Tag: Sci-Fi

  • Hugh Sung Pianist Sci-Fi Fan

    Hugh Sung Pianist Sci-Fi Fan

    Last night, pianist Hugh Sung was kind enough to join Roy and me on Roy’s Tie-Dye Sci-Fi Corner to share his dual enthusiasms for music and science fiction. Despite the facts that I’ve worked in classical music and lived in Philadelphia for over 30 years, and Hugh studied and worked often within several blocks of me, at the Curtis Institute of Music, we never actually met until a year or two ago, when Roy introduced us at his church, where Hugh serves as music director!

    So it was great to be able to spend a little time with him and to hear just a bit about his experiences at Curtis, especially with his teachers, the long-lived Eleanor Sokoloff (who died in 2020 at the age of 106!), who I used to wave to every morning as I walked my dog, and Jorge Bolet, world-famous for, among other things, his recordings of Franz Liszt. Hugh himself has made innumerable recordings and has accompanied musicians from the legendary (Aaron Rosand and Julius Baker) to the contemporary (Hilary Hahn and Jasmine Choi). During the course of the show, he also talks about some technological innovations he devised to assist classical performers in the digital age.

    His love of science fiction reaches back to his childhood and obviously continues in the present, as evidenced by some of the videos he’s made of sci-fi and fantasy themes, often with his wife, pianist Madalina Danila. In fact, it was one of those videos that got the show yanked last night from Facebook, for alleged copyright violation, but you can still view it complete on YouTube, by following the link.

    Ha! Totally missed out on this! Hugh’s also a foodie. Poke around his website for more fun.

    https://hughsung.com/plates

    His arrangement of “Black Coffee,” played with Philadelphia Orchestra principal flutist Jeffrey Khaner

    Thanks for the visit, and the music, Hugh Sung!

  • Sci-Fi Music with Pianist Hugh Sung

    Sci-Fi Music with Pianist Hugh Sung

    You might assume that, having been involved in classical music radio and journalism for nearly 40 years, I was the one to invite pianist Hugh Sung to join us tonight on Roy’s Tie-Dye Sci-Fi Corner. After all, Hugh was born and bred in Philadelphia (where I lived for 32 years) and attended the Curtis Institute of Music (for much of that period, one of my regular hang-outs). Not long after graduation, Hugh joined the Curtis faculty.

    Over the years, I have broadcast many of his recordings (he’s accompanied just about everyone, from Julius Baker and Aaron Rosand to Hilary Hahn and Leila Josefowicz), from physical media in station libraries and my own collection, while Hugh, unbeknownst to me, pursued a parallel career in technological innovation as it relates to classical music and its performance.

    He co-founded AirTurn, a company revolutionizing digital sheet music with hands-free page-turning pedals, and joined ArtistWorks, where he teaches students worldwide through a video exchange system. In the corporeal world, he serves as Vice President of Cunningham Piano Company.

    So yeah, taking all that into account, you might think I was the one who lassoed him. However, it was actually Roy who booked him, as, on top of everything else, Hugh is the music director at Roy’s church!

    More to the point, Hugh happens to be a huge sci-fi fan. So he’s going to join us tonight to talk about science fiction and music, which I’m sure will lead to a lively discussion of some of our favorite genre film and television scores.

    Whether it be Brahms or Borgs, one way or another, we’ll be geeking-out, when Hugh Sung beams in to “Roy’s Tie-Dye Sci-Fi Corner.” The conversation will be livestreamed on Facebook, YouTube, etc., this Sunday evening at 7:00 EDT!

    https://www.facebook.com/roystiedyescificorner

    For just a taste, Hugh talks about sci-fi pianos on this video produced for Cunningham Piano Company:

  • X The Man with the X-Ray Eyes Movie Review

    X The Man with the X-Ray Eyes Movie Review

    The announcement “Take 2” would be enough to give a cost-conscious director like Roger Corman the night sweats. Nonetheless, we’ll try it again, as Roy and I discuss Corman’s “X: The Man with the X-Ray Eyes” (1963), rescheduled from Friday. The “eyes” will have it, when you join us for the next Roy’s Tie-Dye Sci-Fi Corner, livestreamed on Facebook, YouTube, etc., this Sunday evening at 7:00 EDT!

    https://www.facebook.com/roystiedyescificorner

  • Roger Corman’s Sci-Fi Legacy & X-Ray Eyes

    Roger Corman’s Sci-Fi Legacy & X-Ray Eyes

    This week on Roy’s Tie-Dye Sci-Fi Corner, it’s high time we celebrate B-movie maestro Roger Corman. Corman, producer and/or director of a hundred films, give or take, died on May 9 at the age of 98.

    One of the key ingredients of Corman’s decades-tested formula of success was his unwavering ability to keep a lid on a budget. There’s a reason he titled his autobiography “How I Made a Hundred Movies in Hollywood and Never Lost a Dime.”

    But he also had an uncanny instinct for titillation and showmanship, and he understood what appealed to the masses, especially the young. Of course, it didn’t hurt that he was also a half-decent storyteller.

    Part of keeping the costs down meant that Corman was always on the look-out for affordable talent. His productions served not only as springboards for new discoveries looking to break into the business, but also roosts for the faded divinity of Hollywood’s Golden Age.

    By the early 1960s, Ray Milland was ready to hang up his hat as an actor (he won an Academy Award for his lead performance in “The Lost Weekend” in 1945), but a combination of boredom (on his part) and annoyance (on his wife’s) drove him back before the cameras for a string of lurid horror hits. One of the most memorable of these was Corman’s “X: The Man with the X-ray Eyes” (1963).

    Overweening scientist Dr. James Xavier uses himself as a guinea pig for experimentation with forces that should not be tampered with (naturally), setting in motion a downward spiral of grim inevitability of a kind that characterized so many creature double features of the era.

    Somehow, having rewatched the film, I feel as if I am repeating Xavier’s mistake in agreeing to Roy’s suggestion that we discuss it this week…

    Some things can’t be unseen! Bring your “insights” to the comments section. We’ll be modeling our “Ray”-Bans, when “X” marks the spot for our conversation about Ray Millard, Roger Corman, and “The Man with the X-ray Eyes.” SEE YOU when we livestream on Facebook, YouTube, etc., this Friday evening at 7:00 EDT!

    https://www.facebook.com/roystiedyescificorner


    If you missed our long-delayed bull session about the classic television series “The Wild Wild West,” here’s the link to that show, which took place surreptitiously (to head off bad luck?) this past Sunday:

  • Saturn 3 How Could It Go So Wrong Sci-Fi

    Saturn 3 How Could It Go So Wrong Sci-Fi

    With a creative team like that assembled for “Saturn 3” (1980) – Hollywood legend Kirk Douglas, ‘70s icon Farrah Fawcett, and Scorsese veteran Harvey Keitel, in a story by “Star Wars” production designer John Barry, developed into a screenplay by acclaimed novelist Martin Amis, directed by “Singin’ in the Rain” maestro Stanley Donen, with a score by “Magnificent Seven” composer Elmer Bernstein – how could it possibly fail? And yet when I saw it in the theater, even as a 13 year-old, I couldn’t believe how bad it was.

    But you know, sometimes the worst movies make for the best discussions. I can only guess that that’s our motivation, in selecting it as our topic for the next Roy’s Tie-Dye Sci-Fi Corner. Roy and I will offer our saturnine assessments of this claustrophobic would-be thriller, about a love triangle between a feather-haired Angel, a dimple-chinned methuselah, and a pin-headed robot.

    To help dull the pain, there will also be some fun recollections from special guest Suzanne Peterson, who was Farrah’s stand-in on the film.

    Join us in hectoring Hector in the comments section. We’ll do our best to eclipse “Saturn 3,” when we livestream on Facebook, YouTube, etc., this Friday evening at 7:00 EDT!

    https://www.facebook.com/roystiedyescificorner

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