Tag: Ukrainian Music

  • Valentin Silvestrov at 85 A Ukrainian Life Uprooted

    Valentin Silvestrov at 85 A Ukrainian Life Uprooted

    The grand old man of Ukrainian music is 85 today. Born in Kyiv in 1937, Valentin Silvestrov attended the conservatory there from 1958 to 1964. In fact, he lived most of his life in Kyiv. He was there when the shelling started in March. One of nearly seven-and-a-half million refugees who have fled Ukraine since the beginning of the Russian invasion, he made a harrowing escape to Germany, by way of Poland. He now lives in Berlin. Whether he will ever see his home again is anyone’s guess. It will not be the Kyiv he remembers.


    “Diptych: Testament” (1995), on poetry by Taras Shevchenko

    Taras Shevchenko, MY TESTAMENT

    (“Zapovit” / “Iak umru, to pokhovaite”
    “Заповіт” / “Як умру, то поховайте”)

    Translated by John Weir

    When I am dead, bury me
    In my beloved Ukraine,
    My tomb upon a grave mound high
    Amid the spreading plain,
    So that the fields, the boundless steppes,
    The Dnieper’s plunging shore
    My eyes could see, my ears could hear
    The mighty river roar.

    When from Ukraine the Dnieper bears
    Into the deep blue sea
    The blood of foes… then will I leave
    These hills and fertile fields —
    I’ll leave them all and fly away
    To the abode of God,
    And then I’ll pray…. But till that day
    I nothing know of God.

    Oh bury me, then rise ye up
    And break your heavy chains
    And water with the tyrants’ blood
    The freedom you have gained.
    And in the great new family,
    The family of the free,
    With softly spoken, kindly word
    Remember also me.

    “Prayer for Ukraine” (2014)

    Symphony No. 5 (1980-82)

    Silvestrov at the piano, remembering the victims of the Charlie Hebdo and related attacks in France, January 7-9, 2015

    Trailer for documentary “V. Silvestrov” (2020)

  • Ukrainian Classical Music Cossacks and Gliere

    Ukrainian Classical Music Cossacks and Gliere

    This Sunday night on “The Lost Chord,” our ears will burn from the haughty and profane response of the Zaporozhy Cossacks to an ultimatum from Sultan Mehmad IV. The Sultan demanded the peaceful surrender of the Cossacks, after they had scored a glorious defeat against his Ottoman forces. To his giddy and inebriated foes, he was not exactly negotiating from a position of power.

    Among Reinhold Glière’s works steeped specifically in Ukrainian lore is the symphonic poem/ballet “The Zaporozhy Cossacks,” based on the famous canvas by Ilya Repin. Glière, born in Kiev in 1875, is best known for his ballet “The Red Poppy,” with its ubiquitous “Russian Sailor’s Dance,” and perhaps for his Symphony No. 3, “Ilya Muromets.”

    In 1913, Glière attained an appointment to the school of music in Kiev, which was raised to the status of conservatory shortly thereafter. Glière served as director of the conservatory from 1914 to 1920.

    One of his pupils there was Boris Lyatoshinsky, who lived from 1895 to 1968. Lyatoshinsky was a student at the conservatory at the start. The first movement of his Symphony No. 1 was written as a graduation work. The other two movements followed in 1919.

    The first performance of the piece took place under Glière’s direction in 1923. If you get all sweaty listening to the orchestral works of Alexander Scriabin, you certainly won’t want to miss this, an opulent work by a young man determined to impress.

    I hope you’ll join me for “Steppe Lively” – classical music from Ukraine – this Sunday night at 10:00 EST, on WWFM – The Classical Network and wwfm.org.


    DETAIL: Ilya Repin’s “Reply of the Zaporozhian Cossacks” (1880-1891)

    If you aren’t too squeamish, you can read more about it, with a rough (and I do mean rough) translation of the Cossacks’ reply, here:

    https://en.wikipedia.org/wiki/Reply_of_the_Zaporozhian_Cossacks

  • Ukrainian Classical Music Gliere and Lyatoshinsky

    Ukrainian Classical Music Gliere and Lyatoshinsky

    As you may know, WWFM is in the middle of its “Around the World in 80 Hours” pledge drive. On Wednesday, Rachel Katz and I were given one hour in Ukraine, which is hardly enough time to scratch the surface of such a rich musical heritage. It’s especially frustrating in the context of a pledge drive, when all of the selections need to be short and preferably upbeat.

    This Sunday night on “The Lost Chord,” I attempt to assuage some of the frustration by revisiting Ukraine and programming lengthier pieces by two important omissions.

    Reinhold Glière, best known for his ballet “The Red Poppy,” with its ubiquitous “Russian Sailor’s Dance,” and perhaps for his Symphony No. 3, “Ilya Muromets,” was born in Kiev in 1875. Among his works steeped specifically in Ukrainian lore is the symphonic poem/ballet “The Zaporozhy Cossacks,” based on the famous canvas by Ilya Repin.

    In 1913, Glière attained an appointment to the school of music in Kiev, which was raised to the status of conservatory shortly thereafter. Glière served as director of the conservatory from 1914 to 1920.

    Among his pupils there was Boris Lyatoshinsky, who lived from 1895 to 1968. Lyatoshinsky was a student at the conservatory at the start. The first movement of his Symphony No. 1 was written as a graduation work. The other two movements followed in 1919.

    The first performance of the piece took place under Glière’s direction in 1923. If you get all sweaty listening to the orchestral works of Alexander Scriabin, you certainly won’t want to miss this, an opulent work by a young man determined to impress.

    I hope you’ll join me for “Steppe Lively” – classical music from Ukraine – tonight at 10 ET. PLEASE NOTE: because of the pledge drive, the show will not be repeated on Wednesday. However, if you miss it tonight, you can listen to it later as a webcast – and pledge online – at wwfm.org.

    PHOTO: Ilya Repin’s “Reply of the Zaporozhian Cossacks”

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