Tag: Nostalgia

  • Savoring Autumn Stop Wishing Summer Away

    Savoring Autumn Stop Wishing Summer Away

    It’s totally irrational of me, I know, and something I have to work on, but every summer I keep my head down, seclude myself, and rail against the sun, heat, and humidity – all the while, a prayer in my heart for the first day of autumn. Blame it on my 32 years in Philadelphia.

    But now that I’m out of the kiln, in the open air, with plenty of greenery, I really need to stop that, because I’m essentially wishing away huge swaths of my life. Also, because of the ingrained negativity, I find I have to work extra hard to throw on the air brakes come September, so that I can slow down, finally, and savor every facet of the ever-changing season. Because if I don’t, I’ll wind up sliding right into Christmas. And I certainly don’t want to miss Halloween.

    Autumn arrives this afternoon at 3:20 EDT. Join me in pausing to take a breath and appreciating the shifting light, the emerging colors, and the falling leaves. These are harbingers of good things – the pleasures of baked goods, homemade soups, moody skies, and woodland strolls; of carved pumpkins and black-and-white horror movies, used book sales, sweaters, Brahms, and cozy cups of tea.

    Soon enough, the obligations of Thanksgiving and “the holidays” will be upon us. For now, savor September and October. It’s a vibrant time, as nature lives in defiance of decay – the grass finds a little extra something in its stores of green, apples swell, and birds and beasts forage, bask, and play.

    But it’s also a reflective one, as a gentle melancholy pervades the softening light. Memories grow thick. Nostalgia stirs in fallen leaves. Reminders all that we are mortal, and time is on the wing.

    Whoever eats the most pie wins.

  • Incredible Hulk TV Show Nostalgia Review

    Incredible Hulk TV Show Nostalgia Review

    My first passion was probably monster movies, especially the old Universal horror classics that I was already watching, in the reassuring presence of my mother, by the age of five.

    My second passion was comic books, especially those emanating from the mighty Marvel bullpen. The Amazing Spider-Man. Captain America. The Silver Surfer and Prince Namor the Sub-Mariner.

    So in 1977, when CBS scored a ratings success with a television movie inspired by “The Incredible Hulk,” you’d think I would have been in Seventh Heaven.

    But I was also a purist, and the show made so many changes to the source material that the 11 year-old critic in me received it with decidedly mixed feelings. To me, the series was a little too much like “The Six Million Dollar Man” meets “Kung Fu.” (I was too young at the time to be wholly aware of “The Fugitive.”) Little “originalist” that I was, I was judging it against the impossibly destructive, brutishly monosyllabic, gloriously over-the-top Hulk of the comics.

    Returning to it now, 44 years later, what do you know? For a TV movie, “The Incredible Hulk” is actually pretty good! In fact, the show’s pilot does everything right. Strong characterizations. Doomed romance. Abundant pathos. An awareness of classic monster movie conventions. In fact, it’s only sin is that it was made in the ‘70s.

    Hulk’s origin, world, and situation may be totally different from those created by Stan Lee and Jack Kirby in 1962, but his TV incarnation is overflowing with humanity and heart. If only they had had the technology and production values back in 1977 that are available today, it would easily stand head and shoulders above just about any of the current crop of sterile, production line Marvel movies.

    Hand-painted Olympic-hopeful Lou Ferrigno, in tattered pants and yak-hair wig, may not have been my ideal vision of the comic’s Green Goliath – the real Hulk would have dismissed him as “puny” – but he’s about as close as a real-life stand-in is ever going to get, and he does bring a Karloffian pathos to the role. And earnest Bill Bixby, as David Bruce Banner, brought two decades’ worth of accrued good will from his seemingly constant presence in America’s living rooms, thanks to his work on “My Favorite Martian,” “The Courtship of Eddie’s Father,” and “The Magician.”

    I hope you’ll join Roy and me on our platform of rage, as we overdose on gamma rays, for a nostalgic trip back to “The Incredible Hulk,” on the next Roy’s Tie-Dye Sci-Fi Corner. Dispense your anger management therapy in the comments section, when we livestream on Facebook, this Sunday evening at 7:00 EDT! (PLEASE NOTE: There will be no show tonight.)

    https://www.facebook.com/roystiedyescificorner

  • Unearthing My Lost Stories & Childhood Memories

    Unearthing My Lost Stories & Childhood Memories

    Yesterday, after much procrastination, I finally exhumed the casket containing all the stories I wrote up through the early-1990s. Much of the stuff I penned in elementary school is lost, but from about eighth grade on, I think I probably have everything, except perhaps two or three items, including one particularly twisted opus about a killer robot that generated enough notoriety that I suspect it was probably stolen by one of my classmates. The box has literally not been opened for decades.

    The primary reason for its neglect, at least at first, is largely emotional. There are a lot of memories tied up in these creations. Some people keep journals; I wrote stories. And each one of them is like a snapshot or a home movie, in that it conjures all sorts of associations. The few journals that I did start are there, too, but invariably I’d either get too convoluted, or I’d write them as if they were intended for someone else – some future reader – so that soon the entire enterprise would become more work and less fun than writing proper fiction. I wish I had kept even a book of lists or simple observations for each day, as I’m sure it would have been enough, in some cases, to sharpen my memories. I’ve been able to recall so much simply from related notes and marginalia.

    Of course, my handwriting (including my signature) has undergone so many changes over the years that I wind up doing a doubletake, from time to time, wondering at first if I am the true author of some of these items. But aside from a few comparable treasures from friends, I most certainly am.

    The other reason I have avoided going back is that opening any folder in this vessel is a guaranteed time-sucker. Every story, every script, every cartoon, comic, or fragment is an invitation to amusement, but also, sporadically, to embarrassment and inexhaustible nostalgia. It’s bound to be an absorbing business, and I was hesitant to be consumed.

    The impetus for my finally digging it out, after a quarter of a century, is my having reconnected with my cousin, with whom I had not spoken in probably 35 years. Growing up, he and I were like extraterrestrials in the family, both of us imaginative, creative, and artistically inclined. Like me, he was always involved in some project or another, and our regular exchange of stories helped fuel our mutual productivity. He was also instrumental in furthering my interest in classical music.

    There was a lot of a cross-fertilization going on there, as we stole gleefully from one another. But we were already raiding the same sources of inspiration – popular movies, current events, writers we were reading in school, and abundant autobiographical material. Interestingly, we never had a falling out over creative issues. It was only later, when we started to get interested in girls, that we began to get competitive. Or at least I did. The result was that, by the time we graduated from our rival high schools, we really didn’t have all that much to do with one another.

    I tried to reach out to him a couple of times within the past 15 years or so, but it was only through the diplomacy of a mutual friend – with whom I’d also lost touch for 30-some years, until we reconnected on Facebook – that peace has been brokered. So we are now talking again, by telephone (he is married and living with his family halfway across the country), and the conversations have been epic, most recently pushing three hours.

    He has been in a similar situation, where all of his writing for the past few decades has been in the service of work. But lately he has had a hankering to return to the kind of freewheeling fiction we both wrote when we were younger. So he set himself a challenge. And around the turn of the year, I received a very impressive piece of work. Somehow, he’s been able to recapture that youthful joie de vivre. It was like reading something we might have written circa 1980, only rendered with the mastery of an adult. Since then, he tells me, he’s written another 190 pages. So the gauntlet has been thrown!

    Whatever the motivation, like St. John’s Lamb, I have now broken the seal – literally, as the box was wrapped in packing tape. Who knows what thunderings, lightning, and earthquakes will come of it.

  • Why I Still Watch the Oscars Nostalgia & Movies

    I don’t know why I keep watching the Academy Awards. The truth is, just about everyone I really like in the entertainment industry is either retired or dead. But every once in a while, a film will come along, like “The Artist” or “The Shape of Water,” that will seize onto my retro sensibility. Or Morricone will finally get an Oscar.

    At any rate, watching the Academy Awards has been a life-long tradition that goes back to my childhood, when the family would gather in the living room and feast like guests of Petronius as screen legend after screen legend would take the podium. And the film score nominees were like something out of a second Golden Age.

    Sure, there was ample tedium, embarrassing production numbers that bloated the ceremony to eyelid-drooping proportions. You could watch “The Irishman” in the amount of time it would take to get to Best Picture. But it was worth it for the classic film montages and the “In Memoriam” segment.

    And yes, there could be a few squirmy episodes of collective self-congratulation and maybe an eye-rolling political digression or two. But it’s the Oscars. When you flip on the tube, you’re giving Hollywood its night.

    It’s like going to the circus. Does anyone even like the circus? And yet once you’re there, the impressions are overwhelming. It’s nostalgic. You may want to rant the whole time, but you can’t look away.

    So I’ll be there on Sunday night, as I have been for decades, anesthetizing myself with a platter of viands, hoping to see Joe Pesci pick up another Oscar and hating “Joker” (which I still haven’t seen), all the while reflecting on the superstars and better movies of my youth.

    Everything about the Academy Awards is like going to the movies anyway. They’re a construct. They’re fantasy. And every once in a while, just maybe, if I’m lucky, there’s still something worth seeing.

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