Category: Daily Dispatch

  • Lewis Spratlan Pulitzer Winner Dies at 82

    Lewis Spratlan Pulitzer Winner Dies at 82

    If you’re going to throw your hat into the operatic arena, you’d better have the stomach for a long fight.

    Composer Lewis Spratlan was the recipient of the 2000 Pulitzer Prize for Music for a concert version of Act II of his three-act opera “Life Is a Dream.” Spratlan had actually composed the work between 1975 and 1978, on a commission from New Haven Opera. But while he was at work on the piece, New Haven Opera ceased to exist. It wasn’t until 2000 that Act II was first heard at Amherst College (where Spratlan taught) and then Harvard University. The complete opera would be heard at Santa Fe Opera for the first time only in 2010.

    Spratlan composed a second opera, “Earthrise” for San Francisco Opera. His third, “Architect,” a chamber opera about Louis I. Kahn, was released on Navona Records in 2013. There’s also a fourth opera, “Midi,” which transplants the Medea story to the French Caribbean.

    A recipient of a number of fellowships from Guggenheim, Rockefeller, Bogliasco, NEA, Massachusetts Cultural Council, and MacDowell, among others, Spratlan also produced significant orchestral, chamber, choral, and instrumental works.

    He is remembered by his students for his empathy and his generosity. Not one to impose his own aesthetic values, he allowed his pupils to develop their own compositional voices, but on a firm musical foundation, always with a consideration of structure and technique and an historical awareness of what came before.

    Spratlan died on February 9. He was 82 years-old. R.I.P.


    Spratlan on “Life Is a Dream”

    “Invasion,” his response to the war in Ukraine

    “Bangladesh”

    “When Crows Gather”

    Characteristically fine album from Boston Modern Orchestra Project (BMOP)

    “Vespers Cantata: Hesperus is Phosphorus,” a truly lovely work composed for The Crossing and Network for New Music

    In conversation with Frank J. Oteri

    Lewis Spratlan: Beyond the Pulitzer Prize

    His obituary on legacy.com

    https://www.legacy.com/us/obituaries/gazettenet/name/lewis-spratlan-obituary?id=47635861&fbclid=IwAR2jJxhKwGGcRhXXgYMf6BtJ1vHxKmMLZeznIT-QVFoEoPPPp-3Wxtz23N8

  • Birds in Music From Mozart to Eighth Blackbird

    Birds in Music From Mozart to Eighth Blackbird

    This one goes out to all the red-winged blackbirds, grackles, starlings, and cowbirds that have been swarming my feeders for the past week.

    Jennifer Higdon’s “On a Wire,” named for the familiar sight of birds, well, hanging out on a wire, was composed for the contemporary music sextet eighth blackbird (which markets itself all in the lower-case). Interestingly the piano part includes passages that have adjacent musicians bow the strings inside the instrument. The technique is called (wait for it) “bowed piano.” You can identify the members of eighth blackbird by their instruments: flute, clarinet, piano, percussion, violin, and cello.

    eighth blackbird is named for Wallace Stevens’ “Thirteen Ways of Looking at a Blackbird,” a poem that’s been set by many composers. Lukas Foss’ response is one of the more frequently encountered.

    Starlings aren’t always an annoyance. Wolfgang Amadeus Mozart was so charmed by one during a visit to a Viennese pet shop that he brought him home to his family. From the evidence of one of the composer’s diary entries, we know that a theme used in his Piano Concerto No. 17 was inspired by a song that his fine feathered friend had sung to him. Admittedly, Mozart tidied it up a bit first. (Originally, there had been an out-of-place G-sharp.)

    I understand that everyone needs to eat, and I don’t begrudge a handful of any of these birds, but when it becomes a winged mob in leather jackets with chains, then I’m compelled to throw up the sash and trumpet through an old wrapping-paper tube.

    Gentle birds, be reasonable! Eat well, but then, please – go in peace!

    More about Mozart’s starling here

    https://interlude.hk/mozart-inspired-pet-starling/

    BONUS: From “Where’s Charley?” “My darling, my darling, I’ve fluttered and fled like a starling…”

  • Fat Tuesday King Cake & Mardi Gras Music

    Fat Tuesday King Cake & Mardi Gras Music

    Fat Tuesday! Just returned from my morning quest to secure a King Cake. Two bakeries sold-out, but the third time’s a charm. Also, this one actually has the little plastic baby inside, which I was warned at the register is a choking hazard. Bring it! If you’re going to observe tradition, you ought to be able to do it with authenticity!

    It’s all doughnuts, alcohol, and orgies today, as tomorrow the streets will be strewn with bottles and bodies for the start of Lent.

    In the meantime, indulge in a Classic Ross Amico Carnival/Mardis Gras playlist (which I’ll likely add to throughout the day).

    Laissez les bons temps rouler!


    “Mardi Gras” by Edward Joseph Collins

    Erich Wolfgang Korngold, Prelude and Carnival from “Violanta”

    Niccolò Paganini, “Variations on ‘Carnival of Venice’”

    Sviatoslav Richter plays Robert Schumann, “Faschingsschwank aus Wien” (“Carnival Jest from Vienna”)

    Nelson Freire plays Heitor Villa-Lobos, “Mômoprecóce” (“Carnival of the Brazilian Children”). Hold your nose through the BBC intro.

    Luiz Bonfá, “Manhã de Carnaval” on a Yamaha Silent Guitar

    Igor Stravinsky, “Petrouchka,” set during at a Shrovetide fair

    Creole composer Edmond Dédé, “Méphisto masque” (with kazoo choir)

    Charles Lucièn Lambert, “Bresiliana”

    Hershy Kay, “Cakewalk,” after Louis Moreau Gottschalk

    “Carnevale Veneziano: The Comic Faces of Giovanni Croce”

  • Presidents Day and the Oxford Comma Debate

    Presidents Day and the Oxford Comma Debate

    It’s Presidents Day, so schools are closed. Even so, one should try to learn something, or at any rate, do a little thinking every day. In between practicing my arithmetic on the back of a coal shovel and hurling silver dollars across the Potomac (for physical fitness), I pause to contemplate the Oxford comma.

    Anyone who’s ever noted my exasperating fondness for punctuation of all sorts would assume that I’d be fallow ground for the Oxford comma. But the truth is it’s only been within the past couple of years that I actually started to use it, if not consistently.

    If you have no idea what I’m talking about the “Oxford comma,” also referred to as the “serial comma,” is the comma you will sometimes encounter after the second item in a series of three (for example, “Manny, Moe, and Jack,” as opposed to “Manny, Moe and Jack”).

    To me, the insertion of an Oxford comma can wind up making the page look a little cluttered. It also creates an extra, annoying caesura in my head, interrupting the flow of a sentence. It does, however, to some extent, cut down on ambiguity. Of course, in some instances, it can also create ambiguity, as in “my father, Margaret Thatcher, and a plucked chicken.” Is my father indeed Margaret Thatcher?

    But, I think you’ll agree, the risk is negligible alongside “the rhinoceri, Washington and Lincoln.”

    Expressing myself in writing has always been as intuitive as it has been dictated by any formal guidelines. It’s as much about the “sound” of the words and the flow of a sentence, and how everything looks on the page, as it is about being absolutely correct.

    Which is why I don’t mind the occasional sentence fragment, the insertion of a dash where it feels appropriate – or two around what could very easily be a parenthetical phrase (as here) – if the curved brackets seem to be a little much.

    Fun fact: the serial comma is often called the Oxford comma because it is the standard promulgated by Oxford University Press and, by extension, the Oxford Style Manual. It’s been a while since I’ve been in school, but in American English it seems as if we can either take it or leave it.

    Wasn’t the whole reason the Founding Fathers wanted to toss out the British to begin with because of their confounded, pedantic Oxford commas?

    Friends, I think enough time has passed that we can now, in good conscience, distinguish my father from Margaret Thatcher and a plucked chicken.

    Happy Presidents Day!

  • Remembering Jimmy Carter a President of Integrity

    On Presidents Day, my thoughts are with this man. Jimmy Carter entered hospice yesterday at the age of 98. It’s the rare person for whom the presidency would NOT wind up being the defining role of his life. Regardless of one’s personal politics, they shouldn’t color the fact that this guy always knew how to walk the walk.

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