Tag: Maurice Jarre

  • Planet of the Apes Music Jerry Goldsmith

    Planet of the Apes Music Jerry Goldsmith

    With the publicity machine going full-throttle for the new “Planet of the Apes” movie, I thought we’d take the opportunity this week on “Picture Perfect” to look back to Jerry Goldsmith’s music for the original 1968 classic.

    Goldsmith incorporated all sorts of unusual effects into his groundbreaking score. He employed such instruments as tuned mixing bowls, a bass slide-whistle, and the cuika, a Brazilian wind instrument used to mimic the hooting of excited apes. He instructed his hornists to play without mouthpieces, and he manipulated percussion through the use of an Echoplex.

    Barbaric and unnerving, with little in the way of lyricism, I can’t imagine anything like it being used in a major Hollywood film today. Well, from my description, I guess I can, but Goldsmith was the real deal – a talented composer with real tools (not just a laptop) at his disposal.

    While my initial impulse had been to fill out the hour with music from some of the other films in the “Apes” franchise, after listening for a while, the grimness and brutality became a bit too unremitting, so instead we’ll swing with the gorilla theme.

    Among the other selections will be an extended passage from the Dian Fossey biopic, “Gorillas in the Mist,” which starred Sigourney Weaver and featured music by Maurice Jarre, of “Lawrence of Arabia” and “Doctor Zhivago” fame, though from his later, lamentable “electronic” period.

    We’ll also hear a bit from the “Mighty Joe Young” remake (since I couldn’t get a hold of Roy Webb’s score for the original). The music is pretty much standard James Horner (eg. “Titanic”), though he does incorporate a Swahili choir.

    Finally, we’ll sample from Max Steiner’s landmark score to the 800-pound gorilla of all monkey movies, 1933’s “King Kong.”

    I hope you’ll join me this week as we go ape, on “Picture Perfect,” music for the movies, tomorrow evening at 6 ET. Remember, you can always listen to the show later as a webcast at http://www.wwfm.org.

    “Take your stinkin’ paws off me…!” (with Goldsmith’s music, including cuika effects):

    https://www.youtube.com/watch?v=pBMvR_RnKu4

  • English Abroad Film Scores WWFM

    English Abroad Film Scores WWFM

    “Picture Perfect” follows the English abroad this week, with music from “Enchanted April” (Richard Rodney Bennett), “A Passage to India” (Maurice Jarre), “The Best Exotic Marigold Hotel” (Thomas Newman) and “Around the World in 80 Days” (Victor Young).

    Bennett, quite the accomplished concert composer (and occasional singer of torch songs), provides a sensitive score for the 1991 Merchant/Ivory adaptation of Elizabeth von Arnim’s novel about four English ladies who spend an idyllic month at an Italian villa.

    Jarre received his third Academy Award for his music to David Lean’s final film, the 1984 adaptation of E.M. Forster’s novel of repression and racial tension in colonial India.

    Newman incorporates traditional Indian elements into his score for “The Best Exotic Marigold Hotel,” the 2012 surprise hit about English pensioners reinventing themselves in their retirement abroad.

    Young won his only Oscar (alas, bestowed posthumously) for “Around the World in 80 Days,” the star-studded, light-as-a-feather, though admittedly charming megawinner at the 1956 Academy Awards. It takes longer to watch the movie than it does to read Verne’s novel – though it does provide a rare opportunity to see Ronald Colman in color.

    The weekend’s coming, so pack your valise and head on over to http://www.wwfm.org, Friday at 6 p.m. ET.

    And don’t forget, past and recent installments of “Picture Perfect” and “The Lost Chord” are archived for your enjoyment at the WWFM website. Click on “webcasts” and then select the show.

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