Tag: The Hateful Eight

  • Ennio Morricone Gone But Never Forgotten

    Ennio Morricone Gone But Never Forgotten

    Happy birthday, Ennio Morricone, gone but never forgotten.

    The composer of an estimated 500 film and television scores – perhaps the most prolific film composer of all time – Morricone died last year at the age of 91.

    Grazie, Maestro. You are greatly missed.


    Morricone celebrates his 90th birthday with the Orchestra and Chorus of the Accademia Nazionale di Santa Cecilia and music from “The Mission”

    “Once Upon a Time in the West”

    Vintage Morricone: “Two Mules for Sister Sara”

    A personal favorite

    Another, not to be confused with the oft-reissued “Il Gatto a Nove Code” – a completely different animal! Is that a mandolin and a muted trombone? Morricone always provided his own orchestrations.

    Conducting “Cinema Paradiso”

    Andrea Morricone conducts his father’s Concerto for Orchestra:

    Another concert work: “Esercizi for 10 Strings”

    Ricercare per pianoforte (thanks to Paul Moon)

    Easily his greatest hit

    “The Ecstasy of Gold.” I think I need to watch this movie NOW!!

    Far and away the best thing about “The Hateful Eight” (for which he received his only competitive Oscar)

    Morricone conducts “The Untouchables”

  • Williams & Morricone Film Music Legends

    Williams & Morricone Film Music Legends

    I’ve been sitting on these articles for a week or two, waiting for an opportunity to share them. If you’re into film music or love the movies, you may find them equally of interest.

    John Williams talks to Steinway:

    https://www.steinway.com/news/features/owners/john-williams

    Criterion assesses Ennio Morricone:

    https://www.criterion.com/current/posts/7379-beyond-the-western-the-staggering-range-of-ennio-morricone


    LAST OF THE LIONS: Williams congratulates Morricone, as he wins his only competitive Oscar for “The Hateful Eight,” in 2016

  • Lang Lang Plays Morricone Hateful Eight Oscar?

    Lang Lang Plays Morricone Hateful Eight Oscar?

    I’m telling you, the zeitgeist positively screams “Morricone!”

    Lang Lang gives “The Hateful Eight” the Franz Liszt treatment:

    https://www.youtube.com/watch?v=O8ic-gCiCN4

    If Morricone doesn’t get his Oscar next Sunday, I’ll eat a great big bowl of spaghetti (as in western).

    Here’s the original, by way of comparison:


    PHOTO: No confusing whose piano that is

  • Morricone Walk of Fame & Oscar Buzz

    Morricone Walk of Fame & Oscar Buzz

    The latest news in this, the Year of Morricone, is that the composer will receive a star on Hollywood’s Walk of Fame on February 26. Morricone, who at 87 years-old rarely travels outside of Europe, is expected to attend and remain through the February 28 Academy Award ceremony.

    Despite what this article suggests, Morricone has never won a competitive Oscar. He received an honorary award from the Academy in 2007. “The Hateful Eight” marks his sixth nomination. Having already collected this year’s Golden Globe and BAFTA awards, he is the Classic Ross Amico (and a lot of other prognosticators’) favorite to win.

    http://www.billboard.com/articles/news/6875516/ennio-morricone-hollywood-walk-of-fame-star

    Here’s an interview with Morricone, including footage from “The Hateful Eight” recording sessions. I almost hate to watch, because I won’t be able to get the music out of my head!

    http://deadline.com/2016/02/oscar-front-runner-ennio-morricone-talks-composing-tarantino-westerns-and-why-at-87-he-is-still-going-strong-1201701877/

  • Morricone’s Western Sound Golden Globes & Oscars

    Morricone’s Western Sound Golden Globes & Oscars

    Ennio Morricone was honored earlier this week with a Golden Globe Award for his music to Quentin Tarantino’s ultra-violent mystery-western “The Hateful Eight.” The nominations for this year’s Academy Awards were announced yesterday, and again Morricone is on the ballot.

    Though he received an honorary award in 2007 “for his magnificent and multifaceted contributions to the art of film music,” Morricone has never won a competitive Oscar. That could change this year, as I have yet to hear anything that can stand up to Morricone’s persistently sinister, insistently memorable passacaglia of doom.

    Hear it for yourself this week on “Picture Perfect,” as I salute Morricone with an hour of his western scores, including his immortal music for “The Good, the Bad and the Ugly” (1966) and “Once Upon a Time in the West” (1968), both written for Sergio Leone, and his whacked out main title for Sergio Corbucci’s “Navajo Joe” (1966).

    Tarantino is a magpie filmmaker who draws his inspiration from a variety of B-movie genres, tossing their elements into a blender and then slathering them all over his screenplays, in much the same manner as he pours on the blood and guts during his films’ gratuitous showdowns. He has made no secret of his love for the spaghetti western, and there are moments in “The Hateful Eight” when the ghost of Lee Van Cleef seems to hover over this gathering of bounty hunters, Civil War veterans and outlaws as their patron saint.

    Morricone singlehandedly invented the spaghetti western sound over a half century ago, when budgetary constraints caused him to bypass the big orchestral flavor of Hollywood oaters in favor of a psychedelic palette of twangy surfer guitars, whistles, harmonicas, whips, gunshots, jew’s harps, preening trumpets, shrieks and barking male choruses.

    Morricone wrote three dozen such scores during a career which encompasses over 500 film and television projects.

    Don’t get me wrong, I am happy that John Williams received his 50th Academy Award nomination, for his music to “Star Wars: The Force Awakens.” He is the most nominated artist alive, and the winner of five competitive Oscars. But at 87 years-old, the Force has been with Morricone for a long time.

    I hope you’ll join me as we head out west with Ennio Morricone, on “Picture Perfect” – music for the movies – tonight at 6 ET, with a repeat tomorrow morning at 6; or that you’ll listen to it later as a webcast at wwfm.org.

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