Tag: Mstislav Rostropovich

  • Aram Khachaturian’s Birthday Celebrate the Sabre Dance

    Aram Khachaturian’s Birthday Celebrate the Sabre Dance

    Today is the birthday of Aram Khachaturian. You know, the guy who wrote that frenetic music that makes you want to spin plates on sticks.

    Here’s the “Sabre Dance,” with Khachaturian conducting:

    Liberace gives it a whirl:

    Mstislav Rostropovich, the soloist, with again the composer conducting (and highly-decorated), in Khachaturian’s “Concerto-Rhapsody”

    Adagio from the ballet “Spartacus”

    https://www.youtube.com/watch?v=wXsDsLHasWo

    Cristian Macelaru and the West German Radio Symphony Orchestra in a mesmerizing visual fantasy on the Romance from Khachaturian’s “Masquerade Suite”

    Khachaturian at the piano!

    Happy birthday, Aram Khachaturian!


    PHOTO: Troika! (Right to left) Khachaturian with Shostakovich and Prokofiev

  • Remembering Biava Plus Franck’s Passion

    Remembering Biava Plus Franck’s Passion

    At 4:00 EDT, we’ll remember Philadelphia violinist and conductor Luis Biava, who died yesterday at the age of 85.

    We’ll hear two of Biava’s recordings, made with The Philadelphia Orchestra and the Temple University Symphony Orchestra, respectively. Biava was a long-time faculty member at the Boyer College of Music and Dance – Temple University. Then toward the latter portion of the hour we’ll celebrate the birthday anniversaries of composer-arrangers Ferde Grofé and Richard Hayman.

    In the 5:00 hour, we’ll blow out some more candles for composer Vincent d’Indy and cellist and conductor Mstislav Rostropovich, both also born on this date. As a special added bonus, we’ll hear a symphonic poem by the woman who destroyed Camille Saint-Saëns and César Franck’s friendship, Augusta Holmès.

    At 6:00, on this week’s “Music from Marlboro,” the featured highlight will be Franck’s Piano Quintet in F minor, the work into which Franck poured all his sublimated passion for Holmès, a fact which, unfortunately, was not lost on Saint-Saëns, who played the piano part at the work’s premiere in 1879.

    Life is messy. Embrace the music, from 4 to 7 p.m. EDT, on WWFM – The Classical Network and wwfm.org.

  • Russian Cello Concertos Davidoff & Weinberg

    Russian Cello Concertos Davidoff & Weinberg

    Cello, da!

    This Sunday night on “The Lost Chord,” we’ll hear two works for cello and orchestra, written by composers of Eastern European origin, both of whom attained fame in Russia.

    Carl Davidoff (sometimes spelled Karl Davydov) was born in Latvia in 1838. He became head of the St. Petersburg Conservatory, where Tchaikovsky was a colleague. Tchaikovsky dubbed him “The Tsar of the Cello.” Davidoff wrote four cello concertos, all of which have been recorded on the CPO label. We’ll be listening to the first of these, performed by Wen-Sinn Wang.

    Mieczyslaw Weinberg (also known as Moisei Vainberg) was of Polish-Jewish origin. Despite having suffered the loss of much of his family in the Holocaust and being singled out for persecution in the Soviet Union under Stalin, Weinberg was a dizzyingly productive composer. He wrote 22 symphonies, 7 operas, and an enormous amount of chamber and instrumental music, including 17 string quartets, 8 violin sonatas, 6 cello sonatas, and 6 piano sonatas, to say nothing of dozens of film scores. Yet Weinberg’s achievements were eclipsed by those of Shostakovich and Prokofiev.

    Shostakovich took a special interest in the younger composer, frequently interceding on his behalf, and promoting him as “one of the most outstanding composers of the present day.” We’ll hear Weinberg’s Cello Concerto of 1948, performed by the work’s dedicatee, Mstislav Rostropovich.

    Join me for “A Russian Cellobration,” this Suunday night at 10:00 EDT, on WWFM – The Classical Network and wwfm.org.


    PHOTO: Slava rocks the cello

  • Aram Khachaturian’s Birthday Sabre Dance & More

    Aram Khachaturian’s Birthday Sabre Dance & More

    Today is the birthday of Aram Khachaturian. You know, the guy who wrote that frenetic tune that makes you want to spin plates on the tops of sticks.

    Here he is, conducting (and highly-decorated), with Mstislav Rostropovich the soloist in his “Concerto-Rhapsody”:

    And – why not? – music for spinning plates, Liberace style:

    PHOTO: The composer “cleaning up nice” for his special day

  • Schubert’s Arpeggione Sonata Birthday Tribute

    Schubert’s Arpeggione Sonata Birthday Tribute

    Okay, it’s Schubert’s birthday. No question what I should be writing about. I confess it requires a great deal of focus not to pull another bait-and-switch and just make it all about Alfredo Casella.

    Instead, here’s another composer, Benjamin Britten, with Mstislav Rostropovich, to perform Schubert’s “Arpeggione Sonata.”

    Mov’t. I https://www.youtube.com/watch?v=AonBUbPkthc
    Mov’t. II https://www.youtube.com/watch?v=hFBAVF93ve8
    Mov’t. III https://www.youtube.com/watch?v=gY9qpHg3TBk

    If you’re not familiar with the arpeggione (and who is these days?), it was an instrument invented around 1823. It had six strings, fretted and tuned like a guitar, but it was played with a bow, like a cello. By the time Schubert’s sonata saw publication in 1871, it was already long defunct.

    Schubert’s masterful sonata is the only substantial work to have been written for the instrument, but the piece was recognized too late to rescue the arpeggione from extinction. These days, the work is almost always performed on the cello.

    Happy birthday, Franz Schubert (1797-1828).

    PHOTO: Berndt Bohman, principal cellist of the Tokyo Symphony Orchestra, playing a modern arpeggione, made by Osamu Okumura, president of the Arpeggione Society Japan. Note the absence of an end pin.

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