Our scheduled discussion about the Michael Crichton science fiction thriller “Runaway” (1984) on tonight’s Roy’s Tie-Dye Sci-Fi Corner has been postponed until Sunday at 7 PM. Which means you are now free to enjoy my Viking show on “Picture Perfect” – that’s right, all music from Viking movies – tonight on KWAX at 8:00 EST (5:00 PST)! Stream it at the link.
ODINNNNNNNNNNNNNNNNNNNNNNNNNN!!!
‘Tis the season of bitter temperatures and falling snow – or it should be. Keep your spirits up and feather your nest, this week on “The Lost Chord,” with music inspired by Finland’s avian life.
Einojuhani Rautavaara’s concerto for birdsong and orchestra, “Cantus Arcticus,” from 1972, incorporates tape recordings made by the composer on the bogs of Liminka, near the Arctic Circle. More than just a gimmick, the piece is an inspiring triptych that manages to transcend its potentially New Age conceit. The work falls into three movements: “The Bog,” “Melancholy,” and “Swans Migrating.” The final movement takes the form of a long crescendo for orchestra, and incorporates the songs of whooper swans.
Jean Sibelius’ uplifting Symphony No. 5 culminates in a grand theme inspired by swans in flight around his home on the shores of Lake Tuusula in Järvenpää. The symphony is standard repertoire, but we’ll hear it as it was first performed in 1915, before it was substantially revised to become the masterwork we know today.
Encountering the Fifth in its original guise illuminates the composer’s remarkable clarity of purpose, uncanny objectivity, and iron will in reshaping his raw materials to achieve a loftier, definitive vision. It’s not for nothing that Sibelius was described by one critic as “a great artist whose imagination has the wings of an eagle.”
Take flight with Finnish music. I hope you’ll join me for “Snow Birds,” on “The Lost Chord,” now in syndication on KWAX, the radio station of the University of Oregon!
Remember, KWAX is on the West Coast, so there’s a three-hour difference for those of you listening in the East. Here are the respective air-times for all three of my recorded shows (with East Coast conversions in parentheses):
PICTURE PERFECT, the movie music show – Friday on KWAX at 5:00 PM PACIFIC TIME (8:00 PM ON THE EAST COAST)
SWEETNESS AND LIGHT, the light music program – ALL NEW – Saturday on KWAX at 8:00 AM PACIFIC TIME (11:00 AM ON THE EAST COAST)
THE LOST CHORD, unusual and neglected rep – Saturday on KWAX at 4:00 PM PACIFIC TIME (7:00 PM ON THE EAST COAST)
Stream all three, at the times indicated, by following the link!
With the holidays now largely in the rear-view mirror, it’s a good time to curl up and catch up on your winter reading.
This morning on “Sweetness and Light,” it’s all about books, with light music classics inspired by “Vanity Fair,” “The Adventures of Huckleberry Finn,” “Don Quixote,” “The Leopard,” “Oliver Twist,” and “Tales of Hoffmann.”
I hope you’ll join me for some “light” reading, on “Sweetness and Light,” music calculated to charm and to cheer, this Saturday morning on KWAX, the radio station of the University of Oregon.
The show will air at 8:00 Pacific Time, but you can stream it on the East Coast at 11:00 when following the link.
Need I say, “bookmark” it!
It may be cold and flu season, and the holidays may dish up, among other things, a banquet of contagion. But, as it’s said that laughter is the best medicine, this week on “The Lost Chord,” we’ll laugh in the New Year with highlights from the notorious and uproarious Hoffnung Music Festival concerts.
Gerard Hoffnung was a boy when his family arrived in London, refugees from Nazi Germany. In his new home, he cultivated the persona of an English gentleman, though one with a decidedly impish bent. He attained celebrity through his work as a cartoonist, a sparkling panelist, and a public speaker. He was lauded as a brilliant improviser with a dry wit and a masterly sense of timing. He also played the tuba well enough that he was able to tackle the Vaughan Williams concerto.
Following a successful April Fool’s concert in 1956, Hoffnung embarked on the enterprise which, alongside his cartooning, ensured a kind of immortality – the first of the Hoffnung Music Festival concerts. The concerts brought together representatives of England’s finest musical talent to lampoon what, especially at the time, might have been perceived as a rather stodgy art form.
There would be three Hoffnung concerts in all. Alas, the third was presented posthumously. Hoffnung collapsed at his home in 1959, and died of a cerebral hemorrhage three days later, at the age of only 34. An untimely finish for a character who seemed his entire life to be a brilliant, fully-developed, middle-aged man, always at the peak of his form.
I hope you’ll join me as we celebrate Hoffnung’s whimsical legacy. We’ll hear Sir Malcolm Arnold’s “A Grand, Grand Overture,” for orchestra, organ, electric floor polisher, and three vacuum cleaners – the work was dedicated to President “Hoover” – and Franz Reizenstein’s “Concerto populare,” billed as “a piano concerto to end all piano concertos,” among others.
It’s a lighthearted playlist calculated to put a smile on your face and lend a boost to your spirits – to say nothing of your immune system. He who laughs last laughs best. So “Have a Ball,” on “The Lost Chord,” now in syndication on KWAX, the radio station of the University of Oregon!
Remember, KWAX is on the West Coast, so there’s a three-hour difference for those of you listening in the East. Here are the respective air-times for all three of my recorded shows (with East Coast conversions in parentheses):
PICTURE PERFECT, the movie music show – Friday on KWAX at 5:00 PM PACIFIC TIME (8:00 PM EST)
SWEETNESS AND LIGHT, the light music program – ALL NEW – Saturday on KWAX at 8:00 AM PACIFIC TIME (11:00 AM EST)
THE LOST CHORD, unusual and neglected rep – Saturday on KWAX at 4:00 PM PACIFIC TIME (7:00 PM EST)
Stream all three, at the times indicated, by following the link!
I hope you’ll join me on this Saturday morning, the last of 2023, for some uplifting music calculated to charm and to cheer, on an all-new episode of “Sweetness and Light.”
We’ll enjoy selections from operetta, including a concert overture on themes from Franz Lehár’s “The Merry Widow,” a duet from Oscar Straus’ “A Waltz Dream,” and the irresistible “Song of the Laugh,” an insert aria employed in Sidney Jones’ “The Geisha,” in a vintage recording, performed by Ukrainian soprano Claudia Novikova. Trust me, it will put a smile on your face!
In addition, we’ll have some variations on the familiar New Year’s melody “Auld Lang Syne” – one a playful multi-movement set in the styles of different composers by Franz Waxman (who wrote scores for such classic films as “The Bride of Frankenstein,” “Sunset Boulevard,” and “The Nun’s Story”), conceived for an informal New Year’s Eve get-together with his neighbor, Jascha Heifetz, and friends; the other, an orchestral showpiece incorporating parodies of no less than 129 familiar melodies, by British Light Music master Ernest Tomlinson.
Erich Wolfgang Korngold, who enjoyed a successful run of reviving the operettas of Johann Strauss II, brought some of that same breezy Old World elegance to his own Hollywood film scores, proving that you can take the composer out of Vienna, but you can’t take Vienna out of the composer, as demonstrated in his “Flirtation Waltz” from the 1936 Errol Flynn classic “The Prince and the Pauper.”
I’ll be wishing you a sweet New Year this week on “Sweetness and Light.” Sweeten your morning and lighten your spirit by listening to it on KWAX, the radio station of the University of Oregon, this morning at 11:00 Eastern Time (8:00 on the West Coast). Stream it effortlessly at the link!
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