• George Antheil Returns to Trenton

    George Antheil Returns to Trenton

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    Trenton’s prodigal son returns! I was so excited to be able to write about George Antheil again. Antheil, if you don’t know, was the greatest composer ever to emerge from New Jersey’s capital city.

    The self-proclaimed “Bad Boy of Music” (the title of his autobiography), Antheil would practice the piano with such ferocity that he would have to pause periodically to soak his hands in two fish bowls. During his recitals, he would ostentatiously remove a pistol from a silk holster sewn into his jacket and place it atop the piano, to let the audience know up front that he would brook no nonsense.

    Of course, he had good reason. His “Ballet Mécanique,” scored for player pianos, airplane propellers, siren and electric bells, inspired one of classical music’s great riots at its Paris premiere in 1926.

    This weekend, the New Jersey Capital Philharmonic Orchestra will present a substantial suite from Antheil’s ballet, “Capital of the World,” on a concert which will also feature works on Spanish themes by Emmanuel Chabrier, Maurice Ravel and Manuel de Falla.

    Based on the short story by Ernest Hemingway, “Capital of the World” tells of a young waiter who dreams of becoming a matador. Unfortunately, some spirited horseplay leads to tragic results.

    Just don’t go into it expecting Antheil the enfant terrible. By the Second World War, his music had taken a turn toward the kind of populism embraced by many American composers of mid-century. Also, he had entered into a sideline of writing for film (“The Pride and the Passion,” also with a Spanish setting, was one of the projects he scored).

    The ballet features a prominent part for flamenco dancer. Liliana Ruiz will be the soloist in tomorrow night’s performance. The concert will take place at the Trenton War Memorial, beginning at 8 p.m.

    You can read more about it in my article in today’s Trenton Times:

    http://www.nj.com/times-entertainment/index.ssf/2015/05/classical_music_nj_capital_phi_1.html

    If you missed it, here’s a write-up of an Antheil walking-and-driving tour I took, back in 2013:

    http://www.nj.com/times-entertainment/index.ssf/2013/08/early_life_in_trenton_left_mar.html

    PHOTO: The Original Trenton Cracker


  • Brahms and Tchaikovsky: Best Frenemies Forever

    Brahms and Tchaikovsky: Best Frenemies Forever

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    Brahms and Tchaikovsky were totally B.F.F. – Best Frenemies Forever.

    The latter famously confided to his diary, “I have played over the music of that scoundrel Brahms. What a giftless bastard!”

    And that’s only the short version.

    The two shared the same birthday, May 7 (Brahms born in 1833 and Tchaikovsky in 1840). Unfortunately, that was about all they had in common – Brahms, the great classicist among Romantics, and Tchaikovsky, always heart-on-the-sleeve.

    Or so they thought, until the two met on New Year’s Day, in 1888. Surprise! They actually delighted in one another’s company. There was much drinking and backslapping and drinking and hanging on one another’s shoulders and drinking and happy tears and drinking. (Of course, all this took place in spite of Brahms falling asleep during a rehearsal of Tchaikovsky’s Fifth Symphony.) In fact, they liked one another so well, they decided to do it again.

    However, the two never could reconcile themselves to one another’s music. After a lovely evening with Brahms, during which both men drank and smoked prodigiously, while Adolph Brodsky (the violinist who had introduced Tchaikovsky’s Violin Concerto) rehearsed with some friends a Brahms piano trio, Mrs. Brodsky asked Tchaikovsky what he had thought of the piece.

    “Don’t be angry with me, my dear friend,” he said, “but I did not like it.”

    Happy birthday, boys!


    PHOTOS: Peter Ilych Tchaikovsky (left) and Johannes Brahms, agreeing to disagree


  • Orson Welles 100 The Third Man Restored

    Orson Welles 100 The Third Man Restored

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    Holy cow (and no pun intended) – today is Orson Welles’ 100th birthday!

    Listen to this acceptance speech and realize just how far we as a civilization have fallen. Can you imagine any filmmaker or actor of today possessing this kind of oratorical skill? Does anyone even know who Samuel Johnson is?

    I also just learned that Rialto Pictures is releasing a 4k restoration of Carol Reed’s “The Third Man,” in which Orson totally steals the show. It will open on June 26 at New York’s Film Forum, before fanning out to several other major U.S. markets, including Philadelphia.

    http://variety.com/2015/film/news/orson-welles-restored-the-third-man-set-for-u-s-release-1201488365/

    Obviously, this is not the restored version (it looks like a screen shot off of somebody’s television set), but a great clip nonetheless:

    I salute you, Orson! You fell hard, but you accomplished much.

    PHOTO: Sometimes a cigar is just a – oh forget about it.


  • Margaret Garwood Composer Death Inquirer Report

    Margaret Garwood Composer Death Inquirer Report

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    The Philadelphia Inquirer reports that composer Margaret Garwood has died at 88 (though it misspells the name of her former husband, Romeo Cascarino).

    http://www.philly.com/philly/news/20150506_Composer_Margaret_Garwood_dies_at_88.html

    I hate to say it, but if she had been a man and writing 30, 40 or 50 years earlier, she would have been much better known. I attended the 2010 premiere of her opera, “The Scarlet Letter,” and there was much cattiness and eyeball-rolling, especially among composers of a more modernist bent, but the work would have been in the strike zone, if it had been composed in 1950 and her name had been Carlisle Floyd, Robert Ward or Gian Carlo Menotti.

    Here are a couple of excerpts I found posted on YouTube:



  • George Perle: Celebrating a Centennial of Sound

    George Perle: Celebrating a Centennial of Sound

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    You might say he was a Perle among American composers.

    Today marks the 100th anniversary of the birth of George Perle. Perle was born on this date in 1915 in Bayonne, NJ, though he grew up on farms in Wisconsin and Indiana.

    Fascinated with music from the time he was a child (he was literally transfixed when he heard his aunt play a Chopin etude), his choice of career was pretty much a given. Perle attended DePaul University and took private lessons with Ernst Krenek. Among his own students was retired Princeton University professor Paul Lansky.

    Perle fell under the spell of twelve-tone masters Arnold Schoenberg, Anton Webern and Alban Berg. In 1968, he cofounded the Alban Berg Society with Igor Stravinsky and Hans F. Redlich. Arguably his greatest musicological achievements were his discoveries that Berg’s “Lulu” was not in fact a sketch, but rather three quarters finished, and that Berg’s “Lyric Suite” contains a secret program related to a clandestine love affair.

    His own music is influenced by the twelve-tone idiom, though it is weighted to his own purposes, with certain notes of the chromatic scale given precedence to create a kind of synthetic tonality. Perle’s Fourth Wind Quintet was awarded the Pulitzer Prize for music in 1986.

    Maybe his music is not for everyone, but if you’re receptive, I think you’ll find it never wears out its welcome.

    Happy birthday, George Perle!

    Six New Etudes (1984): https://www.youtube.com/watch?v=SxDqR_23Puo

    Adagio for Orchestra (1992): https://www.youtube.com/watch?v=w-_PuCrsT9Q

    Perle in conversation with David Dubal! https://www.youtube.com/watch?v=1JGa7Jd5uEY

    Of course, you can listen to Dubal’s “The Piano Matters” Wednesday evenings at 10 and Sundays at noon at http://www.wwfm.org.

    PHOTO: Give Perle a whirl


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