Tag: Paul Hindemith

  • Marlboro Music Festival: Casals & Hindemith

    Marlboro Music Festival: Casals & Hindemith

    This week on “Music from Marlboro,” we’ll sample from two authorized recordings made at the Marlboro Music Festival and issued commercially on Columbia Records and Sony compact disc.

    Legendary cellist Pablo Casals was affiliated with the Marlboro festival for the last 13 years of his life, from 1960 to 1973. We’ll hear Casals conduct Marlboro musicians in one of the orchestral suites of Johann Sebastian Bach. It was Casals who, at the age of 13, rediscovered Bach’s cello suites in a thrift shop in Barcelona. His 1939 recordings established the works as cornerstones of the modern repertoire. Casals’ loving, humanistic interpretations of Bach’s orchestral works (as well as those of Mozart, Beethoven, Schubert, Mendelssohn, and Schumann) form a remarkable capstone to an enviable career.

    We’ll also listen to Paul Hindemith’s Octet for Winds and Strings, composed in 1957-1958. The work is scored for clarinet, bassoon, French horn, violin, two violas, cello, and double bass. Played by an impromptu group of eight talented Marlboro musicians, it’s as fine a performance of the piece as you’re ever likely to hear.

    I hope you’ll join me for “Music from Marlboro,” this Wednesday evening at 6:00 EDT, on WWFM – The Classical Network and wwfm.org.

    Marlboro School of Music and Festival: Official Page

  • Christmas Music Guilt When Is Too Early

    Christmas Music Guilt When Is Too Early

    So how soon is too soon to unleash the pent-up forces of Christmas? It’s less than two weeks away. I’ve got enough in my library, probably, to program the entire month, without repeating – and yet I’ve felt sheepish about already letting slip the fairly secular “Tuttifäntchen” by Paul Hindemith and Constant Lambert’s “Les Patineurs” (“The Skaters”) after Meyerbeer.

    Where do I start? How much do I play? These are but some of the decisions that weigh on the conscience of the classical music programmer. In the full knowledge that I can’t please everyone, I will rouse my slumbering inner elf and gradually crank up the volume of egg nog and mistletoe.

    It won’t be all glitter and ho ho ho. There may be a few more cantatas and oratorios than some would like. Then again, how many brass arrangements of “The Twelve Days of Christmas” can one take?

    Wish me luck. We’ll also have music by Swedish composer Kurt Atterberg on the anniversary of his birth, this afternoon from 4 to 7 EST, on WWFM – The Classical Network and at wwfm.org.


    IMAGE: Peace and goodwill – or else!

  • Hindemith’s Frog He Went a-Courting Surprise

    Hindemith’s Frog He Went a-Courting Surprise

    Anyone who thinks of Paul Hindemith as a dry-as-dust note-spinner should give a listen to his “Variations on ‘A Frog He Went a-Courting’” (1941). The English-language folksong, about the amphibious swashbuckler who woos Miss Mousy (with the consent of her Uncle Rat), dates back to the 16th century. Hindemith uses the tune as the basis for a challenging work-out for cello and piano, while at the same time charming the socks off his listeners.

    Happy birthday, Paul Hindemith, uh huh.

    Additional versions by Burl Ives…

    Elvis….

    and Tom and Jerry.

  • Franciscan Music on WPRB Today

    Franciscan Music on WPRB Today

    We’re honoring Pope Francis, albeit vicariously, by way of his sainted namesake. Up next, it’s Peter Schickele’s “Bestiary,” a work for Early Music ensemble and narrator. Later on this morning, Paul Hindemith’s St. Francis of Assisi ballet “Nobilissima Visione” and Pulitzer Prize-winner Leo Sowerby’s “Canticle of the Sun.”

    Stroke the docile menagerie until 11 ET, on WPRB 103.3 FM or online at wprb.com.

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