Tag: Das Lied von der Erde

  • Bernstein’s Borrowed Mahler Score Returns Home

    Bernstein’s Borrowed Mahler Score Returns Home

    Neither a borrower nor a lender be.

    Leonard Bernstein never returned the Vienna Philharmonic’s score of Gustav Mahler’s “Das Lied von der Erde” (“Song of the Earth”) – the one used by Bruno Walter at the work’s premiere in 1911.

    Bernstein borrowed the score in 1966. After he died in 1990, apparently his family donated his collection of scores to the New York Philharmonic. Vienna’s “Das Lied” resurfaced in 2017, when it was put on display as part of an exhibition celebrating the orchestra’s 175th anniversary. It just so happened that the exhibition was co-curated by the Vienna Philharmonic, then also celebrating its 175th year. At a point, representatives from both orchestras noted the original ownership stamp and shared a good chuckle. Oh, that Lenny. Until then, the polite Viennese had never said anything about it.

    When the exhibition closed, the New York Philharmonic and the Bernstein family finally returned the score. Vienna took the high road. In a public statement, the Vienna Phil’s chairman issued a statement, “Not only are we thrilled to have back this historic score, which was originally used by Bruno Walter in the first Vienna Philharmonic performance of ‘Das Lied von der Erde,’ but we treasure its special connection to our friend and collaborator Leonard Bernstein, who maintained close relationships with the Vienna and New York Philharmonics and whose memory we cherish.”

    Good save.

    Lenny had marked it all up, of course. This is why I don’t lend books or recordings – especially to Leonard Bernstein.


    Bernstein conducts “Das Lied” in 1972 (with English subtitles)

    https://www.youtube.com/watch?v=Npy4gjZ81F0

    Bruno Walter conducts it live in Vienna in 1952

    Christa Ludwig disagrees with Bernstein’s tempo

    Return of the manuscript as reported in the New York Times in 2017

    https://www.nytimes.com/2017/03/28/arts/finally-returning-bernsteins-overdue-mahler.html

  • Mahler’s Huts: Solitude & Symphony

    Mahler’s Huts: Solitude & Symphony

    One of my most popular posts, written in 2014, was about composers’ huts – creative spaces that sit apart from a principal house so that an artist can work in solitude, free from distraction.

    Because of his busy schedule as a conductor, Gustav Mahler composed mostly in the summers. Here’s an amusing but also disheartening video, made in 2011, about Mahler’s composing hut in Altschluderbach, near Toblach, in South Tyrol, Italy. Here, during the summers of 1908 through 1910, he created the song-symphony “Das Lied von der Erde” (“Songs of the Earth”), the Symphony No. 9, and what he was able to complete of the Symphony No. 10. Allegedly, he kept three pianos in this hut, but I don’t see how that would be possible. Maybe they were uprights!

    A music festival is held in his honor every summer in Toblach, yet somehow this hut wound up in a wildpark (!), where it has been allowed to fall into ruin. So we have the chicken house… the pig house… and the house of Gustav Mahler. See if you can tell them apart. The videographer makes some pointed allusions to “world cultural heritage.”

    Mahler loved nature, but come on!

    Happily, there are two other composing huts, which have been treated with a little more respect. Mahler spent the summers of 1893 through 1896 in Steinbach, at Lake Attersee, in Upper Austria. Here he worked at his song settings “Des Knaben Wunderhorn” (“The Youth’s Magic Horn”), as well as on the Symphonies Nos. 2 and 3.

    Even so, restoration and preservation were not considered until 1985. In the meantime, it had been used variously as a washing house, a sanitary facility, and a slaughterhouse!

    https://en.wikipedia.org/wiki/Composing_hut_of_Gustav_Mahler_(Attersee)

    From 1900 through 1907, Mahler’s summers were spent in Maiernigg, near Maria Wörth, in Carinthia, Austria. Here too his hut is much better tended. Mahler composed his Symphonies Nos. 4 through 7 on the premises, as well as portions of the Symphony No. 8.

    Again, the composing hut was declared a cultural heritage only in 1981. It was renovated in 1985 and opened to the public in 1986.

    1901-1907 House Gustav Mahler Maiernigg – Villa Mahler No. 31 (Composing cottage)

    The world continues to do its damnedest to promote mediocrity, as too often reminders of our greatest achievements are allowed to collapse. But for now, anyway, provided orchestras have enough money in their budgets, Gustav Mahler’s symphonies endure.

    Happy birthday, Gustav Mahler.


    PHOTOS: Mahler regards his composer cottages in (top to bottom) Altschluderbach, near Toblach (1908-10), Maiernigg, near Maria Wörth (1900-07), and Steinbach, at Lake Attersee (1893-96)

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