Tag: Richard Wagner

  • Wagner A Love-Hate Birthday Serenade

    Wagner A Love-Hate Birthday Serenade

    “Of all the bête, clumsy, blundering, boggling, baboon-blooded stuff I ever saw on a human stage, … and of all the affected, sapless, soulless, beginningless, endless, topless, bottomless, topsiturviest, tongs and boniest doggerel of sounds I ever endured the deadliness of, that eternity of nothing was the deadliest, so far as the sound went. I never was so relieved, so far as I can remember in my life, by the stopping of any sound – not excepting railway whistles – as I was by the cessation of the cobbler’s bellowing.”

    – John Ruskin on “Die Meistersinger”

    “For me Wagner is impossible… he talks without ever stopping. One just can’t talk all the time.”

    – Robert Schumann

    “One can’t judge Wagner’s opera ‘Lohengrin’ after a first hearing, and I certainly don’t intend hearing it a second time.”

    – Gioachino Rossini

    “I love Wagner. But the music I prefer is that of a cat hung up by its tail outside a window and trying to stick to the panes of glass with its claws.”

    – Charles Baudelaire

    “I like Wagner’s music better than any other music. It is so loud that one can talk the whole time without people hearing what one says. That is a great advantage.”

    – Oscar Wilde

    “Is Wagner a human being at all? Is he not rather a disease? He contaminates everything he touches – he has made music sick. I postulate this viewpoint: Wagner’s art is diseased.”

    – Friedrich Nietzsche

    “Every time I listen to Wagner, I get the urge to invade Poland.”

    – Woody Allen

    “I have witnessed and greatly enjoyed the first act of everything whichWagner created, but the effect on me has always been so powerful that one act was quite sufficient; whenever I have witnessed two acts I have gone away physically exhausted; and whenever I have ventured an entire opera the result has been the next thing to suicide.”

    – Mark Twain

    “Wagner’s music is better than it sounds.”

    – Edgar Wilson “Bill” Nye

    Happy Birthday, Richard Wagner (1813-1883). Tune in today to make what you will of his art, from 4 to 7 p.m. EDT, on WWFM – The Classical Network and wwfm.org.

  • Vintage Wagner on The Lost Chord

    Vintage Wagner on The Lost Chord

    Time to get out the crazy helmets. Tomorrow, May 22, is the birthday of Richard Wagner (1813-1883). This Sunday night on “The Lost Chord,” we’ll honor his legacy with a handful of historic recordings.

    American baritone Lawrence Tibbett never actually sang the role of Wotan on-stage, in the context of a “Ring” cycle. However, he did record “Wotan’s Farewell and Magic Fire Music,” magnificently, in 1934, with the Philadelphia Orchestra and Leopold Stokowski.

    Karl Muck was a victim of anti-German sentiment during his time as music director of the Boston Symphony Orchestra, which, unfortunately, happened to coincide with the First World War. Be that as it may, he was held in the highest regard by fellow musicians and thought by many to be one of Wagner’s finest interpreters. We’ll hear a fascinating 1927 recording of the Transformation music and the beginning of the Grail Scene from Act III of “Parsifal,” made at the Festspielhaus in Bayreuth. The recording employs the original bells designed by Wagner, which would be melted down by the Nazis for ammunition during the Second World War. So this will be a rare opportunity to experience the “Parsifal” Wagner actually knew. Muck was principal conductor of the Bayreuth Festival since 1903. He conducted “Parsifal” at Bayreuth 14 times between 1901 and 1930.

    Finally, we’ll return to “Die Walkure” to wrap things up on a buoyant note with Siegmund and Sieglinde’s love music from Act I, which concludes with the lovers fleeing together into the welcoming spring. Nine months later, Sieglinde gives birth to Siegfried, the saga’s hero-without-fear. Lotte Lehmann strikes sparks with legendary Danish heldentenor Lauritz Melchoir in a 1935 recording with Bruno Walter and the Vienna Philharmonic.

    The power of these performances has been undiminished by the passage of time. Join me for “Vintage Wagner,” this Sunday night at 10 EDT, on WWFM – The Classical Network and wwfm.org.


    PHOTOS: Lotte Lehmann as Sieglinde and Lauritz Melchior as Siegmund

  • Wagner’s Wild Ride: Hated by the Greats!

    Wagner’s Wild Ride: Hated by the Greats!

    “Of all the bête, clumsy, blundering, boggling, baboon-blooded stuff I ever saw on a human stage, … and of all the affected, sapless, soulless, beginningless, endless, topless, bottomless, topsiturviest, tongs and boniest doggerel of sounds I ever endured the deadliness of, that eternity of nothing was the deadliest, so far as the sound went. I never was so relieved, so far as I can remember in my life, by the stopping of any sound – not excepting railway whistles – as I was by the cessation of the cobbler’s bellowing.”

    – John Ruskin on “Die Meistersinger”

    “For me Wagner is impossible… he talks without ever stopping. One just can’t talk all the time.”

    – Robert Schumann

    “One can’t judge Wagner’s opera ‘Lohengrin’ after a first hearing, and I certainly don’t intend hearing it a second time.”

    – Gioachino Rossini

    “I love Wagner. But the music I prefer is that of a cat hung up by its tail outside a window and trying to stick to the panes of glass with its claws.”

    – Charles Baudelaire

    “I like Wagner’s music better than any other music. It is so loud that one can talk the whole time without people hearing what one says. That is a great advantage.”

    – Oscar Wilde

    “Is Wagner a human being at all? Is he not rather a disease? He contaminates everything he touches – he has made music sick. I postulate this viewpoint: Wagner’s art is diseased.”

    – Friedrich Nietzsche

    “Every time I listen to Wagner, I get the urge to invade Poland.”

    – Woody Allen

    “I have witnessed and greatly enjoyed the first act of everything which Wagner created, but the effect on me has always been so powerful that one act was quite sufficient; whenever I have witnessed two acts I have gone away physically exhausted; and whenever I have ventured an entire opera the result has been the next thing to suicide.”

    – Mark Twain

    “Wagner’s music is better than it sounds.”

    – Edgar Wilson “Bill” Nye

    Happy Birthday, Richard Wagner (1813-1883)!

  • Hans Sachs: Cobbler, Poet, Opera Star

    Hans Sachs: Cobbler, Poet, Opera Star

    I wonder if someone will write an opera about me 300 years after my death?

    That’s what happened to the humble cobbler Hans Sachs, when Richard Wagner cast him as the wise, avuncular protagonist of his comedy “Die Meistersinger von Nürnberg.” In the opera, Sachs, the most famous of the historical Master Singers, is crowned with a laurel wreath and lionized by his peers.

    The real-life Sachs was the product of a versifying mania which swept through Germany, beginning in the 14th century, and had the effect of transforming blacksmiths into bards, and bricklayers into balladists. Companies of these poet-tradesmen organized themselves in guilds.

    Sachs composed some 4000 master songs, in addition to 2000 poetical works, 200 of which were verse dramas. He suffered a fair amount of tragedy, including the loss of seven children and his first wife. However, a second marriage late in life (at the age of 66) was a happy one. With his own death, he slipped into obscurity only to be rediscovered two centuries later by Goethe.

    Today is anniversary of Sachs’ birth (b. 1494). By the way, he was also the subject of an earlier opera, “Hans Sachs,” by Albert Lortzing, who scooped Wagner by nearly 30 years!

    Albert Lortzing’s “Hans Sachs” Overture:

    Thomas Stewart sings “Wahn! Wahn! Überall Wahn!” (Madness! Madness! Everywhere Madness!) from Wagner’s version:

    https://www.youtube.com/watch?v=Jb4Qm1Aj4jY

    The historical Hans Sachs’ “Nachdem David war redlich und aufrichtig” (Since David was honest and candid):

    http://grooveshark.com/#!/search/song?q=Hans+Sachs+Hans+Sachs+%2F+Nachdem+David+war+redlich+und+aufrichtig

    PHOTO: Hans Sachs: If the shoe fits…

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