With the autumn equinox only days away, we’ll have musical evocations of the impending season by two American composers on “The Lost Chord.”

Henry Hadley (1871-1937) studied with George Whitefield Chadwick and in Vienna with Eusebius Mandycewski. In Europe, he befriended Richard Strauss and conducted the Berlin Philharmonic in his own Symphony No. 3. He was assistant conductor at the Mainz Opera, later music director of the Seattle Symphony, and became the first conductor of the San Francisco Symphony. One of his operas, “Cleopatra’s Night,” was performed at New York’s Metropolitan Opera. He served a stint as assistant conductor of the New York Philharmonic, he founded the National Association of Composers and Conductors, and he was instrumental in establishing the Berkshire Music Festival at Tanglewood, MA. He guest conducted orchestras from Buenos Aires to Tokyo. Why then do so few remember him?

We’ll reach deep into the leaf pile of music history to revive Hadley’s Symphony No. 2, from 1901, subtitled “The Four Seasons.” The work begins with an evocation of a turbulent winter storm, followed by “Spring,” then “Summer.” The symphony concludes with a melancholy portrait of autumn, enlivened by the appearance of some rollicking hunting horns.

Toward the end of the hour, we’ll have just enough time for music by Leo Sowerby (1895-1968), sometimes called “the Dean of American Church Music.” Sowerby was awarded the Pulitzer Prize for Music in 1946 for his cantata “Canticle to the Sun.” As antidote to the reflective nature of Hadley’s “Autumn,” we’ll conclude with the exuberant “Comes Autumn Time,” an uplifting work for solo organ.

I hope you’ll join me for “Well-Seasoned” – American composers of experience celebrate autumn – this Sunday night at 10:00 EDT, on WWFM – The Classical Network and at wwfm.org.