Tag: The Classical Network

  • Support Classical Music Radio & End Pledge Drives

    Support Classical Music Radio & End Pledge Drives

    For devotees of classical music radio, I understand that a pledge drive can seem a bit like the insurance salesman scene from “Take the Money and Run.”

    https://www.youtube.com/watch?v=Y-mg_NmKKRc

    Alas, membership drives are one of the realities of public radio. We rely on listeners in the community, people just like you, to keep us strong, so that we can go on presenting the most stimulating blend of basic repertoire, worthwhile arcana, and intriguing contemporary music we know how.

    The good news is, you can shorten our impending fall campaign by donating now. If we can raise $35,000 before Wednesday, WWFM will prune its on-air fundraising to just two days. Two days in the company of a bunch of hardened fundraisers? You know you can do that standing on your head.

    We’d be humbled to take your money and stay – on the air, that is. Please, consider making a commitment to keeping us solvent, so that we can all get back to enjoying the liberty of around-the-clock classical music.

    Celebrate 35 years of The Classical Network with your gift today. Simply head over to our website, wwfm.org, hit the big red “Hit 35K!” button, and fill out the form. It’s fairly quick and easy, and it will probably make you feel good. It’s always nice to know that you’ve made a difference.

    Two days in the company of your favorite radio hosts is a lot better than getting locked in the hot box with an insurance salesman. I hope. Thank you for supporting WWFM – The Classical Network!

  • Piffaro’s Sacred Winds on The Classical Network

    Piffaro’s Sacred Winds on The Classical Network

    My colleague, David Osenberg, decided he really wanted to do today’s Noontime Concert on The Classical Network. I’m up against a couple of writing deadlines, so that’s fine by me. Dave will welcome Joan Kimball and Robert Wiemken, artistic co-directors of Piffaro, The Renaissance Band. Together, they will introduce a program titled “Sacred Winds: Music for a Spanish Band.”

    Piffaro’s next series of concerts, featuring the award-winning chorus The Rose Ensemble, will take place Friday at 7:30 p.m. at Philadelphia Episcopal Cathedral, Saturday at 7:30 p.m. at Presbyterian Church of Chestnut Hill, and Sunday at 3 p.m. at Christ Church Christiana Hundred, Wilmington, DE. More information is available at piffaro.org.

    I’ll waltz in at around 2:00 today to share some new releases of music by Beethoven and Stephen Dodgson – composer (who, by the way, was a distant cousin of Lewis Carroll). Join Dave for Piffaro at noon, and yours truly from 2 to 4 p.m. EDT. We’ll have music from the Renaissance to the present, on WWFM – The Classical Network and wwfm.org.

  • Richard III Leighton on The Classical Network

    Richard III Leighton on The Classical Network

    We’ll begin and conclude by putting a little English on it, on The Classical Network.

    At 4:00, we’ll mark the birthday today of Richard III with works by William Walton and Bedrich Smetana. Then at 6:00, we’ll honor English composer Kenneth Leighton.

    Leighton’s “Veris Gratia” (1950) betrays a spiritual kinship with the music of Ralph Vaughan Williams, Herbert Howells, and his champion and friend Gerald Finzi.

    Completed at the age of 21, the suite is scored for oboe, cello and orchestra. Though the musical language is in the tradition of the English pastoralists, gentle, tonal and melodic, Leighton’s yearning to be his own man is already evident in some of the harmonies. The work is based on an earlier cantata of the same name, a setting of Medieval Latin lyrics in English translation. Finzi conducted the suite several times, including its first performance. In gratitude, Leighton dedicated the work to his memory, following Finzi’s untimely death.

    Leighton emerged from a working class background in Yorkshire. He exhibited talent early as a chorister and pianist, before receiving a scholarship to study Classics at Queen’s College, Oxford. Simultaneously, he embarked on a degree in music. There, he studied with Bernard Rose. Finzi and Vaughan Williams interceded on his behalf, facilitating and attending performances of his works. Leopold Stokowski conducted the premiere of his “Primavera Romana” with the Royal Liverpool Philharmonic.

    Soon after, Leighton left for Rome to study with Goffredo Petrassi. This led to his exposure to a wider range of European composers and techniques. In some of his pieces, he even flirts with serialism. He certainly developed a more modern, though generally lyrical and always personal style.

    As a person, he enjoyed family and teaching. He was less fond of the administrative duties that were part of being a university professor. At his core, he was a shy and private man, who cherished peace and quiet.

    Leighton is often reductively referred to as a “church composer,” which is ironic, since he was not overly fond of church or even conventionally religious. He preferred the transcendent qualities of poetry and nature, and enjoyed taking long walks through the Scottish Highlands with his dog. Though he spent much of his adult life in Scotland, on the faculty of the University of Edinburgh, Leighton never forgot his origins. He always regarded himself as a down-to-earth Yorkshireman.

    Watch for Clarence in the malmsey butt, then kick back with the cows, from 4 to 7 p.m. EDT, on WWFM – The Classical Network and wwfm.org.

  • WWFM Celebrates 35 Years of Classical Radio

    WWFM Celebrates 35 Years of Classical Radio

    WWFM – The Classical Network began broadcasting on September 6, 1982 – 35 years ago today. When I joined the staff in 1995, it wasn’t even a 24-hour station – we signed off at midnight, and the morning host would have to come in before 5:00 to fire up the transmitter – but the programming was always superb.

    I especially appreciated the fact that virtually everything that gets played on the station by the local hosts, outside of the broadcast concerts, syndicated fare and special promotions, is selected by the hosts. That is a rarity on any professionally-run radio station. If I receive a CD in the mail today, it is conceivable that I could include it on my air shift this afternoon.

    That freedom gives the station personality, it gives the hosts an added sense of purpose, and it allows us to do what we love most – share our enthusiasms with an appreciative audience. It’s been an intimate and exciting voyage of discovery, and I think it’s kept the station vital.

    Listen closely throughout the month of September, as, in honor of our 35th anniversary, certain hours will be devoted to music reflective of different permutations of the numbers 3 and 5. That could include a favorite composer’s Symphony No. 35 (or 53), an Opus 35, a Sonata No. 15 (which is 3 x 5), music composed in 1935, or whatever else a given host can come up with.

    Tune in and marvel at our ingenuity. Also, consider making a gift to the station in the amount of $35 or more, at wwfm.org, to help us celebrate this momentous occasion. We couldn’t have done it without you.

    Thank you for your support, and Happy Birthday, WWFM!

  • Cool Classics for a Hot Summer Day

    Cool Classics for a Hot Summer Day

    With projected heat index values of 103, we’ll attempt to keep our cool today with soothing thoughts of summer and summery diversions. We’ll have vacation music, music inspired by leisurely pursuits, water music, images of fountains, and aural evocations of perfumed breezes wafting through gently swaying greenery. Join me on this lazy afternoon for some languid classics, from 12 to 4 p.m. EDT, on WWFM – The Classical Network and wwfm.org.

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