This week on Roy’s Tie-Dye Sci-Fi Corner, we’ve got the need for mead!
“The Vikings” (1958) is the kind of film they just don’t make anymore, an overheated historical adventure built on sibling rivalry, cosmic irony, Wagnerian tragedy, and ultimate redemption, with plenty of old-school romance and rip-roaring action along the way.
Richard Fleischer, who directed some terrific genre pictures in the 1950s and ‘60s, including “20,000 Leagues Under the Sea” and “Fantastic Voyage,” helms the definitive film about the Norsemen.
This is one movie that still grips and entertains, even as it educates (sort of) with its meticulous reconstruction of Viking dragon boats (built using actual medieval Viking plans) and period-accurate village setting in the actual fjords of Hardanger, Norway.
Kirk Douglas produced the film, which is certainly a showcase for his physical fitness. So we see him riding bareback, running across oars, and climbing a closed drawbridge on an impromptu ladder of hurled battle axes – while co-star Tony Curtis looks on sullenly in his short shorts. At least Curtis was married to the leading lady, Janet Leigh. That said, no one looks like he’s having more fun than Ernest Borgnine. But you just know Ernie was like that in real life.
“The Vikings” stealthily draws you into a relatable human story even as it offers up the vicarious enjoyment of Viking excesses. And Mario Nascimbene’s haunting score, evocative of a spirit of grandeur and adventure – now seemingly (and sadly) a thing of the past, as today’s movies become increasingly mired in claustrophobia and neurosis – is not easily forgotten, a thing of beauty and nobility.
Grab your drinking horn! There will be wenching and pillaging galore in the comments section, as Roy and I trade blows over “The Vikings.” Our brawny exchange will be livestreamed on Facebook, YouTube, etc., this Friday evening at 7:00 EST!
There’s “Nor-way” you’ll want to miss it!
ODINNNNNNNNNNNNNNNNNNNNNNNNNNN!!!!!
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Enjoy a recent recording of Nascimbene’s music here:




