Tag: Randy Newman

With the grand cacophony of Christmas still fresh in everyone’s ears, I thought it only appropriate this week on “Picture Perfect” to focus on music from movies about toys.

Without giving anything away, in the unlikely event you don’t already know the story’s big pay-off, “Citizen Kane” (1941) is a film flanked by toys. There’s even a snow globe in the film’s opening montage. A certain memory of Kane’s childhood provides a poignant glimpse of the larger-than-life newspaper magnate’s lost innocence. “Kane” is often cited as one of the greatest films ever made. Orson Welles triumphed in his debut as writer-director-star, even if, ultimately, his creation proved to be a bottle rocket that blew up in his face. The film also marked the Hollywood debut of composer Bernard Herrmann.

I’m not sure that “Pee-wee’s Big Adventure” (1985) could be described as the “Citizen Kane” of the ‘80s, exactly, but this endearingly goofy sojourn into the surreal does revolve around the recovery of a lost toy, as Pee-wee, the eternal boy, determines to make his way to “the basement of the Alamo” in an attempt to reclaim his stolen bike. The feature was director Tim Burton’s first. It was also his first collaboration with Danny Elfman, who is obviously a big fan of Nino Rota.

The husband-and-wife team of Charles and Ray Eames are better known for their contributions to architecture, industrial design, and manufacturing, but they also made short films. “Toccata for Toy Trains” (1957) was inspired by the Eames’ passion for vintage toys. The score was provided by their go-to composer, Elmer Bernstein.

Finally, in acknowledgement of the greatest toy series of our day, we’ll conclude with music from “Toy Story” (1995), the first full-length computer animated feature. The quality of the film propelled it beyond mere novelty status into the realm of instant classic, and the beloved “Toy Story” franchise has raked in hundreds of millions of dollars. Early on, it was decided by the filmmakers that they did not want “Toy Story” to be a musical, but that songs could be used to underline its emotional content. Randy Newman has provided the music for all the “Toy Story” films so far. He was recognized with an Academy Award for his work on “Toy Story 3,” for the song, “We Belong Together.”

Keep popping those aspirin. It’s “Toys Everywhere” this week, on “Picture Perfect,” music for the movies, now in syndication on KWAX, the radio station of the University of Oregon!

Clip and save the start times for all three of my recorded shows:

PICTURE PERFECT, the movie music show – Friday at 8:00 PM EST/5:00 PM PST

SWEETNESS AND LIGHT, the light music program – ALL NEW! – Saturday at 11:00 AM EST/8:00 AM PST

THE LOST CHORD, unusual and neglected rep – Saturday at 7:00 PM EST/4:00 PM PST

Stream them, wherever you are, at the link!

https://kwax.uoregon.edu/

With the grand cacophony of Christmas still fresh in everyone’s ears, I thought it only appropriate this week on “Picture Perfect” to focus on music from movies about toys.

Without giving anything away, in the unlikely event you don’t already know the story’s big pay-off, “Citizen Kane” (1941) is a film flanked by toys. There’s even a snow globe in the film’s opening montage. A certain memory of Kane’s childhood provides a poignant glimpse of the larger-than-life newspaper magnate’s lost innocence. “Kane” is often cited as one of the greatest films ever made. Orson Welles triumphed in his debut as writer-director-star, even if, ultimately, his creation proved to be a bottle rocket that blew up in his face. The film also marked the Hollywood debut of composer Bernard Herrmann.

I’m not sure that “Pee-Wee’s Big Adventure” (1985) could be described as the “Citizen Kane” of the ‘80s, exactly, but this endearingly goofy sojourn into the surreal does revolve around the recovery of a lost toy, as Pee-Wee, the eternal boy, determines to make his way to “the basement of the Alamo” in an attempt to reclaim his stolen bike. The feature was director Tim Burton’s first. It was also his first collaboration with Danny Elfman, who is obviously a big fan of Nino Rota.

The husband-and-wife team of Charles and Ray Eames are better known for their contributions to architecture, industrial design, and manufacturing, but they also made short films. “Toccata for Toy Trains” (1957) was inspired by the Eames’ passion for vintage toys. The score was provided by their go-to composer, Elmer Bernstein.

Finally, in acknowledgement of the greatest toy series of our day, we’ll conclude with music from “Toy Story” (1995), the first full-length computer animated feature. The quality of the film propelled it beyond mere novelty status into the realm of instant classic, and the beloved “Toy Story” franchise has raked in hundreds of millions of dollars. Early on, it was decided by the filmmakers that they did not want “Toy Story” to be a musical, but that songs could be used to underline its emotional content. Randy Newman has provided the music for all the “Toy Story” films so far. He was recognized with an Academy Award for his work on “Toy Story 3,” for the song, “We Belong Together.”

Keep popping those aspirin. It’s “Toys Everywhere” this week, on “Picture Perfect,” music for the movies, this Friday evening at 6:00 EST, on WWFM – The Classical Network and wwfm.org.