those of you listening in the East. Here are the respective air-times for all three of my recorded shows (with East Coast conversions in parentheses):

    PICTURE PERFECT, the movie music show – Friday on KWAX at 5:00 PM PACIFIC TIME (8:00 PM EST)

    SWEETNESS AND LIGHT, the light music program – ALL NEW! – Saturday on KWAX at 8:00 AM PACIFIC TIME (11:00 AM EST)

    THE LOST CHORD, unusual and neglected rep – Saturday on KWAX at 4:00 PM PACIFIC TIME (7:00 PM EST)

    Stream all three, at the times indicated, by following the link!

    https://kwax.uoregon.edu/

  • Jules Verne’s Sci-Fi Film Renaissance

    Jules Verne’s Sci-Fi Film Renaissance

    When Walt Disney let the cork out of the bottle on “20,000 Leagues Under the Sea” (1954), he inadvertently launched the “Decade of Verne” – a notion bolstered by Michael Todd’s star-studded “Around the World in 80 Days” (1956). “Around the World” was recognized with a shelf-full of Academy Awards, including one for Best Picture, and the luster of prestige was added to the glitter of box office gold.

    The rest of ‘50s and early ‘60s were punctuated by big screen adaptations of Jules Verne’s novels of adventure and scientific speculation. Verne was the very thing to lure viewers out of their living rooms, away from their television sets and back into theaters, as production designers and effects artists were given carte blanche to fill their canvases with eyepopping visuals.

    One of the more successful of these cinematic translations is “Journey to the Center of the Earth” (1959), inspired by Verne’s 1864 novel. Captain Nemo himself, James Mason, heads a ragtag scientific expedition – including a bumbling pupil, the widow of his scientific rival, a Norse giant and his pet goose – to the earth’s core, his observations alternating between wonder and Henry Higgins-like exasperation, as he ponders why a woman can’t be more like a man.

    Though the movie is absorbing and entertaining in a way that few spectacles are today, it requires an extra leap of imagination to comprehend what it would have been like to experience it for the first time in a movie palace, in Cinemascope, with Bernard Herrmann’s alternately ominous and thunderous score.

    Our discussion of the film is bound to be a rather thin substitute, but preparations are underway for Roy and I to go spelunking on the next Roy’s Tie-Dye Sci-Fi Corner. We’ll be skirting phosphorescent pools and fleeing giant lizards. Keep feeding us rope in the comments section, as we livestream on Facebook, this Friday evening at 7:00 EST!

    https://www.facebook.com/roystiedyescificorner

  • Dr Strangelove & Journey to Earth Movie Discussion

    Dr Strangelove & Journey to Earth Movie Discussion

    If you’re wondering about my peculiar garb last night, it was not my intention to kick off the holidays with my Bob Cratchit impression. I’ve been trying to beat a sore throat the last couple of days. But a mug of tea with honey and lemon had me good-to-go for Roy and my discussion of “Dr. Strangelove” (1964). On the whole, the show got me out of my head and made for a cheering evening, especially some of the digressions, including an unexpected shout-out to Marlin Perkins!

    Next week, we “Journey to the Center of the Earth” (1959) with Jules Verne and James Mason. Composer Bernard Herrmann pulls out all the stops on this underground classic – quite literally, with cathedral organ and four electronic organs, alongside an obsolete Renaissance instrument called the serpent.

    Watch the movie, then join us for a subterranean chat, on the next Roy’s Tie-Dye Sci-Fi Corner. Monitor those monitor lizards (really rhinoceros iguanas) in the comments section. We’ll be carrying the torch when we livestream on Facebook, next Friday evening at 7:00 EST!

    https://www.facebook.com/roystiedyescificorner

  • Master of the World Vincent Price Takes Flight

    Master of the World Vincent Price Takes Flight

    A sense of déjà vu hangs like a propeller-driven baguette over “Master of the World” (1961).

    Like Jules Verne’s other revolutionary “pacificist,” Captain Nemo, Robur the Conqueror understands that in order to make an omelette, you’ve got to break some oeufs. He spouts Bible passages while hammering everyone else’s swords into plowshares, dropping bombs from his heavier-than-air craft, forged in an apparent “volcano” outside a small Appalachian town in Pennsylvania. (We meet several of the principal characters in Philadelphia.)

    At least, that’s the spin we get from American International Pictures, for whom Verne’s miraculous conquest of the skies is not enough, so Robur’s motives are twisted and the “Albatross” is reimagined as a “Nautilus” of the air. And while they’re at it, why not attempt to emulate the breezy romance of Michael Todd’s “Around the World in 80 Days,” so popular and acclaimed (the recipient of five Academy Awards, including that for Best Picture) when it was released only five years earlier? Trouble is, AIP had neither the budget to replicate that film’s scope nor it’s star-studded cameos.

    “Master of the World” has everything you would expect from an American International Picture – Vincent Price, abundant stock footage, and a nowhere music score by Les Baxter. Even so, this was AIP’s most expensive film produced up until that time.

    Of added interest is the fact that the screenplay is by sci-fi and horror legend, Richard Matheson, whose stories formed the basis of innumerable classic movies and television shows. Matheson also provided the screenplays for AIP’s Edgar Allan Poe cycle, also starring Price.

    Je ne sais quoi teeters into WTF, as the film’s schizophrenic tone careens from suspenseful adventure to slapstick comedy (what’s the deal with the beleaguered French chef?) to out-of-left field romance (a title song trying too hard to recall the success of Victor Young’s “Around the World”). Phileas Fogg may have traversed the globe in 80 days, but Robur boasts he can make the trip in three weeks! Mon Dieu! What he would have made of the Concorde is anyone’s guess…

    I hope you’ll join Roy and me as we discuss the family-friendly (?) “Master of the World,” co-starring Charles Bronson, in his first leading role, and David Frankham.

    Incidentally, Frankham will be our guest for a livestreamed interview from Trekonderoga, in Ticonderoga, New York, on Sunday, September 26, at 1:30 pm EDT! For more information about this three-day event, visit https://www.startrektour.com/

    What Price peace? Why, Vincent Price, of course! Drop your bombs in the comments section, as we discuss “Master of the World.” We’ll be donning our propeller hats, on the next Roy’s Tie-Dye Sci-Fi Corner, when we livestream on Facebook, this Friday evening at 7:00 EDT!

    https://www.facebook.com/roystiedyescificorner

  • Jules Verne Film Scores on WWFM

    Jules Verne Film Scores on WWFM

    Journey to the center of the earth and 20,000 leagues under the sea around the world in 80 days in search of the castaways! It’s all Jules Verne this week, with selections by Bernard Herrmann, Paul J. Smith, Victor Young, and William Alwyn, on “Picture Perfect,” music for the movies, this Saturday evening at 6:00 EST, on WWFM – The Classical Network and wwfm.org.

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