Tag: Orchestra

  • Joshua Bell to NJ Symphony A New Era?

    Joshua Bell to NJ Symphony A New Era?

    I just received a press release announcing that Joshua Bell has been appointed principal guest conductor of the New Jersey Symphony, beginning in the 2025-26 season. Be still, my heart.

    The organization’s music director, Xian Zhang, is due to take over leadership of the Seattle Symphony, also in 2025-26, with a contractual agreement of five years. She is bound to the New Jersey Symphony through 2028, so the Seattle commitment will mean a bicoastal existence. Xian assumed the directorship of the New Jersey Symphony in 2016.

    Bell, of course, has enjoyed a busy career as a violin soloist. He was named music director of the Academy of St. Martin-in-the-Fields in 2011. The famed chamber orchestra, founded by Sir Neville Marriner, is based in London. Bell keeps residences in Manhattan and upstate New York. This year, the ASMF announced the most recent extension of his contract, also through 2028.

    You don’t have to be much of a soothsayer to interpret the new appointment as an extended audition for Bell as the next music director of the New Jersey Symphony.

    Here’s the official notice:

    https://www.njsymphony.org/news/detail/joshua-bell-named-new-jersey-symphony-principal-guest-conductor-beginning-in-202526-season

  • Nordic Soul Autumn Music Langgaard Rautavaara

    Nordic Soul Autumn Music Langgaard Rautavaara

    Don’t forget to turn your clocks back tonight! As we prepare to return to standard time and the days grow ever shorter, those of us in the Northern Hemisphere can feel a spiritual kinship with the Scandinavians.

    This week on “The Lost Chord,” it’s autumn in the North countries, as well as in the Nordic soul. We’ll test your limits, not only for lengthening shadows, but also for gratuitous vowels, with music by Danish composer Rued Langgaard and Finnish master Einojuhani Rautavaara.

    Langgaard lived from 1893 to 1952. Despite a promising start – born to musical parents, a prodigious childhood, meetings with major conductors, and a symphony performed by the Berlin Philharmonic – his personal and creative eccentricities worked against him.

    Perpetually out of step with the times, and particularly with the musical tastes of his countrymen, performances of his works were scarce. He found himself ignored by the musical establishment, with the result that his music really only started to be recognized in the 1960s – 16 years after the composer’s death.

    Langgaard was 46 by the time he managed to obtain a permanent job, as an organist at the cathedral in Ribe. It was the oldest town in Denmark, and situated far, far from Copenhagen, the center of Danish musical life. He would die in Ribe at the age of 59.

    He wrote 16 symphonies. The fourth of those bears the subtitle “Fall of the Leaf.” Beyond a simple evocation of autumnal nature, complete with thunderstorms, wind, and rain, the symphony is one of moods related to, or symbolized by, autumn. The composer originally called the work “Nature and Thoughts.”

    Rautavaara, Finland’s grand old man of music, died in 2020 at the age of 87. He studied at the Sibelius Academy in Helsinki, under Aare Merikanto, before receiving a scholarship to attend the Juilliard School. Among his teachers in the United States were Vincent Persichetti, Roger Sessions, and Aaron Copland. He himself taught for extended periods at the Sibelius Academy.

    As a composer, he wrote eight symphonies, 14 concertos, and nine operas, as well as choral, chamber and instrumental music. His most famous piece is probably his “Cantus Arcticus,” for taped bird song and orchestra.

    Early on, Rautavaara experimented with serialism (though he was never a strictly serial composer), but in the 1960s, he left all that behind. His mature style is frequently one of austere beauty, marked by lyricism and even luminosity. His later works often bear something of a mystical stamp.

    We’ll be listening to music composed in 1999, titled “Autumn Gardens,” Rautavaara’s meditation on beauty in nature and the transience of life. If I were to introduce anyone to the music of Rautavaara, this may very well be the piece I would select. It’s gorgeous and moving.

    I hope you’ll join me for “Fall of the Leif,” autumnal meditations from the North, on “The Lost Chord,” now in syndication on KWAX, the radio station of the University of Oregon!


    Remember, KWAX is on the West Coast, so there’s a three-hour difference for the Trenton-Princeton area. Here are the respective air-times of my recorded shows (with East Coast conversions in parentheses):

    PICTURE PERFECT, the movie music show – Friday on KWAX at 5:00 PACIFIC TIME (8:00 PM EDT)

    THE LOST CHORD, unusual and neglected rep – Saturday on KWAX at 4:00 PACIFIC TIME (7:00 PM EDT)

    Stream them here!

    https://kwax.uoregon.edu/

  • Britten’s Birthday Sean Connery Orchestra Guide

    Britten’s Birthday Sean Connery Orchestra Guide

    Not only is it St. Cecilia’s Day (Cecilia being the patron saint of music), it also happens to be Benjamin Britten’s birthday. Hear Sean Connery narrate Britten’s “The Young Person’s Guide to the Orchestra.”

  • Stephen Gunzenhauser Steps Down After 40 Years

    Stephen Gunzenhauser Steps Down After 40 Years

    After 40 years, Stephen Gunzenhauser is stepping down as music director of the Lancaster Symphony Orchestra. The conductor has announced that the 2019-2020 season will be his last.

    Gunzenhauser’s name may be a familiar one far beyond his stomping grounds of Pennsylvania and Delaware, thanks to his tireless work on behalf of the Marco Polo and Naxos labels. With over a hundred releases in the current catalogue, Gunzenhauser has recorded works by Ernest Bloch, Antonin Dvořák, Reinhold Gliere, Karl Goldmark, Anton Rubinstein, and many others, carving out a niche for himself by documenting lesser-known repertoire and offering low-cost options to the bigger-named competition, especially at a time when there weren’t many budget alternatives to the “majors.”

    Gunzenhauser worked as an assistant to Igor Markevitch in Monte Carlo and Leopold Stokowski in New York before becoming executive and artistic director of the Wilmington Music School in 1974. Five years later, he was appointed music director of both the Delaware Symphony Orchestra and the Lancaster Symphony. Gunzenhauser led the Delaware Symphony through the end of the 2001-2002 season. He was named principal conductor of the Bogota Philharmonic in 2004.

    Naxos and Marco Polo have sold more than two million copies of his recordings, lending credence to his assertion that he is the fifth most recorded American conductor.

    Gunzenhauser raised the level of the Lancaster Symphony Orchestra from community to professional status. Following his retirement, he plans to focus on the Endless Mountain Music Festival, with which he has been closely involved since its inception in 2006.

    The Lancaster Symphony was founded in 1947. Gunzenhauser is only the second music director in the orchestra’s 72 year history.

    More information about the Lancaster Symphony at lancastersymphony.org.


    Gunzenhauser conducts Anton Rubinstein’s “Ocean” Symphony:

  • John Cage’s 4’33” for Orchestra? Mind Blown

    John Cage’s 4’33” for Orchestra? Mind Blown

    I hadn’t realized until last night that John Cage transcribed “4’ 33”” for orchestra. I wonder if anyone ever thought to program this as an encore to Mahler’s “Symphony of a Thousand?”

    https://www.youtube.com/watch?v=zY7UK-6aaNA

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