Tag: Lost Chord

  • Lost Chord & Picture Perfect Archives Updated

    Lost Chord & Picture Perfect Archives Updated

    I am happy to announce, on the heels of having caught up yesterday on my “Picture Perfect” webcasts, I have now uploaded all my past-due programs of “The Lost Chord.”

    Everything should be up to date, on the station website, and ready for your listening pleasure.

    You can scroll through the offerings after you follow the link below. Look for the “Listen” button once you click on an individual show.

    Going forward, both of my recorded programs, “Picture Perfect” and “The Lost Chord,” should be uploaded on Monday afternoon, probably around 3 p.m., following their weekend broadcast.

    Please let me know if you encounter any difficulties. Again, thank you for your patience. I was lost, but now I am found!

    https://www.wwfm.org/programs/lost-chord-ross-amico

    I have also located the audio for the October 11th “Picture Perfect,” focusing on the films of Brian De Palma. So that’s been uploaded too, to the “Picture Perfect” archive.

    https://www.wwfm.org/programs/picture-perfect-ross-amico

  • Lost Chord Unearths Neglected Norwegian Composers

    Lost Chord Unearths Neglected Norwegian Composers

    Whenever I don’t have any ideas this time of year, it’s always easy to fall back on the weather. Winter = cold = north = Scandinavia.

    This Sunday night on “The Lost Chord, we’re off to Norway for music by a couple of composers, neither of whom are terribly well-known.

    Halfdan Cleve (1879-1951) received an unusually strict musical upbringing. His father was an organist, who insisted his son play nothing but Bach until he was 16! The young Cleve later went to Germany, where he received instruction from the Scharwenkas, brothers Philipp and Franz Xaver. The latter, a pupil of Franz Liszt, was regarded as one of the towering keyboard virtuosos of his day.

    Cleve became widely known as a composer and pianist, but his popularity waned after World War I. He reacted to the rise of modernism by clinging more firmly to his Norwegian roots, celebrating the Norwegian countryside and its folk idioms in his music. His Violin Sonata of 1919 is reflective of this attitude.

    Also from 1919, we’ll hear the Piano Concerto of Eyvind Alnaes (1872-1932), a figure who is known, if at all, for his art songs, some of which were recorded by Kirsten Flagstad and Feodor Chaliapin. Alnaes’ musical language is less overtly “Norwegian” than that of Cleve. In fact, his concerto echoes Brahms and Tchaikovsky, with some interesting suggestions of Rachmaninoff’s Piano Concerto No. 4, which was not completed until seven years later. Did Rach know this work?

    I hope you’ll join me for “Dark Horse Norsemen,” works by neglected Norwegian composers.

    PLEASE NOTE: because of the length of the Sunday Opera (“Götterdämmerung”), all WWFM evening programs will begin one hour and 15 minutes later than usual. That means “The Lost Chord” will not begin tonight until 11:15 ET. If you plan to be sawing wood by then, you can always catch the rebroadcast, Wednesday evening at 6, or make it a point to listen to the webcast, once it is posted, at http://www.wwfm.org.

    Flagstad sings Alnaes: https://www.youtube.com/watch?v=5aT6ZdY320Q

    PHOTO: Norwegian horse can’t stop yawning because of “Lost Chord” late start time

  • Live on Air Today! Pledge Drive & Lost Chord Favorites

    Live on Air Today! Pledge Drive & Lost Chord Favorites

    Today’s the day!

    As a preamble to tonight’s rebroadcast of “The Lost Chord” (“The Most Dangerous Game,” at 6 p.m. ET), I will be on the air live for two hours, beginning at 4, to present some of my favorites from “Lost Chords” past.

    Don’t forget, we are in the middle of a pledge drive, so I’ll be joined, I believe, by Alice Weiss and Michael Kownacky. Things have really been cooking the past couple of days, so there is every possibility we’ll be skiing an avalanche as we near an early end to the campaign. The focus, after all, is on raising money.

    For the two hour “pre-Game,” I’ll be playing a mix of contemporary composers, vintage recordings, and light music classics of yore. If we’re lucky, apropos to World Series time, we may even get to hear George Kleinsinger’s “Brooklyn Baseball Cantata,” with Robert Merrill.

    In addition, I will be offering as a special thank you gift signed copies of Robert Moran’s new album, “Game of the Antichrist,” released yesterday on the innova Recordings label – just in time for Hallowe’en. Stay tuned, then, for an interview with Moran and to listen to the title piece at 6:00.

    If “the Antichrist” isn’t your thing (it’s an adaptation of a medieval mystery play, incorporating bar piano, alphorn and giant puppets), there’s always the station mug, the tote bag and the Cantus CD, “Harvest Home,” that I hope will entice you.

    This will be my first live air shift since June. It would be nice if everyone supported the station under any circumstances, but if you do call or pledge online, feel free to put in a good word for me and my shows (though sometimes that information gets lost as the phone volunteers struggle to keep up).

    One way or another, I hope you will help keep the station healthy by pledging your support at http://www.wwfm.org, or 1-888-232-1212.

    Thank you!

    PHOTOS: Join me for the Yankees and other Antichrists this afternoon on The Classical Network

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