Tag: Star Wars

  • William Walton: Star Wars Inspiration

    William Walton: Star Wars Inspiration

    Today is the 120th anniversary of the birth of Sir William Walton. Walton is perhaps best remembered for his coronation marches and film scores, but he also wrote operas, symphonies, concertos, chamber music, and choral works.

    Sadly, these days, we don’t seem to encounter these much in concert anymore, at least in the U.S., which is a great pity, since Walton was an impeccable craftsman and his music often quite inspirational.

    Be that as it may, his influence has been felt by just about anyone who’s ever gone to the movies since 1977. That’s the year John Williams married Walton’s heroic sound to George Lucas’ vision of a long time ago, in a galaxy far, far away.

    Walton’s concert music may have fallen out of fashion, but Williams would have never become the household name he has without having assimilated his marches, harmonies, and orchestrations. When André Previn first heard Williams conduct his music to “Star Wars,” he could hardly contain his glee, exclaiming, “Why, it’s Willie Walton!”

    Hear for yourself…

    “Star Wars” throne room – from the one-minute mark, pure Walton:

    What Walton cooked up for the Queen in 1953 – there’s a proto-“Star Wars” moment about two minutes in, but do listen to the whole thing:

    This is what he composed for her dad in 1937:

    For Olivier’s film of “Richard III”

    “Belshazzar’s Feast”: “Praise Ye!”

    “Belshazzar’s Feast”: “Alleluia”

    In 1966, Previn himself laid down what is considered the benchmark recording of Walton’s Symphony No. 1. It’s possible he managed to surpass it with this explosive performance with the London Symphony Orchestra in 1970:

    Happy birthday, Sir William Walton!


    PHOTO: Walton (right) with Previn, his champion

  • Kenneth Wannberg, Star Wars Music Editor, Dies at 91

    Kenneth Wannberg, Star Wars Music Editor, Dies at 91

    Kenneth Wannberg, a major influence on the shaping of John Williams’ classic film scores, has died at the age of 91.

    In the capacity of Williams’ music editor, Wannberg was responsible for, among other things, selecting the best takes from the recording sessions of a particular cue and assembling them into a coherent whole. The main title to “Star Wars” was recorded five times for the original movie. Wannberg used the best three takes to produce the final version as heard in the film.

    He was also responsible for the placement of streamers and punches on the work print of a film for the conductor (in this case, Williams), and for the assembly of the soundtrack album.

    In the special editions of the original “Star Wars” trilogy and in the subsequent prequel trilogy, George Lucas had a tendency to ramp up Ben Burtt’s sound effects at the expense of Williams’ music. At a time when seemingly everyone had become a Lucas yes-man, Wannberg stepped up during the mixing of “Revenge of the Sith” to point out that the effects were too noisy. When Wannberg explained that the music was the “thread through the montage of cutting back and forth” in the climactic duel scene, and that it needs to “live a little,” Lucas considered his words and ultimately conceded. There weren’t very many people who would have stood up to Lucas at that point in his career.

    Wannberg worked with Williams at least as far back as 1967, when Williams provided music for “Valley of the Dolls.” He also assisted him on the Reader’s Digest-produced screen musical “Tom Sawyer” (with songs by the Sherman Brothers). Most significantly, he was at the composer’s side all throughout his heroic hot streak of “Star Wars,” “Close Encounters of the Third Kind,” “Raiders of the Lost Ark,” and “E.T. The Extra-Terrestrial.” He remained with Williams until his retirement, following work on “Revenge of the Sith,” “Memoirs of a Geisha,” and “Munich,” in 2005.

    Williams, who dedicated to Wannberg a concert version of “Star of Bethlehem” (originally from Williams’ score to “Home Alone”), will turn 90 on February 8.

    Wannberg was a composer himself, providing scores for “The Late Show,” with Art Carney and Lily Tomlin, “Losin’ It,” with Tom Cruise, and “The Philadelphia Experiment.”

    R.I.P.

    https://variety.com/2022/music/obituaries-people-news/kenneth-wannberg-composer-and-music-editor-who-worked-with-john-williams-on-star-wars-series-and-50-other-films-dies-at-91-1235171606/


    PHOTO: Wannberg (center), with John Williams and Steven Spielberg, backstage at a concert in Seattle in 2017

  • John Williams on PBS Tonight Star Wars Throwback

    John Williams on PBS Tonight Star Wars Throwback

    To get you in the mood for tonight’s broadcast of John Williams’ Violin Concerto No. 2, on PBS’ “Great Performances,” here’s a throwback to Williams conducting selections from “Star Wars,” on “Previn and the Pittsburgh” (aired on March 26, 1978) – back when “Star Wars” was still fresh, and back when PBS was still PBS.

    Interesting to find that Williams had already done considerable tinkering in his concert arrangement of the “Throne Room and End Title” music. It was perfect in the movie, John! A lot of vim in the performance, though. The diptych opens with “Princess Leia’s Theme.”

    Anne-Sophie Mutter – the former Mrs. Previn – will be the soloist on tonight’s broadcast of the Violin Concerto No. 2, again with Williams conducting. The concert was filmed at Tanglewood in July. The program will also feature Andris Nelsons and the Boston Symphony Orchestra, performing music by Aaron Copland, Igor Stravinsky, and Jesse Montgomery.

    The show airs here at 9:00 PM EST. Consult your local listings. You’ll find an interview and promos here:

    Anne-Sophie Mutter Performs John Williams’ Violin Concerto

    *** BONUS! ***

    Previn interviews Williams in 1988 (pictured), and Williams is in an unusually candid mood. The two were old friends, of course, who had already known one another for 30 years. I’d never actually never seen it before, and it’s terrific. Maybe Williams’ best interview.

  • Happy Star Wars Day Art Music and Memories

    Happy Star Wars Day Art Music and Memories

    It’s Star Wars Day. May the Fourth be with you!

    Personally, I can’t believe that the designation was made on account of a Dad-worthy pun. The first “Star Wars” opened on May 25, 1977, surely a more appropriate anniversary? But any excuse to celebrate “Star Wars” is fine by me, I suppose, as long as I don’t have to celebrate anything released after 1983.

    Until yesterday, I was completely unaware of artist Christopher Shy, but he is one extraordinarily talented individual. Pictured are just a few of his “Star Wars” paintings. The one that employs the original Ralph McQuarrie designs is a hoot!

    Check out his Facebook page for further original interpretations of Godzilla, “Ghostbusters,” Superman, “Star Trek,” “The Thing,” “The Creature from the Black Lagoon,” and many more. Also, make it a point to visit his website, artofronin.com. This will take you directly to a gallery of his work:

    https://www.artofronin.com/showcase

    While you’re at it, why not also spin some of John Williams’ “Star Wars” music? Williams’ original score is a postmodern masterpiece, with echoes of Korngold, Holst, Stravinsky, and William Walton, bound together, permeated, and propelled into delirious transcendence by his stirring, soulful, indelible themes.

    Generally speaking, I enjoy listening to the soundtrack albums in the form they were originally released. It’s nice to have the music note-complete, as has become the fashion on CD , but there was a certain artistry to the arrangements, layouts, and development of commercially-issued soundtracks of the LP era that made them special experiences unto themselves.

    That said, “The Empire Strikes Back” is one of the few note-complete film music recordings that I can listen to straight-through without getting fatigued. In that regard, it must be my favorite of the “Star Wars” scores.

    The original “Star Wars” soundtrack, from 1977, holds great nostalgic significance for me. I spent countless hours writing, drawing, and dreaming to that music. “Star Wars,” to great extent, introduced me to orchestral music, and it changed my life. But, also for me, “The Empire Strikes Back” is the standalone masterpiece, if taken on a purely musical level.

    Here’s how it was originally heard on LP, back in 1980:

    https://www.youtube.com/watch?v=ttZEjs13oO8

    Here it is, note-complete, as on CD – unfortunately with the tracks posted separately, allowing plenty of opportunities for interpolated YouTube ads:

    May the Fourth be with you, indeed!

    Certainly, I wouldn’t want to be without the music for either of the first two films. And by “first two,” I’m speaking in terms of release dates, NOT the geek-pedantic episode numbers. The title “A New Hope” is, quite simply, not in my vocabulary.

    Whatever your bliss, I wish you a happy Star Wars Day. Just keep your midichlorians off this page!

  • Santa vs Martians A Star Wars Conspiracy?

    None other than Santa himself was kind enough to sit in for me for last night’s discussion of “Santa Claus Conquered the Martians,” and I don’t think Roy has ever laughed so hard. During the course of what might kindly be termed an autopsy, it gradually emerged that George Lucas stole everything from this cult camp masterpiece (including the spiderweb viewports, a Yoda-like mentor, the Wampa snow beast, and the Jedi mind-trick) to create “Star Wars.” Okay, maybe he also borrowed a little from “Metropolis” and Akira Kurosawa, but what are they next to “Santa Claus Conquered the Martians?” Am I joking? Share the pain – watch the movie – and then soothe the burn with this revelatory analysis.

    We’re off next Friday for Christmas, but we’ll be back on Sunday, full of merriment, to end the year on a low note – 20,000 leagues, to be exact – and a 2020 discussion of “20,000 Leagues Under the Sea” (1954).

    Roy’s Tie-Dye Sci-Fi Corner is live-streamed on Facebook most Friday and Sunday evenings at 7:00 EST.

    https://www.facebook.com/roystiedyescificorner/

    Happy holidays, and remember to keep Mars in Christmars!

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