Tag: The Quiet Man

  • Remembering Maureen O’Hara Irish Film Legend

    Remembering Maureen O’Hara Irish Film Legend

    Maureen O’Hara received an honorary Academy Award in November of 2014. She was only the second actress, after Myrna Loy, to receive an Academy Award for acting without having previously being nominated for a competitive Oscar.

    This week on “Picture Perfect,” we remember the Irish-American actress, who died on October 24, at the age of 95. A striking redhead, she photographed particularly well, especially during the Technicolor era. Her fiery heroines stood toe-to-toe with Errol Flynn, Douglas Fairbanks Jr., John Garfield, Brian Keith, Tyrone Power, and especially John Wayne. We’ll honor her with selections from four of her classic films.

    We’ll hear some of Alfred Newman’s music from “The Hunchback of Notre Dame” (1939). Charles Laughton played the hunchback Quasimodo and O’Hara played the Gypsy, Esmeralda. Laughton and O’Hara had previously teamed on the film “Jamaica Inn.” It was Laughton who had recognized O’Hara’s talent early on, and indeed gave her her screen name. Previously, she was known by her birth name, Maureen FitzSimons.

    Newman also wrote the score to “How Green Was Our Valley” (1941), based on Richard Llewellyn’s novel about a family of Welsh miners. The cast also featured Walter Pidgeon, Donald Crisp, and a very young Roddy McDowall. The film was nominated for ten Academy Awards. It won five of those, including Best Picture and Best Director, for John Ford. The Best Picture win remains controversial, in that one of the other contenders for the honor was “Citizen Kane,” often held to be the greatest film of all time!

    “The Quiet Man” was a dream project for Ford. The film is chock full of Irish character actors and Ford regulars, including Barry Fitzgerald, Victor McLaglen, Mildred Natwick, and Ward Bond. However, to get the film made at Republic Pictures, Ford first had to agree to make a profitable western. He had already directed two films about the United States Cavalry, “Fort Apache,” in 1948, and “She Wore a Yellow Ribbon,” in 1949. He opted to round off what became something of a trilogy with “Rio Grande” (1950).

    No one involved really wanted to make the film, but everyone went along with it, and even seemed to actually have a lot of fun. “Rio Grande” is now regarded as one of Ford’s masterpieces. O’Hara and John Wayne play an estranged husband and wife in the first of their five screen pairings. The music is by Victor Young.

    It was Republic Pictures studio head Herbert Yates who demanded “Rio Grande” up front, to help pay for Ford’s “folly” about an Irish-American who returns home to the village of his youth. In the event, “The Quiet Man” (1952) went on to become the studio’s highest ever grossing movie – and it remains a St. Patrick’s Day favorite.

    O’Hara’s role as the fiery Mary Kate Danaher became one of her most defining. Again the music was by Victor Young. According to her family, O’Hara listened to music from “The Quiet Man” during her final hours.

    I hope you’ll join me, as we salute Maureen O’Hara, this evening at 6 ET, with a repeat Saturday morning at 6; or that you’ll enjoy it later as a webcast at wwfm.org.

  • Irish Film Music Picture Perfect Podcast

    Irish Film Music Picture Perfect Podcast

    This week on “Picture Perfect,” we’ll have an hour of music from movies with Irish settings and Irish themes.

    Tyrone Power plays an American journalist who travels to Ireland, where he gets in touch with his roots – and a full-size leprechaun, played by Cecil Kellaway – in “The Luck of the Irish” (1948).

    No “Darby O’Gill”-style special effects here. Kellaway is just some guy in a leprechaun hat. When Power comments, “Say, aren’t you rather large for a leprechaun?,” Kellaway responds, “That’s a page of me family history I’d rather we not go into.” It was hoped that Barry Fitzgerald would have taken the role – and how perfect would that have been? – but he couldn’t be secured. In the event, Kellaway was nominated for an Academy Award for Best Supporting Actor.

    The music was by the English-born Cyril J. Mockridge, who was Alfred Newman’s assistant at 20th Century Fox. Mockridge is probably best known for his score to “Miracle on 34th Street.” “The Luck of the Irish” is full of Celtic-style folk melodies and some shimmering leprechaun music, but why it quotes “Greensleeves” is anybody’s guess. Probably at the request of a producer. (Green = Irish, right?)

    John Williams wrote a gorgeous, melancholy score for “Angela’s Ashes” (1999), adapted from Frank McCourt’s bestselling memoir. It’s refreshing to hear Williams give free rein to his lyrical side, beyond the context of lightsabers, magic wands and rampaging dinosaurs. The recording we’ll hear is from the difficult-to-acquire international release. The version issued stateside was marred by dialogue from the film. (Why do they do that?)

    You can’t have an hour of Irish film music without including something with The Chieftains. “Circle of Friends” (1995) is based on the novel by Maeve Binchy, about three childhood friends who reunite in college, and their adventures with the young men they find there. The film starred Minnie Driver, Chris O’Donnell, Alan Cumming and Colin Firth. Michael Kamen wrote the score, but it’s The Chieftains, obviously, that lend it an air of authenticity.

    Finally, we’ll have music from “The Quiet Man” (1952), surely Victor Young’s most charming project. Based on a short story by Maurice Walsh, “The Quiet Man” tells the tale of an American boxer with Irish roots who returns to the village of his birth.

    John Wayne, Maureen O’Hara, Barry Fitzgerald, Victor McLaglen, Mildred Natwick, Ward Bond, and a whole slew of Irish character actors flesh out what must be John Ford’s most delightful film. It earned him his fourth Academy Award for Best Director, and the film itself was nominated for Best Picture.

    The score is imbued with Irish folk song and popular melodies, perfectly complementing the tone of sustained whimsy, in what is essentially a love story unfolding in the face of cultural differences.

    I hope you’ll join me in the wearin’ of the green, this Friday evening at 6 ET, with a repeat Saturday morning at 6 (as good a time as any for a pint of porter); or that you’ll listen to it later as a webcast, at http://www.wwfm.org.

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