“Write what you know” is the frequently dispensed advice to young writers. It could just as easily apply to composers, especially if the composer happens to be Benjamin Britten.
Britten was born in a Suffolk fishing port in 1913. The sights and sounds of the sea were in his blood. Powerful musical evocations of the sea pervade his opera, “Peter Grimes,” which was given its premiere in 1945.
Additionally, the burden of adhering to his principles as a conscientious objector during the war and a lifelong struggle to remain to true to himself as a homosexual in an intolerant world likely informed his sympathetic portrayal of a tortured outsider hounded by an insular coastal community.
Britten’s emotionally complex masterpiece is this year’s opera offering from The Princeton Festival. Performances will take place at McCarter Theatre Center’s Matthews Theatre on Saturday at 8 p.m., June 23 at 7:30 p.m., and June 26 at 3 p.m.
Discounting the popular (though lighter-weight) collaborations of W.S. Gilbert & Sir Arthur Sullivan, “Peter Grimes” was the most successful opera to emerge from England in the 250 years since the death of Henry Purcell in 1695. “Grimes” is worlds away from “H.M.S. Pinafore.”
Read more about the opera and the Princeton Festival’s exciting new production in my interview with stage director Steven LaCosse in today’s Trenton Times:
http://www.nj.com/times-entertainment/index.ssf/2016/06/classical_music_peter_grimes_a.html
Britten’s masterful “Four Sea Interludes” from “Peter Grimes”:
PHOTO: Britten at Aldeburgh, the Suffolk coastal town where he founded his festival of music and the arts in 1948




