Tag: Star Wars

  • John Williams Turns 92 A Film Music Legend

    John Williams Turns 92 A Film Music Legend

    It’s 92 candles on the cake for John Williams – a suitable tribute for the brightest light among living film composers.

    Williams’ career has spanned some 70 years. I know it’s trite to say, but the man is living history. No, really.

    Well before he became a household name in the 1970s, with blockbusters like “Jaws” and “Star Wars,” he worked as an orchestrator and session pianist on such films as “Sweet Smell of Success,” “Bell, Book and Candle, “God’s Little Acre,” “The Big Country,” “Some Like It Hot,” “The Magnificent Seven,” “Studs Lonigan,” “The Apartment,” “Hemingway’s Adventures of a Young Man,” “To Kill a Mockingbird,” “The Guns of Navarone,” “Breakfast at Tiffany’s,” “Charade,” “The Pink Panther,” “The Great Race,” “West Side Story,” and any number of other screen musicals.

    He collaborated or apprenticed with many of the greatest film composers who ever lived, including Elmer Bernstein, Jerry Goldsmith, Bernard Herrmann, Henry Mancini, Jerome Moross, Alfred Newman, Dimitri Tiomkin, and Franz Waxman.

    Of course, he was also composing his own original scores. His first A-list movie assignment was “How to Steal a Million” in 1966. Prior to that, he’d scored some goofy comedies and did TV work. Eddie Cantor once quipped, it takes 20 years to become an overnight success. By the time the wider public began to sit up and take notice of John Williams, with “Jaws” in 1975, that’s about right. By then, he’d already quietly amassed a string of hits and even landed his first Oscar (for adapting “Fiddler on the Roof” in 1971).

    Curious to hear Williams’ first film score? While serving in the U.S. Air Force, Williams was assigned to the Northeast Air Command Band and stationed at Fort Pepperell in St. John’s, Newfoundland, Canada. There, he was approached by a local production company, Atlantic Films, to score a tourism short in 1952, titled “You Are Welcome.” His contribution consists largely of arrangements of local folk tunes, so don’t go into it expecting the unmistakable “Williams sound” he honed in Hollywood. But it will give you a real sense of history.

    https://www.cbc.ca/news/canada/newfoundland-labrador/star-wars-composer-john-williams-first-score-a-1952-newfoundland-film-1.3241603

    Mighty oaks from little acorns grow. You’ve come a long way, baby! Happy birthday, John Williams!


    PHOTOS: Williams today (top), and recording “You Are Welcome” in 1952

  • Star Wars Post-Jedi Rant Livestream

    Star Wars Post-Jedi Rant Livestream

    May 25th. It’s been 40 years since the release of “Return of the Jedi,” the twilight of acceptable “Star Wars.” Hear me rant about everything post-1983, when I join Roy and his (prequel-era) son, Ry, on a special edition of Roy’s Tie-Dye Sci-Fi Corner. Check your Midi-chlorians in the comments section, when we livestream on Facebook, YouTube, etc. Your feeble skills are no match for the power of the Dark Side, this Thursday evening at 7:00 EDT!

    https://www.facebook.com/roystiedyescificorner

  • Star Wars: My Musical Inspiration

    Star Wars: My Musical Inspiration

    Without “Star Wars,” there would be no Classic Ross Amico. I owe a very great debt of gratitude to George Lucas and all the technicians that made the original “Star Wars” the experience it was. And most especially to John Williams for bringing the London Symphony Orchestra to the fore. I spent countless hours drawing, writing, and dreaming to the double-LP soundtrack album as a kid. And the post-modern approach to the music, with its many allusions to the Romantic and early 20th century classical repertoire, revealed new worlds, richer and more limitless than even those portrayed onscreen. My single-minded absorption in this score would determine my life’s path. This was music that was so hip, so in tune with Lucas’ homage-heavy film school chock-a-block, it took years for my developing mind to unpack everything. Pop music didn’t really grab me as a kid. I had no exposure to classical music, but I was always attracted to film music, thanks to old movies that mesmerized me from earliest childhood. I never missed a television broadcast of “King Kong” or “The Bride of Frankenstein” or “The Adventures of Robin Hood.” But experiencing “Star Wars” in the theater was something else entirely. For me, May 25th (the anniversary of the film’s opening in 1977) will always be Star Wars Day. However, for today, I’ll go with the pun everyone seems to love: May the 4th be with you!

  • Patrick Read Johnson 5-25-77 Interview

    Patrick Read Johnson 5-25-77 Interview

    Finally, finally, FINALLY, the much-postponed Patrick Read Johnson was our guest last night on Roy’s Tie-Dye Sci-Fi Corner. This time, neither wild horses nor Fios-munching squirrels hindered an hour of absorbing anecdotes about Steven Spielberg, George Lucas, and the making of 5-25-77.

    We covered a lot of ground, with Johnson talking about the long and winding road to the realization of his autobiographical coming-of-age tale that coalesces around the opening of “Star Wars,” on May 25, 1977. Even so, there’s plenty of material we never touched on. Perhaps at some point there will be a sequel? For now, you can enjoy what we’ve got, here:

    Next Friday, Roy’s guest will be Bonnie Moss, who will share stories about her longtime friendship with actor Leonard Nimoy.

    Then on Sunday, Roy and I will reconvene on a special night to talk about James Cameron’s first sequel to surpass expectations, “Aliens” (1986). Is it better than Ridley Scott’s creepy original? It certainly is a fresh take, and a thrilling one.

    Cameron, of course, would go on to prove it was no accident with the successful sequels “Terminator 2: Judgment Day” and “Avatar: The Way of Water.”

    We’ll do our best to Alien-ate everyone, on “Roy s Tie-Dye Sci-Fi Corner,” when we livestream on Facebook, YouTube, etc., next Friday and Sunday evenings at 7:30 EST!

    https://www.facebook.com/roystiedyescificorner


    Trailer for Johnson’s “5-25-77”

  • 5-25-77 Filmmaker on Roy’s Sci-Fi Corner

    5-25-77 Filmmaker on Roy’s Sci-Fi Corner

    Filmmaker Patrick Read Johnson (bottom right) will be our guest tonight on Roy’s Tie-Dye Sci-Fi Corner, when we talk about his movie 5-25-77. The opening of “Star Wars” on May 25, 1977, was a watershed moment for Johnson, already a teenager obsessed with “2001: A Space Odyssey,” “Planet of the Apes,” and “Jaws,” as evidenced by his own home movie spin-offs.

    The compulsion led him to Hollywood, where he actually got to meet special effects legend Douglas Trumbull, “Close Encounters of the Third Kind” era Steven Spielberg, and John Dykstra, whose revolutionary effects for “Star Wars,” at the time still being created, would change the industry forever. Johnson became one of the first people outside of Dykstra’s Industrial Light and Magic to be shown a rough cut of the movie.

    After that, there was no looking back. Johnson returned to carve out a career for himself as a writer, director, producer, visual effects artist, and sometimes actor. (He plays his own dad in this autobiographical film.)

    Unfortunately, he had to reschedule from January because of connectivity issues, but now all systems are “go” for a jump to light speed with Patrick Read Johnson. Any kid who could figure out “2001: A Space Odyssey” could grow up to answer anything. So bring your questions to the comments section, when we livestream on Facebook, YouTube, etc., this Friday evening at 7:30 EST!

    https://www.facebook.com/roystiedyescificorner

    Trailer for Johnson’s “5-25-77”

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