Classic Ross Amico

Tag: Rafael Sabatini

Sabatini’s Swashbucklers on Picture Perfect

This year marks the 150th anniversary of the birth of Rafael Sabatini (on April 29, 1875) and the 75th anniversary of his death (on February 13, 1950).

Though Sabatini’s popularity may have faded somewhat over the decades, in his day the Italian-English writer might have been regarded as the heir apparent to Alexandre Dumas. His bestselling novels are full of romance and derring-do. However, unlike Dumas, I’m not sure if any of his books have really endured in the consciousness of the wider public.

His memory is kept alive principally through film adaptations of his works. And why not? His incident-filled pages seem tailor-made for the silver screen. Film adaptations of “Scaramouche,” “The Sea Hawk” and “Captain Blood” were all made during the silent era. As recently as 2006, a long-lost John Gilbert classic, adapted from Sabatini’s “Bardelys the Magnificent,” was rediscovered in France. Several of these, of course, were remade, more or less, to even greater success during the era of talking pictures.

This week on “Picture Perfect,” we’ll hear Erich Wolfgang Korngold’s music for the Errol Flynn classics “Captain Blood” (1935) and “The Sea Hawk” (1940). The former provided Flynn with his breakout role; the latter actually has nothing at all to do with Sabatini’s original plot, despite the writer’s prominent onscreen credit.

We’ll also enjoy Alfred Newman’s rollicking main title music for the pirate opus “The Black Swan” (1942), which starred Tyrone Power, and one of Victor Young’s most rousing and melodically inventive scores, for “Scaramouche” (1952), which featured Stewart Granger in probably the best swashbuckler of the 1950s.

Polish up those seven-league boots and don your gaudiest plumage. We’ll set sail with scores from movies inspired by the novels of Rafael Sabatini on “Picture Perfect,” now in syndication on KWAX, the radio station of the University of Oregon!

Clip and save the start times for all three of my recorded shows:

PICTURE PERFECT, the movie music show – Friday at 8:00 PM EDT/5:00 PM PDT

SWEETNESS AND LIGHT, the light music program – Saturday at 11:00 AM EDT/8:00 AM PDT

THE LOST CHORD, unusual and neglected rep – Saturday at 7:00 PM EDT/4:00 PM PDT

Stream them, wherever you are, at the link!

https://kwax.uoregon.edu/

July 18, 2025
Sabatini Swashbucklers on WWFM

Though Rafael Sabatini’s popularity may have faded somewhat over the decades, in his day the Italian-English writer might have been regarded as the heir apparent to Alexandre Dumas. His bestselling novels are full of romance and derring-do. However, unlike Dumas, I’m not sure if any of his books have really endured in the consciousness of the wider public.

His memory is kept alive principally through film adaptations of his works. And why not? His incident-filled pages seem tailor-made for the silver screen. Film adaptations of “Scaramouche,” “The Sea Hawk” and “Captain Blood” were all made during the silent era. A long-lost John Gilbert classic adapted from Sabatini’s “Bardelys the Magnificent” has only recently been rediscovered. Several of these, of course, were remade, more or less, to even greater success during the era of talking pictures.

This week on “Picture Perfect,” we’ll hear Erich Wolfgang Korngold’s music for the Errol Flynn classics “Captain Blood” (1935) and “The Sea Hawk” (1940). The former provided Flynn with his breakout role; the latter actually has nothing at all to do with Sabatini’s original plot, despite the writer’s prominent onscreen credit.

We’ll also enjoy Alfred Newman’s rollicking main title music for the pirate opus “The Black Swan” (1942), which starred Tyrone Power, and one of Victor Young’s most rousing and melodically inventive scores, for “Scaramouche” (1952), which featured Stewart Granger in probably the best swashbuckler of the 1950s.

Polish up those seven-league boots and don your gaudiest plumage. We’ll set sail with movies inspired by the novels of Rafael Sabatini on “Picture Perfect,” this Saturday evening at 6:00 EDT, on WWFM – The Classical Network and wwfm.org!

July 16, 2022
Korngold Hollywoods Golden Age Composer

Happy birthday, Erich Wolfgang Korngold!

This week on “Picture Perfect,” we’ll celebrate one of the most influential composers of Hollywood’s Golden Age, by way of two of his most popular scores, both of them for film adaptations of the novels of Rafael Sabatini.

Though Sabatini’s own popularity has faded somewhat with the passage of time, in his day the Italian-English writer might have been regarded as heir apparent to Alexandre Dumas. His bestselling novels are full of romance and derring-do. However, I’m not sure if any of them have really endured in the consciousness of the wider public.

Sabatini’s incident-filled pages seem ready-made for the silver screen. Film adaptations of “Scaramouche,” “The Sea Hawk” and “Captain Blood” were made during the silent era. A long-lost John Gilbert classic, adapted from Sabatini’s “Bardelys the Magnificent,” has only recently been rediscovered. Several of these, of course, were remade, more or less, to great success during the era of talking pictures.

We’ll hear Korngold’s music for the Errol Flynn classics “Captain Blood” (1935) and “The Sea Hawk” (1940). The former provided Flynn with his breakout role; the latter actually has nothing at all to do with Sabatini’s original plot, despite the writer’s prominent onscreen credit.

We’ll also enjoy Alfred Newman’s rollicking main title music for the pirate opus “The Black Swan” (1942), which starred Tyrone Power, and one of Victor Young’s most rousing and melodically inventive scores, for “Scaramouche” (1952), which featured Stewart Granger in probably the best swashbuckler of the 1950s.

Polish up those seven-league boots and don your gaudiest plumage. Then join me, as we set sail with Erich Wolfgang Korngold and friends, and the novels of Rafael Sabatini, on “Picture Perfect,” music for the movies, this Friday evening at 6:00 EDT, on WWFM – The Classical Network and wwfm.org.

May 29, 2020
Sabatini, Swashbucklers & Silver Screen Gold

Though Rafael Sabatini’s popularity has faded somewhat over the decades, in his day the Italian-English writer might have been regarded as the heir apparent to Alexandre Dumas. His bestselling novels are full of romance and swordplay. However, I’m not sure if any of them have really endured in the public consciousness.

Sabatini’s incident-filled pages seem ready-made for the silver screen. Film adaptations of “Scaramouche,” “The Sea Hawk” and “Captain Blood” were made during the silent era. A long-lost John Gilbert classic, adapted from Sabatini’s “Bardelys the Magnificent,” has only recently been rediscovered. Several of these, of course, were remade, more or less, to great success during the era of talking pictures.

This week on “Picture Perfect,” we’ll hear Erich Wolfgang Korngold’s music for the Errol Flynn classics “Captain Blood” (1935) and “The Sea Hawk” (1940). The former film provided Flynn with his breakout role; the latter actually has nothing at all to do with Sabatini’s original plot, despite his onscreen credit.

We’ll also enjoy Alfred Newman’s rollicking main title music for the pirate opus “The Black Swan” (1942), which starred Tyrone Power, and one of Victor Young’s most rousing and melodically inventive scores, for “Scaramouche” (1952), which featured Stewart Granger in probably the best swashbuckler of the 1950s.

“Picture Perfect” sets sail at 6:00 this evening. Tune in a little earlier to enjoy a broadcast concert by Concordia Chamber Players, as always compellingly curated by the ensemble’s artistic director, Michelle Djokic.

The program will include one of Korngold’s finest chamber works, his Suite for Two Violins, Cello and Piano Left-Hand, written for the one-armed Austrian pianist Paul Wittgenstein (for whom Ravel wrote his famous piano concerto); also the String Quartet No. 1 by Korngold’s teacher, Alexander Zemlinsky. Glenn Smith will be your host for this special concert, which will come your way at a special time.

You’ll get two faces of Korngold today, with Concordia Chamber Players at 4 p.m. EST and on “Picture Perfect” at 6 p.m., on WWFM – The Classical Network and at wwfm.org.

January 20, 2017

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