Tag: Krampus

  • Mozart’s Death Krampus Was the Culprit?

    Mozart’s Death Krampus Was the Culprit?

    How is it that I never before drew the connection?

    You know, every once in a while, how someone comes up with a new theory about the identity of Jack the Ripper, or claims to have discovered the secret of Elgar’s “Enigma Variations?” Well, it only just occurred to me, I may have solved the mystery of Wolfgang Amadeus Mozart’s death. And it is far more sinister than any alleged poisoning by Antonio Salieri.

    Mozart gave up the ghost on this date in 1791. A prodigy at the keyboard and on the violin, and a composer from the age of five, alas, in death he was also ahead of the curve.

    Mozart was 35 at the time of his passing, yet there was always something childlike in his personality. At times, he seemed much younger than his years. There’s no question that he could be naughty. He was certainly disobedient to his father, autocrat though he was. He defied the Pope, was extravagant in his spending, was inappropriate in his speech, and could be perhaps a mite too arrogant for his own good.

    The cause of Mozart’s death was recorded as “severe military fever.” Even so, over the years, there have been dozens of theories put forth as to the true nature of his passing. Acute rheumatic fever. Streptococcal infection. Influenza. Mercury poisoning. A rare kidney ailment. Even a bad pork chop. Combined, of course, with overwork.

    Alas, we’ll never know for sure. Mozart was buried in a common grave – not a communal grave, or a pauper’s grave, as has been frequently stated, but one whose wooden marker has long since worn away.

    Here’s the thing. December 5, the date of Mozart’s passing, also happens to be Krampusnacht. As a former native of Salzburg and later Vienna, Mozart should have known better. Because, you see, Austria is the dark, beating heart of the Christmas devil.

    What exactly is Krampus? Why, he’s St. Nicholas’ austere helper. Horned, hairy, and egregiously long-tongued, Krampus emerges from his Alpine domain to assist the patron saint of children on the eve of his feast day. Saint Nick bestows small gifts to all the good girls and boys. The rest are handed over to Krampus.

    For milder offenses, there is the sting of the switch; for the especially ill-behaved, there are chains, a short ride in a wicker basket, and drowning in a stream or immolation by hellfire. When a recalcitrant child hears the dull clatter of approaching cow-bells on December 5, he knows it’s all over. With anxiety a thousand times worse than the anticipation of a bad report card, the wee sinner pulls the sweat-soaked blankets over his head and prays vociferously for a stocking full of coal.

    No doubt, Mozart was a chronic offender. Could he have withstood a sound thrashing in his weakened state?

    Confutatis maledictus, indeed.

  • Mozart’s Death Krampus Was to Blame?

    Mozart’s Death Krampus Was to Blame?

    How is it that I never before drew the connection?

    You know, every once in a while, how someone comes up with a new theory about the identity of Jack the Ripper, or claims to have discovered the secret of Elgar’s “Enigma Variations?” Well, it only just occurred to me, I may have solved the mystery of Wolfgang Amadeus Mozart’s death. And it is far more sinister than any alleged poisoning by Antonio Salieri.

    Mozart gave up the ghost on this date in 1791. A prodigy at the keyboard and on the violin, and a composer from the age of five, alas, in death he was also ahead of the curve.

    Mozart was 35 at the time of his passing, yet there was always something childlike in his personality. At times, he seemed much younger than his years. There’s no question that he could be naughty. He was certainly disobedient to his father, autocrat though he was. He defied the Pope, was extravagant in his spending, was inappropriate in his speech, and could be perhaps a mite too arrogant for his own good.

    The cause of Mozart’s death was recorded as “severe military fever.” Even so, over the years, there have been dozens of theories put forth as to the true nature of his passing. Acute rheumatic fever. Streptococcal infection. Influenza. Mercury poisoning. A rare kidney ailment. Even a bad pork chop. Combined, of course, with overwork.

    Alas, we’ll never know for sure. Mozart was buried in a common grave – not a communal grave, or a pauper’s grave, as has been frequently stated, but one whose wooden marker has long since worn away.

    Here’s the thing. December 5, the date of Mozart’s passing, also happens to be Krampusnacht. As a former native of Salzburg and later Vienna, Mozart should have known better. Because, you see, Austria is the dark, beating heart of the Christmas devil.

    What exactly is Krampus? Why, he’s St. Nicholas’ austere helper. Horned, hairy, and egregiously long-tongued, Krampus emerges from his Alpine domain to assist the patron saint of children on the eve of his feast day. Saint Nick bestows small gifts to all the good girls and boys. The rest are handed over to Krampus.

    For milder offenses, there is the sting of the switch; for the especially ill-behaved, there are chains, a short ride in a wicker basket, and drowning in a stream or immolation by hellfire. When a recalcitrant child hears the dull clatter of approaching cow-bells on December 5, he knows it’s all over. With anxiety a thousand times worse than the anticipation of a bad report card, the wee sinner pulls the sweat-soaked blankets over his head and prays vociferously for a stocking full of coal.

    No doubt, Mozart was a chronic offender. Could he have withstood a sound thrashing in his weakened state?

    Confutatis maledictus, indeed.

  • Saint Nicholas The Problematic Origins of Santa

    Saint Nicholas The Problematic Origins of Santa

    December 6. After all the press I gave Krampus yesterday, it wouldn’t be right to ignore his keeper, Saint Nicholas, on his special day.

    Krampus, of course, is the demon who beats wicked children and hurls them into hellfire. Saint Nicholas, on the other hand, rewards the good. He is justly celebrated for his miracles and outstanding generosity. Let us all hoist an eggnog to the jolly old elf! Yay!

    Except that – what’s that you say? – the historic Nicholas was not so jolly?

    While it would be impossible to deny Saint Nicholas as having done a lot of good in the world, his personality could be a bit, shall we say, problematic. In fact, his modesty could be so extreme as to sometimes verge on the sociopathic. Among other things, he suffered fools grudgingly and became cantankerous if thanked.

    Nicholas is one of those rare all-purpose saints, who seems to watch over everyone – sailors, merchants, archers, prostitutes, women seeking husbands, repentant thieves, wrongly condemned prisoners, travelers, pawnbrokers, students, and of course children. Is it any wonder he’s grouchy?

    The historic Nicholas served as Bishop of Myra (part of modern day Turkey) in the 4th century. When his parents died, he gave away his inheritance to the poor.

    To avoid uncomfortable scenes, he developed a reputation for secret gift-giving. In one famous incident, he rescued three daughters of an unfortunate man who could not afford a proper dowry. In that time and place, it would have made them unmarriageable, and with no opportunity for honest employment, they would have had no alternative but to enter into a life of prostitution.

    Nicholas learned of their plight and under the cloak of darkness passed their house three times, each time tossing a purse of gold through a window. Some traditions say he dropped the purses down the chimney; others claim he left coins in stockings left out to dry. When the elated father tried to thank him, Nicholas responded gruffly that it is God he should thank. O-kayyyyy, Nicholas.

    On another occasion, during a sea voyage, Nicholas’ ears were assailed by a cacophony of oaths and blasphemies lustily exchanged by the crew. When he tried to get them to mind their language, the sailors laughed and mocked him, and took to swearing with renewed vigor. Nicholas responded by praying for stormy seas, until the sailors dropped to their knees in repentance, effectively scared straight.

    He was also wholly intolerant of pagans and heretics. He sent Arius, the father of Arianism, sprawling with a box on the ears, for his assertion that Jesus Christ is subordinate to the entity of God.

    The creepiest Nicholas tale concerns the murder of three boys by a butcher during a time of famine. The butcher placed their remains in a barrel to cure, hoping to pass them off as ham(!). Not surprisingly, this didn’t go down well with Nicholas, who resurrected the three children. The episode is recreated most eerily by Benjamin Britten in his cantata, “Saint Nicholas.”

    While he’s not a “Bad Santa,” exactly, he’s also not the jolly old elf Clement Moore, Thomas Nast and Coca-Cola would have us believe. He’s just your garden-variety, high-maintenance saint. To me, somehow, this makes him all the more lovable.

    But, as was advised in “The Man Who Shot Liberty Valance,” when the legend becomes fact, print the legend. In the Clement Moore/Thomas Nast vein, here’s the “Santa Claus Symphony,” really an ambitious symphonic poem, by the Philadelphia composer William Henry Fry (1813-1864):

    If Saint Nick were on Facebook, I am sure I would be flamed so bad right now I’d be wishing for a ride in Krampus’ wicker basket.

  • Krampus is Coming Controversial Christmas

    Here comes Krampus – and along with him, my most controversial post of the year. I always lose one or two followers over Krampusnacht. Apparently it’s hard for some folks to reconcile Christmas with an Alpine devil. But when it comes to the holidays, the Central European psyche holds nothing in reserve.

    In the grand tradition of spare the rod, spoil the child (Proverbs 13:24), in Krampus the Old World really pulls out all the stops. On December 5, the eve of Saint Nicholas’ Day, it is the custom for an egregiously-horned, whiplash-tongued demon to emerge from his mountain lair, festooned in chains and cow bells, to accompany the Patron Saint of Children on his rounds. Saint Nick bestows small gifts to all the good boys and girls; the bad are handed over to Krampus.

    Garden-variety naughtiness may earn the sting of a switch; but the especially ill-behaved are clapped in chains, taken for a short ride in a wicker basket, and then drowned in a stream or immolated by hellfire. With mounting anxiety a thousand times worse than the anticipation of a bad report card, a wee sinner pulls the sweat-soaked blankets over his head and begins to pray vociferously for a stocking full of coal.

    It is with mixed emotions that I watch Saint Nick’s dark helper creep ever closer to the mainstream. It used to be that there were one or two books of vintage postcards, and they were out of print and difficult to get a hold of. Now Krampus has become something of a shadow industry. He’s even been the subject of a major motion picture, for crying out loud. I never thought I would see it, but The Man is trying to appropriate Krampus, just like he did rock ‘n’ roll. But you can’t keep a good demon down. As long as there are people fed up with Black Friday sales on Thanksgiving, there will always be plenty of fuel for a reactionary Black Christmas. And no amount of tinsel is going to change that.

    If there is any classical music written for Krampus, I have yet to hear it. Therefore, as a kind of place holder on this Krampusnacht, I will offer a suite by Finnish composer Einar Englund for a film inspired by another bizarre legend, that of “The White Reindeer.” Don’t go into it expecting any Rankin-Bass Rudolph. This is Lapland, after all, the land of shape-shifting, vampiric livestock. This Rudolph sports teeth like The Abominable.

    It’s also the birthday today of pianist Krystian Zimerman. He’ll be the soloist in Franz Liszt’s “Totentanz” (“Dance of Death”). Then, if time allows, we’ll have a diabolical sleigh-ride courtesy of Bernard Herrmann.

    Oh yes! We’ll also mark the birthdays of Francesco Geminiani, Vítězslav Novák, Osvaldo Golijov, and José Carreras, with a little more Hanukkah music tossed into the mix, from 4 to 6 p.m. EST. Then stick around for “Music from Marlboro.” We’ll embrace the saints at 6 – more about that in an upcoming post – on WWFM – The Classical Network and wwfm.org.

    This year’s Parade of Spirits, Liberty Lands, formerly known as Krampuslauf, spills into the streets of Philadelphia’s Northern Liberties neighborhood on December 9. The event will benefit Delaware Valley homeless shelters.

    Go ahead and unfollow me, if you must. You can stop your ears, but you can’t stop Krampus.

  • Krampusnacht Devilish Delights & Dark Carols

    Krampusnacht Devilish Delights & Dark Carols

    Here comes Krampus – and along with him, my most controversial post of the year. I always lose one or two followers over Krampusnacht. Apparently it’s hard for some folks to reconcile Christmas with an Alpine devil. But when it comes to the holidays, the Central European psyche holds nothing in reserve.

    In the grand tradition of spare the rod, spoil the child (Proverbs 13:24), with Krampus the Old World really pulls out all the stops. On December 5, the eve of Saint Nicholas’ Day, it is the custom for an egregiously-horned, whiplash-tongued demon to emerge from his mountain lair, festooned in chains and cow bells, to accompany the Patron Saint of Children on his rounds. Saint Nick bestows small gifts to all the good boys and girls; the bad are handed over to Krampus.

    Garden-variety naughtiness may earn the sting of a switch; but the especially ill-behaved are clapped in chains, taken for a short ride in a wicker basket, and then drowned in a stream or immolated by hellfire. With mounting anxiety a thousand times worse than the anticipation of a bad report card, a wee sinner pulls the sweat-soaked blankets over his head and begins to pray vociferously for a stocking full of coal.

    It is with mixed emotions that I watch Saint Nick’s dark helper creep ever closer to the mainstream. It used to be that there were one or two books of vintage postcards, and they were out of print and difficult to get a hold of. Now Krampus has become something of a shadow industry. He’s even been the subject of a major motion picture, for crying out loud. I never thought I would see it, but The Man is trying to appropriate Krampus, just like he did rock ‘n’ roll. But you can’t keep a good demon down. As long as there are people fed up with Black Friday sales on Thanksgiving, there will always be plenty of fuel for a reactionary Black Christmas. And no amount of tinsel is going to change that.

    If there is any classical music written for Krampus, I have yet to hear it. Therefore, as a kind of place holder on this Krampusnacht, I will offer a suite by Finnish composer Einar Englund for a film inspired by another bizarre legend, that of “The White Reindeer.” Don’t go into it expecting any Rankin-Bass Rudolph. This is Lapland, after all, the land of shape-shifting, vampiric livestock. This Rudolph sports teeth like The Abominable.

    It’s also the birthday today of pianist Krystian Zimerman. He’ll be the soloist in Franz Liszt’s “Totentanz” (“Dance of Death”). As time allows, we’ll even have a diabolical sleigh-ride courtesy of Bernard Herrmann.

    Oh yes! We’ll also mark the birthdays of Francesco Geminiani, Vítězslav Novák, Osvaldo Golijov, and José Carreras, with a little more Hanukkah music tossed into the mix, from 4 to 6 p.m. EST. Then stick around for “Music from Marlboro.” We’ll embrace the saints at 6 – more about that in an upcoming post – on WWFM – The Classical Network and wwfm.org.

    This year’s Parade of Spirits, Liberty Lands, formerly known as Krampuslauf, spills into the streets of Philadelphia’s Northern Liberties neighborhood on December 15. The event will benefit Delaware Valley homeless shelters.

    Go ahead and unfollow me, if you must. You can stop your ears, but you can’t stop Krampus.

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