Tag: Porgy and Bess

  • George Gershwin American Original

    George Gershwin American Original

    He began his career as a song plugger on New York’s Tin Pan Alley. He was “discovered” by Al Jolson, who gave him his biggest hit. He composed a string of successful stage musicals with lyrics by his brother, Ira.

    Though he had classical training, he was turned away by both Nadia Boulanger and Maurice Ravel, on the grounds that they didn’t want to spoil his natural voice. He played tennis with Arnold Schoenberg, who also refused him lessons. He kept an autographed photo of Alban Berg in his apartment, next to one of Jack Dempsey.

    His musical, “Of Thee I Sing,” was the first to win a Pulitzer Prize. His opera, “Porgy and Bess,” was a failure at its premiere. His songs graced elegant screen comedies of the 1930s. In the concert hall, he was America’s most authentic voice.

    George Gershwin died of a brain tumor in 1937, at the age of 38. Reportedly, his last words were “Fred Astaire.”

    All just the tip of the ice afloat in bathtub gin for this multifaceted American original. Happy 125, George!


    Gershwin documentary that aired on the History Channel and was distributed by A&E – back when A&E was still A&E!


    Clockwise from left: George himself; at the keyboard with Fred Astaire and Ira; painting a portrait of Arnold Schoenberg

  • George Gershwin Life in Music Broadway Jazz

    George Gershwin Life in Music Broadway Jazz

    He began his career as a song plugger on New York’s Tin Pan Alley. He was “discovered” by Al Jolson, who gave him his biggest hit. He composed a string of successful stage musicals with lyrics by his brother, Ira.

    Though he had classical training, he was turned away by both Nadia Boulanger and Maurice Ravel, on the grounds that they didn’t want to spoil his natural voice. He played tennis with Arnold Schoenberg, who also refused him lessons. He kept an autographed photo of Alban Berg in his apartment, next to one of Jack Dempsey.

    His musical, “Of Thee I Sing,” was the first to win a Pulitzer Prize. His opera, “Porgy and Bess,” was a failure at its premiere. His songs graced elegant screen comedies of the 1930s. In the concert hall, he was America’s most authentic voice.

    George Gershwin died of a brain tumor in 1937, at the age of 38. Reportedly, his last words were “Fred Astaire.”

    Here are a couple of fascinating documents, set down in 1926, of Fred and Adele Astaire singing with Gershwin at the piano.

    The Astaires headlined two of Gershwin’s Broadway musicals, “Lady Be Good!” (1924) and “Funny Face” (1927). Adele married in 1932 and retired from show business. Fred later starred in the film musicals “Shall We Dance”(1937) and “A Damsel in Distress” (1937), both at least partially scored by Gershwin.

    Gershwin received his only Academy Award nomination for Best Original Song in 1937, for “They Can’t Take That Away from Me,” from “Shall We Dance.” The nomination was posthumous, as Gershwin had died two months after the film’s release.

    The flame that burns twice as bright burns half as long. Happy birthday, George Gershwin.


    PHOTO (left to right): Fred, George and Ira

  • George Gershwin American Original

    George Gershwin American Original

    He began his career as a song plugger on New York’s Tin Pan Alley. He was “discovered” by Al Jolson, who gave him his biggest hit. He composed a string of successful stage musicals with lyrics by his brother, Ira.

    Though he had classical training, he was turned away by both Nadia Boulanger and Maurice Ravel, on the grounds that they didn’t want to spoil his natural voice. He played tennis with Arnold Schoenberg, who also refused him lessons. He kept an autographed photo of Alban Berg in his apartment, next to one of Jack Dempsey.

    His musical, “Of Thee I Sing,” was the first to win a Pulitzer Prize. His opera, “Porgy and Bess,” was a failure at its premiere. His songs graced elegant screen comedies of the 1930s. In the concert hall, he was America’s most authentic voice.

    George Gershwin died of a brain tumor in 1937, at the age of 38. Reportedly, his last words were “Fred Astaire.”

    I invite you to join me this afternoon, as I salute this versatile composer on his birthday anniversary. Gershwin’s music will be among our featured highlights, between 4 and 7 p.m. EDT, on WWFM – The Classical Network and at wwfm.org.

  • Moross’s Western Soundscapes Celebrated

    Moross’s Western Soundscapes Celebrated

    When “Porgy and Bess” concluded its New York run in 1935, George Gershwin invited Jerome Moross to join the show, on tour, as a pianist. It was on a bus trip to Los Angeles to participate in “Porgy’s” west coast premiere that the 23 year-old composer made a stop in Albuquerque.

    “[A]s we hit the Plains I got so excited,” Moross recollected. “. . .[T]he next day I got to the edge of town and then walked out onto the flat land with a marvelous feeling of being alone in the vastness, with the mountains cutting off the horizon. The whole thing was just too much for me . . . it was marvelous, and I just fell in love with it.”

    The experience served him well, as some of his most famous music, the Academy Award-nominated score for “The Big Country,” enshrines that sense of excitement in the face of sweeping vistas. Western high-spirits and American jazz color most of Moross’ output, whether for the silver screen, musical theater, or concert hall.

    We’ll celebrate the composer’s birthday this afternoon, with selections from all three, during my air shift, from 4 to 7 p.m. EDT, on WWFM – The Classical Network and at wwfm.org.

    Also listen for selections by Enrique Granados and Ernst von Dohnányi, left over from last Wednesday, when my car broke down on the way to the station. Get a horse!

  • Princeton Festival’s Porgy & Bess Review

    Princeton Festival’s Porgy & Bess Review

    If you’re interested, here’s my review of The Princeton Festival’s fine “Porgy and Bess” in today’s Trenton Times. Remaining performances take place at McCarter Theatre Center tonight at 8 and Sunday afternoon at 3.

    http://www.nj.com/times-entertainment/index.ssf/2014/06/review_princeton_festivals_por.html

    Also, Westminster Choir College’s CoOPERAtive Program is offering three weeks worth of recitals and master classes involving emerging artists at Bristol Chapel and the Princeton Regional Schools Performing Arts Center. All events are free and open to the public. You can find out more about it by following the link. (As is so often the case, those peculiar, online paragraph breaks are not mine!)

    http://www.nj.com/times-entertainment/index.ssf/2014/06/westminster_choir_colleges_coo.html

    PHOTO: Kenneth Overton, as Jake, sings “A Woman is a Sometime Thing”

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