Tag: Victor Young

  • Irish Film Music St. Patrick’s Day

    Irish Film Music St. Patrick’s Day

    St. Patrick’s Day death wish: try to keep pace with Barry Fitzgerald.

    As you turn over the rules for this year’s “The Quiet Man” Drinking Game, consider joining me for music from the John Ford classic about a “quiet, peace-loving man, come home to Ireland to forget his troubles.” Of course the film culminates in one of the great fist fights in cinema history.

    This week on “Picture Perfect,” we’ll have an hour of music from movies with Irish settings and Irish themes.

    “The Luck of the Irish” (1948) features Tyrone Power as an American journalist who travels to Ireland, where he gets in touch with his roots – and a full-size leprechaun, played by Cecil Kellaway.

    No “Darby O’Gill”-style special effects here. Kellaway is just some guy in a leprechaun hat. When Power comments, “Say, aren’t you rather large for a leprechaun?,” Kellaway responds, “That’s a page of me family history I’d rather we not go into.” It was hoped that Barry Fitzgerald would have taken the role – and how perfect would that have been? – but he couldn’t be secured. In the event, Kellaway was nominated for an Academy Award for Best Supporting Actor.

    The music was by the English-born Cyril J. Mockridge, who was Alfred Newman’s assistant at 20th Century Fox. Mockridge is probably best known for his score to “Miracle on 34th Street.” “The Luck of the Irish” is full of Celtic-style folk melodies and some shimmering leprechaun music, but why it quotes “Greensleeves” is anybody’s guess. Probably at the request of a producer. (Green = Irish, right?)

    John Williams wrote a gorgeous, melancholy score for “Angela’s Ashes” (1999), adapted from Frank McCourt’s bestselling memoir. It’s refreshing to hear Williams give free rein to his lyrical side, beyond the context of lightsabers, magic wands and rampaging dinosaurs. The recording we’ll hear is from the difficult-to-acquire international release. The version issued stateside was marred by dialogue from the film. (Why do they do that?)

    You can’t have an hour of Irish film music without including something with The Chieftains. “Circle of Friends” (1995) is based on the novel by Maeve Binchy, about three childhood friends who reunite in college, and their adventures with the young men they find there. The film starred Minnie Driver, Chris O’Donnell, Alan Cumming and Colin Firth. Michael Kamen wrote the score, but it’s The Chieftains, obviously, that lend it an air of authenticity.

    The balance of the show will be devoted to “The Quiet Man” (1952). John Wayne, Maureen O’Hara, Barry Fitzgerald, Victor McLaglen, Mildred Natwick, Ward Bond, and a whole slew of Irish character actors flesh out what must be John Ford’s most delightful film. It earned him his fourth Academy Award for Best Director, and the film itself was nominated for Best Picture.

    Victor Young provided an alternately romantic and boisterous, folk-inflected score, perfectly complementing the tone of sustained whimsy, in what is essentially a love story unfolding in the face of cultural differences.

    Irish eyes are smiling, even as Victor McLaglen spits teeth, this Friday evening at 6:00 EDT, on WWFM – The Classical Network and wwfm.org.

  • Irish Film Music Quiet Man Angela’s Ashes

    Irish Film Music Quiet Man Angela’s Ashes

    “He’s a nice, quiet, peace-loving man come home to Ireland to forget his troubles.”

    John Wayne gives Victor McLaglen a lathering in the epic climax of John Ford’s “The Quiet Man,” and composer Victor Young’s palette is all green. Join me for this alternately romantic and boisterous, folk-inflected score, alongside music for Ford’s “The Informer,” a very different film, a black-and-white study of guilt and paranoia, that earned Ford, McLaglen, and composer Max Steiner Academy Awards. (Ford was honored with his fourth Academy Award for “The Quiet Man.”)

    We’ll also feature two films with music by John Williams: an adaptation of Frank McCourt’s autobiographical book, “Angela’s Ashes,” and Ron Howard’s big screen historical fiction, inspired by his ancestors’ journey to America, “Far and Away.” The latter soundtrack features the talents of The Chieftains.

    We land a few for St. Patrick’s Day this week on “Picture Perfect,” this Friday evening at 6:00 EDT, on WWFM – The Classical Network and at wwfm.org.

  • Quiet Man & Irish Film Scores for St. Patrick’s Day

    Quiet Man & Irish Film Scores for St. Patrick’s Day

    “He’s a nice, quiet, peace-lovin’ man come home to Ireland to forget his troubles.”

    John Wayne gives Victor McLaglen a lathering in the epic climax of “The Quiet Man,” and composer Victor Young’s palette is all green. Join me for this alternately romantic and boisterous, folk-inflected score, alongside music for “The Luck of the Irish” by Cyril J. Mockridge, “Angela’s Ashes” by John Williams, and “Circle of Friends” by Michael Kamen,” featuring the talents of The Chieftains.

    We set the tone for St. Patrick’s Day this week on “Picture Perfect,” tonight at 6:00 ET, with a repeat Saturday morning at 6; or listen to it later as a webcast at wwfm.org.

    Then stick around, if you’re so inclined: there’s more film music at 8, as the Princeton Symphony Orchestra presents “A Silver Screen Salute.” I’ll be your host for this special concert, featuring guest conductor Lucas Richman and Broadway vocalist Jessica Hendy. The program is a mix of classic scores and more contemporary favorites, all of them tied in one way or another to the big screen.

    I echo Barry Fitzgerald in stating, “Homeric!”

  • Victor Young The Immortal Composer

    Victor Young The Immortal Composer

    He may have died in 1956, but his music is forever Young. Victor Young was born in Chicago on this date in 1900.

    The composer of “Stella by Starlight” and “When I Fall in Love” was classically trained and thoroughly drilled: a violinist from the age of 6, he studied at the Warsaw Imperial Conservatory and found employment (following further training on the piano at the Paris Conservatory) while still a teen in the Warsaw Philharmonic Orchestra.

    His talent was admired by Czar Nicholas II, but his ability to capitalize on the connection was sharply curtailed as Russia boiled over into revolution, and Young barely escaped with his life. He fled to Warsaw and then Paris, and he didn’t stop running until he reached the United States.

    Here, he acted as a conductor and arranger of popular music. He was responsible for transforming Hoagy Carmichael’s “Stardust,” which had previously been played as an up-tempo dance number, into a romantic ballad, which secured its status as a mega-hit. “Stardust” went on to become one of the most-recorded songs of all time.

    In the mid-‘30s, Young made the move to film, where his gift for melody served him well. Over the course of the next two decades, he received 22 Academy Award nominations. Twice, he was nominated four times within a single year. Young holds the record for the most nominations prior to a win.

    Unfortunately, the honor of Oscar gold would be bestowed posthumously. His score for “Around the World in 80 Days” was recognized in 1957. Young died of a cerebral hemorrhage in November of 1956.

    In 20 years, he managed to compose 300 scores, among them those for “Reap the Wild Wind,” “The Glass Key,” “The Palm Beach Story,” “For Whom the Bell Tolls,” “The Uninvited,” “State of the Union,” “A Connecticut Yankee in King Arthur’s Court,” “Sands of Iwo Jima,” “Samson and Delilah,” “Rio Grande,” “The Greatest Show on Earth,” “Scaramouche,” “The Quiet Man,” “Shane,” “Three Coins in a Fountain” and “Johnny Guitar.”

    In 1960, he received a star on the Hollywood Walk of Fame. In 1970, he was inducted into the Songwriters Hall of Fame.

    Happy birthday, Victor Young. What he might have accomplished had he lived to be old!


    Nat King Cole singing “When I Fall in Love”

    A suite from “Scaramouche” (1952)

    “The Quiet Man” (1952)

    “Around the World in 80 Days” (1956):

    PHOTO: Orson, Bing and Young

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