Tag: Vaughan Williams

  • Vaughan Williams Concerts US 2023-24

    Vaughan Williams Concerts US 2023-24

    I know I’ve groused about the lack of Vaughan Williams performances in the United States, especially last year, surrounding the composer’s sesquicentenary, while seemingly the party never stopped – and continues – in the U.K.

    This year, things are looking a little better, with more Vaughan Williams performances across the U.S. I can’t make all of these, of course – it’s a big country, and I’ve got limited resources – but, if I am able to make arrangements, I am game for anything roughly down to the D.C area, possibly up to Boston, and as far west as Pittsburgh.

    In the U.S., you’re most likely to encounter the composer’s choral and vocal works. Beyond the “Fantasia on a Theme by Thomas Tallis” and “The Lark Ascending,” performances of the big orchestral pieces by major orchestras are rare.

    Here are some RVW performances that have come to my attention for the 2023-24 season, with a special emphasis on fairly local performances scheduled to take place over the next seven weeks or so.

    Wouldn’t you know it, my favorite of the symphonies, the Symphony No. 5, makes a strong showing this year. Unfortunately, I’ve got scheduling conflicts for both performances by the Baltimore Symphony Orchestra, which will take place this Thursday and Saturday. Sir Andrew Davis will conduct. If you’re in the Baltimore area, go!

    https://my.bsomusic.org/overview/18271

    Happily, there’s another performance this week, by the New Jersey Festival Orchestra, and it will be held only about an hour from where I live. The concert will take place on Friday at 7 p.m. at St. Helen’s Church, 1600 Rahway Ave., in Westfield, NJ. Also on the program will be Beethoven’s Fifth. David Wroe will conduct.

    https://www.njfestivalorchestra.org/concerts

    Then on November 4 at 7:30 p.m., the Southeastern Pennsylvania Symphony Orchestra will perform the Fifth at Calvary Baptist Church, 1380 S. Valley Forge Road, in Lansdale, PA – again, for me about an hour away. Also on the program will be Elgar’s “Enigma Variations.” Allan R. Scott will conduct.

    https://www.spso.info/concert-ii-elgars-enigma/

    Not to be outdone, the Main Line Symphony Orchestra will perform the Fifth on November 17 at 8 p.m., again about an hour away, at Valley Forge Middle School in Wayne, PA. The latter concert is especially attractive in that the Symphony No. 2 by Vaughan Williams pupil Ruth Gipps will also be performed. Ernest Bloch’s “Schelomo” will feature as soloist Philadelphia Orchestra cellist Yumi Kendall. The conductor will be Don Liuzzi, also of the Philadelphia Orchestra.

    https://www.mlso.org/concerts.htm

    That’s a lot of Fifths! With the exception of the Baltimore performances, which, as I say, I cannot make, I will do my best to attend the rest.

    More astonishingly, the Symphony No. 8 will be undertaken by the New Conductors Orchestra at Good Shepherd-Faith Church, 152 W. 66th St., in New York City, on Oct. 21 at 8 p.m. & Oct. 22 at 6 p.m. I say astonishingly, because the percussion section in this work is quite lavish, including tuned gongs, which makes me wonder if there will be substitutions. Also on the program will be works by Kabalevsky, Smetana, and Gershwin. The program’s conductors will include Eric R. Stewart, Hannah Nacheman, and Mark Powell.

    https://www.newconductorsorchestra.org/concerts

    Anyone know of any other Vaughan Williams concerts, between Boston and D.C.? If so, let me know!

    A cursory glance at 2023-24 concert schedules across the U.S. reveals the Utah Symphony will perform the Symphony No. 5 with Donald Runnicles on January 12 & 13; the Los Angeles Philharmonic will perform the Symphony No. 8 with Simone Young on April 4, 6 & 7; the Seattle Symphony will perform the “Sinfonia Antartica” with Gemma New on April 25, 27 & 28; the Charlotte Symphony will perform “A Sea Symphony” with Christopher Warren-Green on April 26 & 27; and the Colorado Symphony will perform “A Sea Symphony” with Peter Oundjian on May 18 & 19.

    Surely, there are others, especially among regional orchestras. The Oboe Concerto is being done with the Saint Louis Symphony Orchestra on December 1, the Illinois Symphony Orchestra on April 12 & 13, and the Fort Worth Symphony Orchestra on March 1-3. Perhaps elsewhere?

    I probably won’t be able to make these farther-flung concerts, but perhaps you can?

    EDIT: Sincere thanks to David Woodward for informing me that the Colorado Symphony Orchestra will also perform the “Serenade to Music,” with Duain Wolfe conducting, Nov. 17-19.

    And thanks also to Byron Adams for pointing out that “Serenade to Music” is also on this season’s concerts of the Portland Symphony Orchestra. It was performed there this past weekend.


    PHOTO: Harvesting a veritable bumper crop of Vaughan Williams

  • Autumn Classical Music Crossword Puzzle Fun

    Autumn Classical Music Crossword Puzzle Fun

    It’s ginger snaps for breakfast! For the first weekend of autumn, here’s the revival of another Classic Ross Amico crossword puzzle. The answers are all related in one way or another to classical music and the season.

    Of course, I wouldn’t ask you to do anything I wouldn’t do myself. When filling out the puzzle this morning, I was delighted to find among the answers my old favorite “VAUGHANWILLIAMS;” also “PANUFNIK,” whose birthday it happens to be today.

    Follow the link and select “solve online” at the bottom of the page. You’ll then be able to type directly into the squares. Once you feel you’ve exhausted the puzzle, you’ll find the solutions by clicking on “Answer Key PDF.”

    Take it or leaf it! Celebrate autumn by raking through 50 colorful clues here:

    https://www.armoredpenguin.com/crossword/Data/2020.09/2707/27072447.189.html

  • Vaughan Williams Symphony No. 5 in NJ!

    Vaughan Williams Symphony No. 5 in NJ!

    What a lovely surprise! I just got an email yesterday from the New Jersey Festival Orchestra announcing its 2023-24 season, and what should be on the very first set of concerts, but Ralph Vaughan Williams’ Symphony No. 5! My favorite Vaughan Williams symphony! (Also on the program, another Fifth Symphony by some guy named Beethoven.) Needless to say, I purchased my ticket immediately. There will be two performances, at St. Helen’s Church in Westfield (on Friday, October 6, at 7 pm) and Drew University Concert Hall in Madison (on Sunday, October 8, at 3 pm). David Wroe will conduct.

    Vaughan Williams’ radiant Fifth Symphony was an unexpected beacon of hope composed during the darkest days of World War II (1938-1943). Some of the musical ideas were carried over from his work on the long-gestating opera “The Pilgrim’s Progress.”

    The symphony is dedicated to another one of my all-time favorites, Jean Sibelius. When Sibelius heard the work in Stockholm, conducted by Malcolm Sargent, he wrote, “This symphony is a marvelous work… the dedication made me feel proud and grateful… I wonder if Dr. Williams has any idea of the pleasure he has given me?”

    It’s interesting that Vaughan Williams, a self-professed agnostic (whose stance softened from a youthful atheism), often proved to be such a spiritual composer. Those in the audience at the symphony’s premiere, with the 70-year-old RVW conducting the London Philharmonic Orchestra, emerged from Royal Albert Hall fortified and prepared to face whatever challenges the future might throw their way.

    I can’t wait to luxuriate in this masterpiece, which I have only heard in person twice over my decades of concert-going – with André Previn and the Curtis Orchestra in Philadelphia in 1995 and Leon Botstein and the American Symphony Orchestra at the Bard Music Festival in 2011. It was performed by the Chicago Symphony last season, but to fly to Chicago for a concert, for me, would have been an extravagance.

    Interestingly, a couple of quick Google searches reveal performances of the Fifth this season with the Baltimore and Utah Symphonies. Perhaps others? As always, I ask that you keep your antennae up, and if you learn of any Vaughan Williams performances, especially within a three-hour radius of Princeton, please let me know!

    Thank you, New Jersey Festival Orchestra!

    For the complete NJFO season, look here:

    https://www.njfestivalorchestra.org/concerts

  • Byron Adams on Vaughan Williams & Bard

    Byron Adams on Vaughan Williams & Bard

    I just concluded a lively 40-minute conversation with composer and musicologist Byron Adams, emeritus professor at the University of California, Riverside, and artist-in-residence at this year’s recently-concluded Bard Music Festival.

    Byron, an authority on the life and music of Ralph Vaughan Williams, co-edited (with Daniel M. Grimley) the festival’s tie-in book of scholarly essays, “Vaughan Williams and His World,” issued by University of Chicago Press.

    I thank him for his time and generosity in sharing a few of his thoughts, in so doing, allowing me a stronger foundation on which to construct an article about the festival for an upcoming edition of the Ralph Vaughan Williams Society Journal.

  • Leon Botstein on Vaughan Williams at Bard

    Leon Botstein on Vaughan Williams at Bard

    Profoundest thanks to Leon Botstein, music director of the American Symphony Orchestra, founder and music director of The Orchestra Now (TŌN), and president of Bard College, very generous with his time this morning in discussing the music of Ralph Vaughan Williams, along with a great many other things, in connection with an article I am preparing on this year’s Bard Music Festival.

    Botstein is co-artistic director of the festival, which completed its 33rd season on Sunday. He possesses an enviable combination of traits and talents, not least of which include intellectual curiosity, clearness of purpose, and an uncanny ability to trace baroque lines of thought through a network of arabesques while somehow never losing sight of his conclusions. The whole process is rather breathtaking, I must say. He plants his landings like an Olympic gymnast.

    He also seems genuinely interested in getting to know his interviewer. It’s not the first time we spoke, but I walk away feeling as if the conversation was nearly as much about me as it was him. Of course, I won’t be appearing in the article.

    Thanks again, President Botstein. Looking forward to “Berlioz and His World” at Bard in 2024!

    Fisher Center at Bard

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