Tag: Stravinsky

  • Shilkret’s Genesis Suite Schoenberg Stravinsky

    Shilkret’s Genesis Suite Schoenberg Stravinsky

    The creation of the heavens and the earth may have taken six days, but Nathaniel Shilkret and I only have one hour.

    This week on “The Lost Chord,” I hope you’ll join me for a true curiosity, a collaborative effort organized by Shilkret – a child prodigy from Queens who was associated with the New York Philharmonic, the Metropolitan Opera, the Victor Herbert Orchestra, the Sousa Band, the Victor Talking Machine Company (later RCA Victor), NBC Radio, the RKO and M-G-M movie studios, and concerts and recordings featuring many of the starriest jazz and classical artists of his time – who managed to cajole a number of the day’s greatest composers, then living in California, into contributing to a seven-movement piece for narrator, chorus and orchestra.

    Take a gander at the layout for the “Genesis Suite” (1943):

    “Prelude (The earth was without form),” composed by Arnold Schoenberg;

    “Creation,” by Shilkret;

    “Adam and Eve,” by Alexandre Tansman;

    “Cain and Abel,” by Darius Milhaud;

    “Noah’s Ark,” by Mario Castelnuovo-Tedesco;

    “Babel,” by Igor Stravinsky;

    and “The Covenant,” by Ernst Toch.

    No one can accuse the project of a lack of ambition!

    The “Genesis Suite” is the only time the twin titans of twentieth century music, Schoenberg and Stravinsky, were to collaborate on the same piece – though they never actually worked together. The two men were highly suspicious of one another, to put it mildly, and rehearsals had to be carefully calibrated so as to keep both composers from showing up at the same time. On the one occasion when they did, they remained aloof on opposite ends of the hall.

    I give more background on the show – probably more than is necessary – but it’s all very interesting, I hope. That’s “First Among Equals” – Nathaniel Shilkret and the “Genesis Suite” – on “The Lost Chord,” now in syndication on KWAX, the radio station of the University of Oregon!


    Clip and save the start times for all three of my recorded shows:

    PICTURE PERFECT, the movie music show – Friday at 8:00 PM EDT/5:00 PM PDT

    SWEETNESS AND LIGHT, the light music program – Saturday at 11:00 AM EDT/8:00 AM PDT

    THE LOST CHORD, unusual and neglected rep – Saturday at 7:00 PM EDT/4:00 PM PDT

    Stream them, wherever you are, at the link!

    https://kwax.uoregon.edu/


    IMAGE: Adam and Eve (1526) by Lucas Cranach the Elder

  • Stravinsky’s Rite vs Delius’ Cuckoo for Spring

    Stravinsky’s Rite vs Delius’ Cuckoo for Spring

    March 20.

    Delius’ “On Hearing the First Cuckoo in Spring” is all well and good, but in this month notorious for its whiplash caprice, Leonard Bernstein conducting Stravinsky’s “Le sacre du printemps” is perhaps a better, if not safer, bet.

    Then again, from that photo, perhaps the cuckoo is not to be undersold…

    Here’s Bernstein, captured in his prime, conducting Stravinsky’s primal masterpiece without a score.

    Happy spring?

    Perhaps you prefer to decompress with Delius’ romanticized cuckoo.

    Both works were first performed in 1913!

  • Leonard Bernstein Genius Conductor and More

    Leonard Bernstein Genius Conductor and More

    Leonard Bernstein did so much so well.

    Even if we were to restrict ourselves to his achievements as a conductor, he was one of the very top interpreters of American music, Haydn, Schumann, Mahler, Nielsen, Shostakovich – on the evidence of his recordings, too many others to catalogue.

    Here’s just an example of his artistry: in London, from 1966, Lenny captured in his prime, conducting Stravinsky’s primal “Le Sacre du printemps” (“The Rite of Spring”) – without a score.

    At the end of the performance, the musicians refuse to rise, but only continue to applaud him from their seats.

    An appropriately orgiastic salute to Leonard Bernstein on his birthday!


    PHOTO: Bernstein’s magic elevator only goes in one direction: up!

  • Stravinsky Summer School Revolution

    Stravinsky Summer School Revolution

    How revolutionary was he? Igor Stravinsky gets sent to the office at summer school.

  • Rite of Spring Joffrey’s Reconstruction

    Rite of Spring Joffrey’s Reconstruction

    On the first full day of spring, while the season is still prone to brutal mood swings, it’s a good time to revisit this Joffrey Ballet restoration of the original 1913 production of Stravinsky’s “Le Sacre du printemps” (“The Rite of Spring”). The savagery of the scenario – to appease the gods, a prehistoric Slavic tribe elects a maiden to dance herself to death – was bolstered by Nicholas Roerich’s barbaric designs and Vaslav Nijinsky’s aggressively anti-balletic choreography. It certainly stirred the passions of the opening night audience, stoking one of classical music’s most infamous riots.

    The ballet was danced only eight times as it was originally conceived. Nijinsky and impresario Serge Diaghilev had a falling out, and when the Ballets Russes revived the work a few years later, it was with new choreography by Léonide Massine. By then, Nijinsky had already been admitted to an asylum, and not for the last time. His increasing instability and death in 1950 led many to believe that his revolutionary conception of the original “Rite” had been lost forever.

    Joffrey’s was the first attempt at a reconstruction. It took 16 years and a lot of detective work to bring it to fruition.

    How was it accomplished? You can read more about it here.

    https://www.wbur.org/news/2013/03/15/rite-of-spring

    And watch the video, as I did when it first aired, here.

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