Tag: Star Wars

  • Destination Moon & Sci-Fi Nostalgia

    Destination Moon & Sci-Fi Nostalgia

    We made it there and back again last night in our discussion of “Destination Moon” (1950). But unlike the astronauts in George Pal’s scrupulously scientific sci-fi classic, we were blithely unconcerned about stripping down our vessel for the return journey. For one thing, with a cup of coffee in me, there was no chance of running out of fuel. Hence, another two-hour conversation about a 90-minute movie.

    Highlight of the night: when Roy’s dad joined us by telephone to share his recollections of seeing the film in the theater on its original release as a ten year-old boy – the same age Roy and I were when we first saw “Star Wars.”

    Check out the movie, if you’ve never seen it, and marvel at everything they got right, even as you acknowledge everything they didn’t, years before anyone had ever been to space. And note the difference in tone from that of the grim world we live in today. A more hopeful time? Or an optimistic pose to suit the story?

    Then enjoy our exchange, with contributions from Mr. Bjellquist and viewer commenters, at the link.

    Next week, we’re very excited to welcome Patrick Read Johnson, whose own youthful obsession with science fiction propelled him to a career in Hollywood. His pet project, “5-25-77” (2022), reflects his coming-of-age as an aspiring filmmaker in a small Midwestern town around the time of the release of “Star Wars” (on May 25, 1977). A couple of weeks ago, we used the film as a springboard to discuss our own boyhood fascinations with “2001,” “Planet of the Apes,” “Star Wars,” and “Close Encounters of the Third Kind,” and how they informed our parallel experiments making Super-8 films.

    Now we’ll have a chance to hear all about Johnson’s career (including his work on the “Dragonheart” franchise) and hopefully plenty of behind-the-scenes morsels, like the details of his real-life meetings with Douglas Trumbull, John Dykstra, and Steven Spielberg – and what it was like to be one of the first people to be shown a rough cut of “Star Wars” before it ever reached a theater.

    Bring your nostalgic awe to the next Roy’s Tie-Dye Sci-Fi Corner, and bring your questions to the comments section, when we livestream on Facebook, YouTube, etc., next Friday evening at 7:30 EST!

    https://www.facebook.com/roystiedyescificorner

  • 5-25-77 Film Memories Sci-Fi & Filmmaking

    5-25-77 Film Memories Sci-Fi & Filmmaking

    We received a nice shout-out on Friday night from Patrick Read Johnson, whose film 5-25-77 (2022) spurred many fond recollections of our own formative years as amateur filmmakers. Like Johnson, we were beguiled by the modern sci-fi renaissance, exemplified by boundary-pushing films like “2001: A Space Odyssey” and “Planet of the Apes.” It was an era that reached its glorious apotheosis with the release of “Star Wars” on May 25, 1977 – hence, the title of Johnson’s film – and later that same year, “Close Encounters of the Third Kind.”

    We all had the calling, but Johnson had the talent, the drive, and the good fortune to make it all the way to Devil’s Tower, so to speak. If you’re a lover of film, a sci-fi geek, a child of the ‘70s, or just a sucker for coming-of-age stories, do make it a point to check out “5-25-77.” There’s probably a lot in it that you’ll be able to relate to.

    Then eavesdrop on Roy and my Friday night conversation, in which we were joined by fellow amateur filmmaker-of-yore Joe Metz, with added observations from some of our former cast members. To the rest of the world, it may come across as so much navel-gazing and so many inside jokes, but for us, it was a very special Roy’s Tie-Dye Sci-Fi Corner. Feel free to listen in at the link.

    We hope to see you in the comments section for the next installment, and a return to form, when we livestream on Facebook, YouTube, etc., this weekend, with time and topic (Friday or Sunday evening at 7:00 or 7:30 EST) to be determined!

    https://www.facebook.com/roystiedyescificorner

  • Poseidon Adventure & Star Wars Memories

    Poseidon Adventure & Star Wars Memories

    Bottoms up! Oh, I mean…

    Roy and I toss back a few in our discussion of “The Poseidon Adventure” (1972) here:

    Worst New Year’s Eve ever? I’ve had a few that have run it pretty close.

    Be that as it may, if “The Poseidon Adventure” (1972) teaches us anything, it’s that there’s got to be a morning after.

    To anyone obsessed with the movies and especially to any sci-fi fan who lived through it, the date 5-25-77 takes on an almost totemic significance. That’s the day “Star Wars” was unleashed on an unsuspecting world and, for better or worse, changed everything. Next week, we’ll be talking about a new film, “5-25-77” (2022) – actually two decades in the making – that reflects that first wave of “Star Wars” mania, with its story about a young midwestern filmmaker caught up in the excitement. One of the producers for the project was none other than Gary Kurtz, who produced the original “Star Wars!”

    To sweeten the pot, we’ll be joined by my cousin and Roy’s lifelong friend, Joe Metz, as we use this discussion about the film as a springboard for our own personal reminiscences as nascent young filmmakers back in the 1970s and ‘80s, punctuating the conversation with stills and paraphernalia from those early, ambitious projects. Of course, none of us wound up devoting ourselves to making movies, which was probably a good thing, but we had a heck of a lot of fun while it lasted.

    Yeah, it was a long time ago, in a galaxy far, far away. I hope you’ll join us in the comments section for what’s bound to be the biggest digression in the show’s history, on the next Roy’s Tie-Dye Sci-Fi Corner. It will be all about us, when we livestream on Facebook, YouTube, etc., next Friday evening at 7:30 EST.

    https://www.facebook.com/roystiedyescificorner

  • John Williams Knighted!

    John Williams Knighted!

    Well, whaddya know? Just when you thought there wasn’t an award he hasn’t already received, John Williams has been knighted.

    On Queen Elizabeth II’s final awards list, Williams was granted the honorary title of KBE (Knight of the British Empire). Of course, in order to be formally addressed as “Sir,” he would have to become a British citizen.

    Musically, Williams has been a lifelong anglophile. He has also been a frequent collaborator with the London Symphony Orchestra.

    His scores to “Star Wars,” “The Fury, “Superman,” “Dracula,” “The Empire Strikes Back,” “Raiders of the Lost Ark,” “Monsignor,” “Return of the Jedi,” “Harry Potter and the Sorcerer’s Stone,” “The Phantom Menace,” “Attack of the Clones,” “Harry Potter and the Chamber of Secrets,” “Harry Potter and the Prisoner of Azkaban,” and “Revenge of the Sith” were all recorded with the LSO.

    Furthermore, there would be no “Star Wars” or “Williams sound,” for that matter, without the influence of Sir William Walton, Ralph Vaughan Williams, Sir Edward Elgar, and Gustav Holst.

    “You have chosen… wisely.”

    A brief history of Williams’ special relationship with the London Symphony Orchestra

    A “Super” Orchestra

    The Queen’s final list of honorary awards

    https://www.gov.uk/government/publications/honorary-british-awards-to-foreign-nationals-2022/honorary-awards-to-foreign-nationals-in-2022?fbclid=IwAR1l-gep0H1Z6_76VXGqwHl4wGdjEdF5Pnc-WjGsMm-gHgfnYMGVL_PmxLM


    PHOTO: Before a concert at the Royal Albert Hall with the LSO in February 1978

  • Obi-Wan Kenobi Theme John Williams Returns

    Obi-Wan Kenobi Theme John Williams Returns

    John Williams finds yet one more opportunity to place his indelible stamp on the “Star Wars” universe. His new “Obi-Wan Kenobi” theme has at last been unveiled. Disney has kept just about everything about the new series under wraps as inviolable as those of a Tusken Raider. Natalie Holt, the first woman to be hired to write music for a live-action “Star Wars” project, will incorporate Williams’ theme into her scores. Williams himself introduced the theme in concert yesterday in a surprise appearance at “Star Wars Celebration” in Anaheim. Of course, the show is being streamed on Disney+, so I am unlikely to see it anytime soon. But the music sure does sound as if it’s from the pen of the composer of “The Rise of Skywalker.”

    Williams conducts his theme from “Obi-Wan Kenobi”

    The official studio recording, released as a single:

    The complete Anaheim mini-concert, with an appearance by Harrison Ford:

    Williams, 90, has been engaged to write the music for Ford’s latest Indiana Jones adventure, expected in theaters next summer.

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