Tag: Jean Sibelius

  • Ralph Vaughan Williams Symphony No 5 Birthday

    Ralph Vaughan Williams Symphony No 5 Birthday

    Today is the birthday of one of my favorite composers of all time, Ralph Vaughan Williams. Since it’s a holiday, perhaps you’ll have time to luxuriate in his radiant Symphony No. 5, an unexpected of ray of hope composed during the darkest days of World War II (1938-1943). Some of the ideas were incorporated from work on his opera “The Pilgrim’s Progress.”

    The symphony is dedicated to another one of my all-time favorites, Jean Sibelius. When Sibelius heard the work in Stockholm, conducted by Malcolm Sargent, he wrote, “This symphony is a marvelous work… the dedication made me feel proud and grateful… I wonder if Dr. Williams has any idea of the pleasure he has given me?”

    It’s ironic that Vaughan Williams, a self-professed agnostic (who had softened his stance from atheism), often proved to be an exceptionally spiritual composer. The audience at the symphony’s premiere, with the 70 year-old composer conducting the London Philharmonic Orchestra, emerged from Royal Albert Hall feeling enriched and empowered to face anything the future threw their way. Vaughan Williams’ music stirred in its listeners a determination to strive for light and life. The music somehow embodied everything the Allies were fighting for.

    Happy Birthday, Ralph Vaughan Williams (1872-1958).


    Here’s Vaughan Williams conducting his Symphony No. 5 in 1952:

    And a recording of the work in more up-to-date sound, with the late, great Vernon Handley:

    PHOTO: RVW and Foxy

  • Sibelius Mystery What’s He Holding

    Sibelius Mystery What’s He Holding

    Okay, audience participation time:

    What is it that Sibelius is holding in his left hand? (It looks like a cigarette, or maybe a pencil, in his right.) A hair brush? A shower massage? Have fun with it.

  • Princeton Symphony & Sinfonietta Nova Celebrate Nordic Music

    Princeton Symphony & Sinfonietta Nova Celebrate Nordic Music

    Now that moderate temperatures and Daylight Saving Time have lulled us into a sense of security, it’s okay for local symphony orchestras to trot out the Nordic composers.

    On Saturday, Sinfonietta Nova will present music by the great Danes, Carl Nielsen and Niels Wilhelm Gade (on a concert which will also include works by Pablo de Sarasate and William Boyce), and on Sunday, the Princeton Symphony Orchestra will perform music by Jean Sibelius (on a concert which will also include works by Robert Schumann, Jules Massenet and Sebastian Currier).

    Sinfonietta Nova will appear at the Prince of Peace Lutheran Church in Princeton Junction (Saturday at 7:30 p.m.); the Princeton Symphony will perform at Princeton University’s Richardson Auditorium (Sunday at 4 p.m.).

    Put on your Bermuda shorts and read all about it in my article in today’s Trenton Times:

    http://www.nj.com/times-entertainment/index.ssf/2015/03/classical_music_two_orchestras.html

    PHOTOS: They scoff at your snow: Jean Sibelius (left) and Carl Nielsen

  • Finland’s Music Takes Wing

    Finland’s Music Takes Wing

    After a week of bitter temperatures and more falling snow, it’s hardly surprising that my thoughts turn to the north (and I don’t mean Boston).

    This Sunday night on “The Lost Chord,” we’ll have a couple of pieces from Finland, both of them inspired by the region’s avian life.

    Einojuhani Rautavaara wrote his “Cantus Arcticus” in 1972. He described it as a “concerto for birdsong and orchestra.” The work incorporates tape recordings made on the bogs of Liminka, near the Arctic Circle. More than just a gimmick, the piece is an inspiring triptych that manages to transcend its potentially new age conceit. The final movement takes the form of a long crescendo for orchestra, which incorporates the song of whooper swans.

    Swans, of course, also played a crucial role in the creation of Jean Sibelius’ uplifting Symphony No. 5. The composer was moved to write the grand theme of the symphony’s finale after observing a flock of swans in flight over his home on the shores of Lake Tuusula in Järvenpää. The tolling French horns unfailingly generate a glow of hope and optimism. Such noble music! I don’t mind sharing that this is probably my favorite symphony.

    Wait a minute – the Symphony No. 5 is standard repertoire. What’s this doing on “The Lost Chord?”

    In 1995, conductor Osmo Vänskä recorded Sibelius’ first thoughts on the symphony, as it was heard at its 1915 premiere. Though the work was extremely well-received, Sibelius became increasingly dissatisfied with it, as he prepared the manuscript for publication.

    In what must be one of the most amazing feats of revision ever, he crafted from the comparatively rough material the masterwork we know today. When you hear this original version, you will marvel at the composer’s clarity of purpose, his remarkable objectivity, and just how hard he worked. It’s almost like a completely different piece, one that uses the same recognizable themes, but completely rethinks the structure and, at times, the orchestration. Listening to certain passages is like strolling across familiar terrain. Then the ground shifts, and you find yourself walking down a strange path. If you haven’t heard it, definitely make a point to check it out.

    If, like me, you find yourself watching the Academy Awards at 10:00 tomorrow night even as you wonder why, “The Lost Chord” will be rebroadcast Wednesday evening at 6; or you can listen to it later as a webcast at http://www.wwfm.org.

    PHOTO: Finnish music takes wing, on “Snow Birds”

  • Sibelius A Birthday Tribute to a Master

    Sibelius A Birthday Tribute to a Master

    What’s the world coming to when I don’t even have time to write a proper birthday tribute to one of my favorite composers? That granitic head, like his symphonies, hewn from rock, full of austere pine trees and shrouded with snow. Bless you, Jean Sibelius. Thank you for your stoic, noble masterpieces. I worship at the altar of your Fifth Symphony.

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