Category: Daily Dispatch

  • Wayne Shorter Jazz Legend R.I.P.

    Wayne Shorter Jazz Legend R.I.P.

    Wayne Shorter died yesterday at the age of 89. I don’t claim to be a world authority, but I spun a lot of his records when I was doing overnights at Philadelphia’s WRTI. Here’s Shorter on tenor sax, Freddie Hubbard on trumpet, Herbie Hancock on piano, Ron Carter on bass, and Elvin Jones on drums. All legends.

    Miles Davis said of Shorter, “Wayne is a real composer. He writes scores, writes the parts for everybody just as he wants them to sound. …Wayne also brought in a kind of curiosity about working with musical rules. If they didn’t work, then he broke them, but with musical sense; he understood that freedom in music was the ability to know the rules in order to bend them to your own satisfaction and taste.”

    Shorter on working with Davis:

    E.S.P.

    R.I.P. Wayne Shorter

  • NY Phil Concert a Czech Birthday Celebration

    NY Phil Concert a Czech Birthday Celebration

    Yes, I am emerging from a cold, but I am very much on the mend, and I can’t help it, I bought my ticket in November, so damn it, I am on my way to hear the New York Philharmonic! Also, the weather is supposed to be fairly mild this afternoon, so I will dress sensibly, try not to overdo things, and hope for the best (and of course mask in the hall).

    First, I plan to swing by the Czech Center New York to take in their “Famous Czech Composers” exhibit – devoted to Bedřich Smetana, Antonin Dvořák, Leoš Janáček, and Bohuslav Martinů – which will run through March 31st. It’s only appropriate, since today happens to be Smetana’s birthday! (Total coincidence.) I confess I’ve been going back and forth on it, since I’m not sure that I buy into the exhibit’s apparent “graphic novel” approach, but supposedly there are also costumes from the first New York productions of some of the operas (including Smetana’s “The Bartered Bride”). And who knows what else I’ll see? It was at the Czech Center that I once shook the hand of Dvořák’s grandson!

    https://new-york.czechcentres.cz/en/program/slavni-cesti-skladatele

    Then I’ll grab dinner at some dive before heading over to the newly-renovated David Geffen Hall for a concert with the Philharmonic. The program will include William Grant Still’s Symphony No. 2 “Song of a New Race” – my second-favorite William Grant Still symphony (I’ll be hearing No. 1, the “Afro-American Symphony,” with Neeme Järvi and the New Jersey Symphony, later in the month) – but it is as icing on the cake next to the main attraction: Adolphus Hailstork’s stirring oratorio “Done Made My Vow.”

    I was bowled over by this piece from the first time I heard it as part of a concert broadcast over the radio, back in the 1980s. I finally stumbled across a recording with the Baltimore Symphony Orchestra in 2012. I never dreamed I would ever actually have a chance to hear it live! The work is scored for speaker, vocal soloists, and orchestra. Among tonight’s guest artists is Simon Estes, whose birthday it also is today. Estes having recently retired from opera, I am guessing he will be the narrator. The concert will be repeated on Saturday at 8 p.m.

    https://nyphil.org/concerts-tickets/2223/the-march-to-liberation?gclid=Cj0KCQiA6fafBhC1ARIsAIJjL8m7u-is9f2iViziNoKiBf9epbPytxuTSQJkgh82NT70zRBHByNyFbQaAqwiEALw_wcB&gclsrc=aw.ds

    With luck, I will be back in bed, reading the Kalevala, by 11:30.

    Happy birthday, Smetana and Simon Estes!

  • Aliens Body Horror Livestream This Friday!

    Aliens Body Horror Livestream This Friday!

    I’m sufficiently well along in my recovery from a crazy throat ailment that I can say with confidence that I will be joining Roy tomorrow night for our rescheduled discussion of James Cameron’s “Aliens” (1986). Thank you all for your well-wishes.

    Conveniently, it’s not much of a leap from bile to body horror. Get ready for more than your share of slime on the next Roy’s Tie-Dye Sci-Fi Corner. Bring your Kleenex to the comments section when we livestream on Facebook, YouTube, etc., this Friday evening at 7:30 EST!

    https://www.facebook.com/roystiedyescificorner

  • Welsh Music for St. David’s Day Harp Concerto

    Welsh Music for St. David’s Day Harp Concerto

    I’m sitting here thinking I could really use some William Mathias Harp Concerto. This webcast of “The Lost Chord” from a few years back is the very thing. Mathias’ concerto is the centerpiece of an hour of Welsh music. March 1st, St. David’s Day, has been celebrated in Wales since the Middle Ages. I honor the country’s patron saint with a playlist also featuring Grace Williams’ “Penillion” and John Thomas’ work for solo harp “Megan’s Daughter.” You’ll also hear Bryn Terfel sing a Welsh song with his former school mate, tenor John Eifion.

    There’s a giant leek in the fridge. Yes, you heard that correctly, and no, it’s not broken. Listen to “And God Created Great Wales” here:

    https://www.wwfm.org/webcasts/2020-02-27/the-lost-chord-march-1-and-god-created-great-wales

    Dydd Gŵyl Dewi Hapus!

  • The Pianist Szpilman Chopin and Survival

    The Pianist Szpilman Chopin and Survival

    You may recall “The Pianist.” The 2002 film was based on the autobiography of Władysław Szpilman, a Jewish musician who miraculously survived the Nazi occupation of Poland. His family was not so lucky. In 1942, they were deported to Treblinka. Szpilman was saved only by a friend in the Jewish Ghetto Police, who recognized him and pulled him out of line as his family boarded the train.

    Two years later, Szpilman was hiding in an abandoned house when he was discovered by a German officer. To his surprise, the officer did not harm him or have him arrested. Rather, after learning that he was a musician, he asked Szpilman play him something on the piano. Szpilman played the Nocturne in C-sharp minor by Frederic Chopin. The officer listened and afterward helped him to find a better hiding place and smuggled him food.

    If you haven’t seen the film, there’s a lot more to it than that. At the bottom of this post, you’ll find footage of the man upon whose life it was based. Adrien Brody played Szpilman in the movie, which was directed by Roman Polanski, who also lost family in the Holocaust. Both Brody and Polanski were recognized with Academy Awards.

    Ironically, Chopin, for all his gifts, was anti-Semitic – which, it should be acknowledged, was not uncommon for his time and place. (He also disliked Russians and “Huns.”) Chopin regarded himself an aristocrat, a descendant of Polish nobility and a superior soul, with plenty of grievances across the board.

    How fortunate for him that Jewish musicians have done so much down the years in looking past his shortcomings to celebrate his genius.

    We don’t know for sure when Chopin was born, but it is commonly held that it was on this date in 1810. After all, Chopin and his mom said so. However, his baptismal certificate, filled out on April 23, gives his natal day as February 22. The Chopin Society UK, in defiance of the composer and his family, is inclined to agree.

    Władysław Szpilman died in the year 2000 at the age of 88. He plays Chopin at the link.

    https://www.youtube.com/watch?v=n9oQEa-d5rU

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