Tag: Planet of the Apes

  • Planet of the Apes Prophecy Music Review

    Planet of the Apes Prophecy Music Review

    I don’t know about you, but I found life much less disturbing when all these escapist fantasies I viewed or read as a kid became so embedded in our popular culture that they attained almost “camp” status. I’ve been noticing of late, and I must say, it’s making me rather uneasy, that an awful lot of them are starting to seem downright prophetic.

    But really? “Planet of the Apes?”

    Of course, the “Apes” movies were always thinly-veiled allegories about all the ways humans are idiots – violent, acquisitive, xenophobic, racist, fundamentalist, and irredeemably destructive. Unquestionably it is so, but even the original “Planet of the Apes” had moments of self-aware levity! Once the lights came up and we got on with our lives, who believed these fairy stories were more than cautionary tales? Who anticipated that the destiny of human civilization would seem to be playing out just as the “Apes” movies forecast?

    But that’s what gives them their elemental power. The issues addressed, sadly, will always be the same. Ignorance, fear, and brutality will always rage against enlightenment, equity, and compassion, and the people who can make a difference will never change before it’s too late.

    But… it’s Friday, and I know you’re all looking forward to the weekend. Our demise may be inevitable, but for now, kick back and enjoy selections from this lovingly restored, limited edition boxed set of “Apes” music from La-La Land Records.

    Today on “Picture Perfect,” in the wake of my spoken intro about Jerry Goldsmith’s seminal score, delivered earlier this week, prior to a screening of the first film at Princeton Garden Theatre, I am primed for primates. I hope you’ll join me as we sample music from “Planet of the Apes” (1968),” “Beneath the Planet of the Apes” (1970), “Escape from the Planet of the Apes” (1971), “Conquest of the Planet of the Apes” (1972), and “Battle for the Planet of the Apes” (1973). Composers will include Goldsmith (who also scored “Escape”), Leonard Rosenman (“Beneath” and “Battle”), and Tom Scott (“Conquest”).

    Has there ever been a more nihilistic series pitched to a family audience? From the era of Flower Power, the Vietnam War, and the Nixon administration, “Planet of the Apes” was the ultimate bad trip. As I say, it’s easy to view these films as silly, escapist fare, but more than half a century later, the themes, subtexts and overarching message of “Planet of the Apes” remain disconcertingly relevant.

    Keep your filthy paws off me, you damn dirty apes! Yes we have no bananas, on “Picture Perfect,” music for the movies, now in syndication on KWAX, the radio station of the University of Oregon!


    Clip and save the start times for all three of my recorded shows:

    PICTURE PERFECT, the movie music show – Friday at 8:00 PM EDT/5:00 PM PDT

    SWEETNESS AND LIGHT, the light music program – Saturday at 11:00 AM EDT/8:00 AM PDT

    THE LOST CHORD, unusual and neglected rep – Saturday at 7:00 PM EDT/4:00 PM PDT

    Stream them, wherever you are, at the link!

    https://kwax.uoregon.edu/

  • Planet of the Apes Score Celebrated at Princeton

    Planet of the Apes Score Celebrated at Princeton

    Despite the rain, I’m happy to report there was a very nice turn-out last night for the Princeton Garden Theatre’s screening of “Planet of the Apes.” I spoke beforehand about Jerry Goldsmith’s bold and imaginative music. Also, there was the enticement of trivia and prizes! (The Garden has the most knowledgeable and passionate audiences.)

    The film was shown as part of the theatre’s “Keeping the Score” series, lovingly curated to illuminate the powerful contributions of music, in all its varieties, to the collaborative art form that is cinema. Next up: Franz Waxman’s score for Alfred Hitchcock’s “Rebecca” on June 4. The schedule for the next few months is posted on the Garden’s website. Thank you, Princeton Garden Theatre. It was heartening to find that people clearly still love their “Apes!”

    https://www.princetongardentheatre.org

    Since I am primed for primates, the focus of my movie music show, “Picture Perfect,” this week will be a survey of all five of the “Apes” scores from this era, including music by Goldsmith, Leonard Rosenman, and Tom Scott. The show will air on KWAX, this Friday at 8:00 p.m. EDT/5:00 p.m. PDT. Stream it wherever you are at the link!

    https://kwax.uoregon.edu/

  • Ape Sounds Goldsmith’s Score at Princeton Garden

    Ape Sounds Goldsmith’s Score at Princeton Garden

    I’ll be talking about Jerry Goldsmith’s music for the 1968 classic “Planet of the Apes” as a brief intro to a screening of the ultimate sci-fi switcheroo at Princeton Garden Theatre tomorrow night at 7:00.

    My appearance ties in with the Garden’s ongoing series, “Keeping the Score,” lovingly curated to highlight the artistry of the great film composers and their indispensable contributions to enduring audience favorites.

    You’ll find the current schedule here:

    https://www.princetongardentheatre.org/score

    Lots more repertory films to enjoy during Hollywood Summer Nights:

    https://www.princetongardentheatre.org/hsn

    The Garden homepage:

    https://www.princetongardentheatre.org/


    PHOTOS: Goldsmith (top) and going ape

  • Going Ape for Classic Movie Music

    Going Ape for Classic Movie Music

    With the publicity machine going full-throttle for the new “Planet of the Apes” movie, I thought we’d take the opportunity this week, on “Picture Perfect,” to look back to Jerry Goldsmith’s music for the original 1968 classic.

    Goldsmith incorporated all sorts of unusual effects into his groundbreaking score. He employed such instruments as tuned mixing bowls, a bass slide-whistle, and the cuika, a Brazilian wind instrument used to mimic the hooting of excited apes. He instructed his hornists to play without mouthpieces, and he manipulated percussion through the use of an Echoplex.

    Barbaric and unnerving, with little in the way of lyricism, I can’t imagine anything like it being used in a major Hollywood film today. Well, from my description, I guess I can, but Goldsmith was the real deal – a talented composer with real tools (not just a laptop) at his disposal.

    While my initial impulse had been to fill out the hour with music from some of the other films in the “Apes” franchise, after listening for a while, the grimness and brutality became a bit too unremitting, so instead we’ll swing with the gorilla theme.

    Among the other selections will be an extended passage from the Dian Fossey biopic, “Gorillas in the Mist,” which starred Sigourney Weaver and featured music by Maurice Jarre, of “Lawrence of Arabia” and “Doctor Zhivago” fame, though from his later, lamentable “electronic” period.

    We’ll also hear a bit from the “Mighty Joe Young” remake, since, at the time I recorded the show, I couldn’t get a hold of Roy Webb’s score for the original (since remedied). The music is pretty much standard James Horner (eg. “Titanic”), though he does incorporate a Swahili choir.

    Finally, we’ll sample from Max Steiner’s landmark score to the 800-pound gorilla of all monkey movies, 1933’s “King Kong.”

    I hope you’ll join me as we go ape this week, on “Picture Perfect,” music for the movies, now in syndication on KWAX, the radio station of the University of Oregon!


    Remember, KWAX is on the West Coast, so there’s a three-hour difference for those of you listening in the East. Here are the respective air-times for all three of my recorded shows (with East Coast conversions in parentheses):

    PICTURE PERFECT, the movie music show – Friday on KWAX at 5:00 PM PACIFIC TIME (8:00 PM EASTERN)

    SWEETNESS AND LIGHT, the light music program – ALL NEW! – Saturday on KWAX at 8:00 AM PACIFIC TIME (11:00 AM EASTERN)

    THE LOST CHORD, unusual and neglected rep – Saturday on KWAX at 4:00 PM PACIFIC TIME (7:00 PM EASTERN)

    Stream all three, at the times indicated, by following the link!

    https://kwax.uoregon.edu/


    “Take your stinkin’ paws off me…!” (with Goldsmith’s music, including cuika effects):

    https://www.youtube.com/watch?v=enRpeRUawNY

  • Planet of the Apes Roy’s Sci-Fi Chat

    It hardly seemed right to stomp on anyone’s Fourth with reflections on a post-apocalyptic Lady Liberty, so I’m only just getting around to sharing Roy Bjellquist’s and my Friday bull session about “Planet of the Apes.”

    “Roy’s Tie-Dye Sci-Fi Corner” live-streams on Facebook every Friday and Sunday at 7 p.m. EDT. Roy’s guest tonight will be Marc Cushman, author of a series of books, “These Are the Voyages,” about the original “Star Trek” TV series.

    https://www.facebook.com/roytiediescificorner/

    Thanks again for the yuks, Roy. Live long and prosper!

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