Tag: Princeton University

  • Remembering William Scheide Bach Scholar

    Remembering William Scheide Bach Scholar

    Princeton philanthropist, humanitarian and Bach scholar William H. Scheide died on November 14, 2014.

    To mark what would have been Scheide’s 101st birthday today, WWFM commissioned me to put together a two-hour tribute, complete with interviews with those who knew him best, including oboist and recorder virtuoso John Burkhalter, conductor Mark Laycock, pianist and associate director of the Scheide Fund Mariam Nazarian, former Scheide librarian Wlliam Stoneman, WPRB radio personality (with a capital “P”) Teri Noel Towe, Bach scholar Christoph Wolff, and of course his wife, Judith Scheide.

    The program will also feature rare recordings of the Bach Aria Group, an ensemble Scheide founded in 1946 and directed for over 30 years. The Bach Aria Group included as regulars or guests such musical luminaries as Eileen Farrell, Carol Smith, Jan Peerce, Maureen Forrester, Jennie Tourel, Norman Farrow, Marian Anderson, Mack Harrell, William Warfield, Julius Baker, Robert Bloom, Maurice Wilk, Oscar Shumsky, Bernard Greenhouse, Yehudi Wyner, and so many others. Robert Shaw even conducts one of the recordings.

    There’s also an excerpt from a rare radio broadcast which originally aired in 1948, with Scheide explaining the mission of the group, and a private recording of Scheide at the piano, playing Chopin, at the age of 92.

    In addition to his Bach research and rare book collecting, for which he is justly celebrated, Scheide aided not only Princeton University and Westminster Choir College of Rider University, but any number of charitable organizations, to promote education, health, civil rights, relief from poverty and hunger, and the general welfare of mankind.

    The next Scheide benefit concert, with Laycock conducting the English Chamber Orchestra at Philadelphia’s Kimmel Center for the Performing Arts on January 27, will benefit the music and education program, Musicopia.

    The station has been promoting this tribute to an embarrassing degree, so it’s a good thing I finished editing it shortly before 8:00 this morning, after an all-nighter fueled by burritos and Dunkin’ Donuts tea.

    It’s only seconds away. Tune in to http://www.wwfm.org at 12 ET for “William H. Scheide: A Job Well Done.” If you miss it, I’m told it will be posted on the station website. I wouldn’t be in the least bit surprised if it is also rerun at some point. The title is stolen from the eminently quotable Towe.

    The opening is brilliant, if I do say so myself. It may get less so as the two hours grind on. It remains to be heard.

    Priceless photos of the Bach Aria Group here:

    http://www.bach-cantatas.com/Bio/BAG-2.htm

  • Guitar Duo Concert at TCNJ & Princeton

    Guitar Duo Concert at TCNJ & Princeton

    If you’re in the area and you’d enjoy a musical serenade to go along with your peanut butter and banana sandwich, head on over to The College of New Jersey in Ewing for today’s “brown bag” concert.

    Laura Oltman, who has taught guitar at Princeton University for over three decades, will join her husband, Michael Newman, who is new to the TCNJ faculty. Newman & Oltman will perform works for guitar duet by Ferdinando Carulli, Johann Nepomuk Hummel and Astor Piazzolla.

    In addition, flutist Jayn Rosenfeld will join Oltman for Mauro Giuliani’s Gran Duetto Concertante, Op. 52. The hour-long concert will be held at Mayo Concert Hall in the college’s music building, beginning at 12:30. Bagged lunches are welcome.

    Oltman and Rosenfeld will repeat the Giuliani work on Sunday, as part of concert by Richardson Chamber Players, to be held at Princeton University’s Richardson Auditorium, beginning at 3. The predominantly wind program will also include works by Mozart and Francis Poulenc. Oltman will preface Poulenc’s Sextet with a late guitar work, the “Sarabande,” from 1960.

    Newman also teaches at Mannes College of Music in New York, and Oltman at Lafayette College in Easton, Pa. The Newman & Oltman Guitar Duo is ensemble-in-residence at Mannes.

    Husband and wife will reunite for a Christmas concert at Villa Milagro Vineyards in Finesville, NJ, on Dec. 6 at 6:30 p.m.

    To learn more about it – and them – check out my article in today’s Trenton Times:

    http://www.nj.com/times-entertainment/index.ssf/2014/11/classical_music_newman_oltman.html

    PHOTO: Newman & Oltman: Zing! go the strings of their art

  • Birtwistle at 80 A Hesitant Appreciation

    Birtwistle at 80 A Hesitant Appreciation

    Today is the 80th birthday of Sir Harrison Birtwistle, a composer whose music I can’t say I’ve ever really warmed to. Despite sharing his fascination with Gawain, Punch, the Minotaur, Anubis, Orpheus, King Kong(!) and any other number of subjects which form the bases for his operas and concert works, I have a hard time finding anything on which to get a toehold. I’m not really sure quite what it is, since I don’t really need music to be “easy” or even tonal.

    At least his most famous contemporary and former fellow enfant terrible of the so-called Manchester School, Sir Peter Maxwell Davies (now Master of the Queen’s Music and therefore part of “the establishment”), was not afraid to allow some wit to show through his music from time to time. Perhaps it is my own shortcoming for not taking the trouble to immerse myself totally in Birtwistle’s work.

    Birtwistle has a local connection, by the way. He attended Princeton University on a Harkness Fellowship, starting in 1965. There, he completed his opera “Punch and Judy,” which begins with Punch tossing his baby into the fire, then commencing a murder spree, beginning with the stabbing of his wife, Judy. All this is enacted in human form, inevitably making it much more disturbing than when played out by puppets.

    Perhaps you will find something to like in one of these pieces recommended in The Guardian.

    http://www.theguardian.com/music/tomserviceblog/2014/jul/15/harrison-birtwistle-80th-birthday-five-introductory-pieces

    If I had to recommend one with which to start, it would be “Earth Dances” from 1986. I confess, listening to it now, it is not as impenetrable as I remember it being. In fact, it actually kind of makes sense. Good Lord, I may actually be warming to it!

    In general, I sense a primordial connection in Birtwistle’s work, though it’s not someplace I choose to live. At least the music seems to have integrity, which can’t always be claimed of many pieces of an easier disposition.

    See what you think. Here’s “Earth Dances” again, on YouTube. The poster certainly had a field day with the imagery:

    Stark, uncompromising, often brutal, always provocative – enjoy your special day, Harry!

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