Tag: Piano Concerto in G

  • Ravel Gershwin and Jazz Influences

    Ravel Gershwin and Jazz Influences

    On days when I’ve got a lot of work to do, I’ll often post something short or simply cut and paste, with a few tweaks, from the Classic Ross Amico archive. If it happens to be the birthday of a major composer – in this case, Maurice Ravel, born on this date in 1875 – I try to take a fresh perspective, if I can, since I tend to write about the subject every year. I thought this year, I might write about Ravel’s experiences in the United States with George Gershwin and, by extension, jazz. But of course the subject is an involved one. And really, I don’t know how I could handle it any better than it has been by the writer at the link. Enjoy the musical examples below, and happy birthday, Maurice Ravel!

    https://cso.org/experience/article/7984/fascinatin-rhythm-when-ravel-met-gershwin


    Ravel, Piano Concerto in G, 1929-31 (Leonard Bernstein in concert)

    Gershwin, Concerto in F, 1925

    Ravel, “Blues” from Violin Sonata No. 2, 1923-27 (completed before his trip to the States)

    Gershwin, “An American Paris,” 1928 (Bernstein in concert)

    https://www.youtube.com/watch?v=9HI62_udgEI


    PHOTO: Ravel (seated), in New York the day after his 53rd birthday, in 1928, with (left to right) conductor Oskar Fried, mezzo-soprano Éva Gauthier, composer-conductor Manoah Leide-Tedesco, and George Gershwin

  • Ravel Poe Toys and the Soul of the Machine

    Ravel Poe Toys and the Soul of the Machine

    Maurice Ravel credited Edgar Allan Poe as his “teacher in composition.” From Poe, he learned that “true art is a perfect balance between pure intellect and emotion.”

    Ravel was fond of toys, lots of mechanical toys. His cottage in Montfort-l’Amaury, southwest of Paris, was full of them, including a singing nightingale with a moving beak.

    And he was a natty dresser. He once held up a performance for half an hour so that he would have the correct shoes. His music is as elegant and perfect as was his sartorial sense.

    You can detect the mechanical influence in much of his music, including of course “Bolero” and the opening of the Piano Concerto in G. Miles Davis was obsessed with this classic recording by Arturo Benedetti Michelangeli:

    The slow movement is as good as it gets. Nothing mechanical about it. It’s the soul at the heart of the machine.

    Happy birthday, Maurice Ravel (1875-1937).

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