Tag: Odysseus

  • Homer’s Homesick Sounds on WWFM

    Homer’s Homesick Sounds on WWFM

    As one who seemingly can’t find his way home, I thought I would offer up an afternoon of music inspired by the ultimate wanderer.

    Our centerpiece will be a rarely-heard work, “Odysseus: Symphony in Four Movements,” by the English composer Armstrong Gibbs. Its four movements are meant to evoke the “Escape from Calypso,” “Circe,” “Cyclops,” and “The Return.” If you’re a fan of Vaughan Williams’ “A Sea Symphony,” you might also enjoy this.

    “The Return,” of course, refers to Odysseus’ return to Ithaca, after 20 years’ absence, when he finally strings his bow and lays waste to his rivals in one of the most satisfying bloodbaths in all of literature. It also forms the climax of Benjamin Britten’s “The Rescue of Penelope,” a radio play for vocal soloists and orchestra. In the work’s only recording, we’ll hear none other than Dame Janet Baker as the speaker.

    I’ll try to mix it up from there, with music suggested by “The Iliad” and “The Odyssey.”

    We’re homesick for Homer, from 12 to 4 p.m. EDT, on WWFM – The Classical Network and wwfm.org.

  • Bruch’s Odysseus Rediscovered

    Bruch’s Odysseus Rediscovered

    It says something about how highly regarded was Max Bruch’s “Odysseus” that none other than Johannes Brahms selected it for his farewell performance in 1875 as Director of the Society of the Friends of Music in Vienna. Bruch’s oratorio racked up an impressive number of performances. Within two years of its premiere in 1873, it was given no less than 45 times. In fact, in Bruch’s heyday, the work was considered second in excellence only to his imperishable Violin Concerto No. 1 in G minor.

    Yet by the time of the composer’s death, in 1920, he was considered an artifact of a bygone era. “Odysseus” was a relic of the 19th century, and in the 19th century it would remain, until liberated by musicologist and conductor Leon Botstein in the late 1990s. Thanks to Botstein, we’ll get to enjoy the complete oratorio today on WPRB, as we listen to a full morning of music inspired by Homer.

    Bruch’s oratorio perhaps unforgivably omits the cathartic bloodletting at the tale’s climax, when Odysseus slays his wife’s unwanted suitors, who have overrun his home in his absence. But Benjamin Britten was not so squeamish. Britten embraced all the inherent drama and adventure of epic vengeance in his music for radio, “The Rescue of Penelope.” We’ll cap the morning with this full-blooded work, which will be narrated by Dame Janet Baker.

    Along the way, we’ll also have music by Gabriel Fauré, Marc-Antoine Charpentier, Ernst Boehe, Jean-Philippe Rameau, Jacques Offenbach, John Harbison, Hector Berlioz, and Jerome Moross, among others.

    There will be more wine for Polyphemus, from 6 to 11 EDT, on WPRB 103.3 FM and at wprb.com. We’re always trying hard to rock your world, on Classic Ross Amico.

  • Odysseus’s Journey Home A Spring Adventure

    Odysseus’s Journey Home A Spring Adventure

    Ah! Enchanted April…

    What is it about spring that puts me in the mind of angry gods, shipwreck, cannibalism, gratuitous nudity, riotous drunkenness, blinded Cyclopes, and the wholesale slaughter of one’s rivals? Actually, I just felt like doing a rerun.

    From “The Lost Chord” archive, it’s an hour of high adventure and satisfied bloodlust, as we listen to musical evocations of Odysseus’ homeward journey.

    Odysseus, of course, is one of the heroes of the Trojan War, waylaid time and again upon his return by Poseidon and the frailties of his own men. It takes him ten years to find his way back to Ithaca. When he gets there, he finds his wife beset by boorish suitors all vying for her hand and his throne.

    What happens next pushes all the same buttons that are still pushed whenever Sylvester Stallone or Arnold Schwarzenegger apply the camouflage and begin strapping on their bandoliers and sheathing their big knives. In the process, there’s also some meaningful father-son bonding. Leave it to Homer, who always knew how to lend class to the classics.

    Just in time for baseball season, I hope you’ll join me for “Home Sweet Homer” (the greatest stretch this side of the seventh inning), this Sunday night at 10:00 EDT, on WWFM – The Classical Network and at wwfm.org.

  • Odysseus Epic Adventure for Mother’s Day?

    Odysseus Epic Adventure for Mother’s Day?

    Nothing says Mother’s Day like angry gods, shipwreck, cannibalism, gratuitous nudity, riotous drunkenness, a blinded Cyclops, and the wholesale slaughter of one’s rivals.

    Okay, so maybe I wasn’t thinking when I did the programming for the latest installment of “The Lost Chord.” But dads should love this hour of high adventure and satisfied bloodlust, as we listen to musical evocations of Odysseus’ homeward journey.

    Odysseus, of course, is one of the heroes of the Trojan War, waylaid time and again upon his return by Poseidon and the frailties of his own men. It takes him ten years to find his way back to Ithaca. When he gets there, he finds his wife beset by boorish suitors all vying for her hand and his throne.

    What happens next pushes all the same buttons that are still pushed whenever Sylvester Stallone or Arnold Schwarzenegger apply the camouflage and begin strapping on their bandoliers and sheathing their big knives. In the process, there’s also some meaningful father-son bonding.

    So maybe it would have been a more appropriate choice for Father’s Day. Hopefully there are some mothers out there who were also classics majors. I hope you’ll me for “Home Sweet Homer,” tonight at 10 ET, with a repeat Wednesday evening at 6. You can listen to it on Father’s Day as a webcast, if you want, at http://www.wwfm.org.

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