Category: Daily Dispatch

  • Star Trek City on the Edge of Forever Discussion

    Star Trek City on the Edge of Forever Discussion

    Only Dr. McCoy would leap through a time-displacing doughnut for a shot at a pot of Joan Collins’ coffee. After all, you can’t have doughnuts without coffee.

    And you can’t discuss “Star Trek” without Mike and Marybeth of SciFi Distilled. Thanks to both for dropping by last night for our discussion about the original series episode “The City on the Edge of Forever” (1967). Lots of interesting insights into the episode’s genesis. In the end, what was filmed wound up being quite different from writer Harlan Ellison’s original vision.

    This is the “Trek” episode most fans genuflect before. Our conversation on “the Edge of Forever” went by very quickly, if I do say so myself. The show is now archived here:

    We’ll be BACK with yet another time-travel adventure, supposedly, on the next Roy’s Tie-Dye Sci-Fi Corner. Roy will be making the announcement by the end of the weekend. Set your clocks for the next Facebook livestream, next Friday evening at 7:00 EDT.

    https://www.facebook.com/roystiedyescificorner

  • Dame Ethel Smyth A Spirited Birthday

    Dame Ethel Smyth A Spirited Birthday

    Today is the birthday of Dame Ethel Smyth.

    By coincidence, I am getting close to the end of Smyth’s memoirs (abridged from nine volumes). While I don’t find her the most compelling writer, she does offer some fun glimpses of Brahms, Tchaikovsky, Grieg, Mahler, Arthur Nikisch, and Sir Thomas Beecham, among others. Also, she was a great lover of dogs.

    However, too often the narrative, such that it is, devolves into a blur of name-dropping. Fine for a diary; not so much for a reader. After a while, I just gave up trying to keep everyone straight. It’s all the same anyway. Whether or not this “shortcoming” was exacerbated by editorial decisions, I don’t know.

    That’s not to say the book is not worthwhile. Smyth’s personality definitely comes through. She was indefatigable, I’ll say that for her, and spirited. Often almost giddy. This is a person who would never take no for a definitive answer, but kept looking for new solutions, and when she couldn’t find any, she picked herself up, and peddled her music elsewhere.

    Though she regrets that her pieces hardly ever get programmed, it seems she managed to have her operas and orchestral works played all over Germany and, to a slightly lesser extent, England. Her opera “Der Wald” was picked up by New York’s Metropolitan Opera (though she deemed the performances less-than-satisfactory). Gabriel Fauré even helped to organize a concert of her chamber music in Paris.

    What is striking is how impromptu the concert programming seemed to be back then. In Leipzig (at the Gewandhaus, no less), in Weimar, Berlin, and Prague, it seems like one could get an opera picked up fairly quickly, on a whim, almost. Of course, the commitment could just as rapidly fall through.

    While history, and, to some extent, even her contemporaries, may have undervalued her, I’d say, all in all, she did pretty well – if having to wait 30 years for some of her works to be revived is tolerable. Happily, she never seemed to let it get her down, and she was always writing new things. Now her music is being performed again.

    I wrote more about her, only just last month. If you’re interested, you can read it here, with plenty of links to her music:

    Happy birthday, Dame Ethel!

  • City on the Edge of Forever Star Trek Review

    City on the Edge of Forever Star Trek Review

    McCoy goes sweaty crazy, Kirk falls for Joan Collins, and Spock does his best Michael Nesmith impression. That’s right, it’s what many consider to be the greatest of the original “Star Trek” episodes, “The City on the Edge of Forever” (1967).

    Roy and I will be slumming it in a Depression-era soup kitchen with our esteemed colleagues, Mike and Marybeth of SciFi Distilled, as we mop up the minutiae of this fan favorite.

    We’ll search for “Bones” in a time-displacing doughnut, on the next Roy’s Tie-Dye Sci-Fi Corner. Construct your mnemonic memory devices using stone knives and bear skins in the comments section. It will be a “flop,” even if the show’s a hit, when we livestream on Facebook, this Friday evening at 7:00 EDT!

    https://www.facebook.com/roystiedyescificorner

  • NJ Concerts Star Wars Williams Korngold

    NJ Concerts Star Wars Williams Korngold

    Here’s a link to a cleaner, more readable facsimile of my article in this week’s U.S. 1 newspaper.

    All-John Williams, performed by the New Jersey Capital Philharmonic Orchestra – with Jonathan Wintringham the soloist in the saxophone concerto “Escapades,” after “Catch Me If You Can” – at the Trenton War Memorial this Saturday at 7:30 pm. Daniel Spalding conducts.

    Erich Wolfgang Korngold’s Violin Concerto at the Princeton Symphony Orchestra – with Stefan Jackiw the soloist – at Princeton University’s Richardson Auditorium on May 7 & 8. Rossen Milanov conducts.

    Williams’ score to “Star Wars,” performed by the New Jersey Symphony, with the film, at the State Theatre in New Brunswick on May 12. (Additional performances at the Count Basie Center for the Arts in Red Bank on May 13 and New Jersey Performing Arts Center in Newark on May 14.) Constantine Kitsopoulos conducts.

    Reel music is real music! Read all about it here:

    https://www.communitynews.org/princetoninfo/eeditions/page-page-10/page_f0b402cd-d18f-5a99-a5fc-eeee5d595098.html

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