Category: Daily Dispatch

  • Remembering Pianist Joseph Kalichstein

    Remembering Pianist Joseph Kalichstein

    I know it’s been a few days since pianist Joseph Kalichstein died, but I can’t seem to have been able to find the time or focus to report it. Kalichstein, who was equally accomplished as a recitalist, soloist, and chamber musician, died at his home in Maplewood, NJ, on Thursday.

    His career spanned half a century. He was part of generation of Juilliard-trained musicians, including Itzhak Perlman, Pinchas Zukerman, Emanuel Ax, Leonard Slatkin, and James Levine, who rose to the top of their respective fields to become highly-visible and frequently-recorded performers.

    It was Claudio Arrau who heard him in Tel Aviv, when Kalichstein was 14 years-old. (Kalichstein later stated he had been able to read music before he could read words.) Arrau arranged for him to be brought to Juilliard in 1962. Kalichstein himself later taught there, beginning in 1983.

    He attracted the admiration of Leonard Bernstein, who invited him to perform on one of his televised Young People’s Concerts, and Rudolf Serkin, George Szell, and William Steinberg, who sat on the jury for the Leventritt Competition in 1969. Kalichstein won the the competition by unanimous decision.

    In 1976, with violinist Jaime Laredo and cellist Sharon Robinson, he formed the Kalichstein-Laredo-Robinson Trio. The trio made its public debut at the Inauguration of President Jimmy Carter in 1977. Kalichstein’s final performance, in Phoenix on March 17, was with the ensemble, playing works by Schumann, Ellen Taaffe Zwilich, and Brahms.

    A sensitive interpreter and a self-effacing one, Kalichstein excelled as a collaborator, with a widely remarked-upon lack of ego. His peers, students, and audiences all benefited from his devotion to music.

    I was privileged to attend a few of his performances with the Kalichstein-Laredo-Robinson Trio in Philadelphia. Locally, he also appeared as soloist in Beethoven’s Piano Concerto No. 4, with the Princeton Symphony Orchestra, in 2014.

    Kalichstein’s repertoire embraced the core composers of the 18th and 19th centuries, 20th century masters such as Ravel, Bartók, and Shostakovich, and, with the trio, more contemporary works by Leon Kirchner, Arvo Pärt, Richard Danielpour, and Daron Hagen.

    He was 76 years-old.


    Beethoven’s Piano Sonata No. 22

    Beethoven’s Piano Concerto No. 4 with Szell

    Kalichstein-Laredo-Robinson Trio in Beethoven’s “Triple Concerto”

    Kalichstein-Laredo-Robinson Trio perform Brahms, Dvořák and Mendelssohn

    Kalichstein talks Brahms with David Dubal

    The Kalichstein-Laredo-Robinson Trio’s chamber music recordings across a broad repertoire are generously represented on YouTube, but most of them are posted in individual movements. So if you’re interested in more, definitely poke around!


    PHOTO: Joseph Kalichstein (center) with Jaime Laredo and Sharon Robinson

  • Elmer Bernstein A Centennial Celebration

    Elmer Bernstein A Centennial Celebration

    April 4 would have been the 100th birthday of Elmer Bernstein. Over a career that spanned some 50 years, Bernstein scored dozens of film and television projects, many of them now classics.

    This week on “Picture Perfect,” sample his versatility with selections from just a few of them, including “The Magnificent Seven” (1960), “The Age of Innocence” (1993), “Stripes” (1981), and “To Kill a Mockingbird” (1962).

    In all, Bernstein was nominated for 14 Academy Awards, but claimed the Oscar only once, fairly early on, for his work on “Thoroughly Modern Millie” (1967), of all things. His final nomination was for his very last score, for “Far from Heaven” (2002). Bernstein died on August 18, 2004 at the age of 82.

    Elmer will have you glued to the radio, on “Picture Perfect,” music for the movies, this Saturday evening at 6:00 EDT, on WWFM – The Classical Network and wwfm.org.

    PLEASE NOTE: If you were hoping to hear some of Bernstein’s music for “The Ten Commandments” (1956), tune in next week, as we anticipate Passover with selections from Biblical epics from the Old Testament!

  • Roy’s Sci-Fi Corner Two Years of Bond & Beyond

    Roy’s Sci-Fi Corner Two Years of Bond & Beyond

    104 weeks of Roy’s Tie-Dye Sci-Fi Corner, and all I got was this lousy t-shirt.

    Last night, Roy and I celebrated two years of delving into a shared nostalgia for science-fiction film and television of the 1950s, ‘60s, and ‘70s, with a conversation about “Dr. No” (1962), the first of the James Bond films – not coincidentally marking its 60th anniversary this year.

    Technically, I didn’t join the show until June 2020 (more to celebrate in June), but the series was initiated by Roy in April, with Phil Merkel the first guest, as a means of bringing everyone together during the doldrums of pandemic isolation.

    We’ve had plenty of laughs along the way. Thank you to all of you in our loyal audience, who show up week after week to share your wisecracks and insights. It’s always a great way to launch a weekend. Most amazingly, Roy and I had not seen one another for a good 35 years, prior to our Zoom reunion.

    You can watch two April fools blather about Bond at the link. We’ll do it again next week, once we decide on our next topic. Mix yourself a Vesper Martini (shaken, not stirred) and join us for the Facebook livestream, next Friday evening at 7:00 EDT.

  • Bach or Rachmaninoff Music Styles Compared

    Bach or Rachmaninoff Music Styles Compared

    Is it Bach or Rachmaninoff?

    When Rachmaninoff’s birthday falls on April Fool’s Day, it can only be…

  • Uplifting Friday Music April Foulds

    Uplifting Friday Music April Foulds

    April Foulds! Some uplifting music by John Foulds to brighten your Friday morning.

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