Tag: Sunday Morning Opera

  • WPRB’s Spring Schedule Returns Beloved Shows

    WPRB’s Spring Schedule Returns Beloved Shows

    I’m very happy to announce that, after several months off, Sandy Steiglitz of Sunday Morning Opera with Sandy will return to the airwaves tomorrow morning on WPRB. I hope you will join her for Charles Gounod’s “Roméo et Juliette,” from an historic Met broadcast featuring Jussi Björling and Bidú Sayão. The “pre-show,” a potpourri of arias and scenes, will begin at 05:30 EST; the opera itself will commence at 07:00.

    WPRB has published its spring schedule. You might also be interested to know that Marvin Rosen of Classical Discoveries (which will continue to be heard from 5:30 to 11 a.m. on Wednesday mornings) will also be settling in on Mondays for the return of “Treasures of Early Music” (also from 5:30 to 11). So if you enjoy music of the Middle Ages, Renaissance and Baroque, set your alarm to 103.3 FM.

    In addition, I will be coming back for another season of Classic Ross Amico, which will be heard as always on Thursdays from 6 to 11 a.m. I can’t deal with getting up any earlier, so please make note. If you tune in at 5:30, you may get blasted out of bed by the overnight playlist, which tends toward that bebop the kids are listening to these days.

    WPRB, of course, offers all kinds of music throughout its broadcast day, from classical to world, from jazz to alt rock, from folk to classic rock, from ambient to I don’t-know-what-the-hell-you-call-it. You press the button, you win a prize, when you tune in to WPRB 103.3 FM and wrpb.com.

  • Jean Cras’ “Polyphème” Opera on WPRB

    Jean Cras’ “Polyphème” Opera on WPRB

    I’ve got my eye on you!

    Join me this morning for Jean Cras’ Cyclops opera, ““Polyphème.” It’s the featured work on Sunday Morning Opera with Sandy. I’ll be guest hosting from 7 to 10 EST, on WPRB 103.3 FM and at wprb.com.

    Cras, a career navy man, composed much of his music at sea. Tune in early (around 6:35) to enjoy his orchestral suite “Journal de bord” (“Ship’s Log”).


    “More wine for Polyphemus!”

  • William Penn Opera on WPRB Sunday

    William Penn Opera on WPRB Sunday

    William Penn envisioned Philadelphia, the city he established in 1682, as a “greene Country Towne” along the Delaware River. Equally verdant was composer Romeo Cascarino’s vision of “William Penn,” the opera, which he crafted over a quarter century, from 1950 to 1975. The completed work was first heard at Philadelphia’s Academy of Music in 1982, to coincide with the 300th anniversary of the city’s founding.

    I’ll be presenting Cascarino’s magnum opus tomorrow morning on WPRB, as I sit in for Sandy Steiglitz on “Sunday Morning Opera.” Metropolitan Opera singer bass-baritone John Cheek will sing the title role, and Christopher Macatsoris will conduct the Philadelphia Singers and the Chamber Orchestra of Philadelphia.

    I will be joined in the studio by a very special guest: Dolores Cascarino, the composer’s widow, who created the role of Gulielma (as Dolores Ferraro), Penn’s first wife. She will offer insights into the opera and its creator, and share her memories of that premiere run of performances. The program will also include private recordings of some of the composer’s other works, with a special focus on his writing for voice.

    I hope you’ll join me for this one-of-a-kind broadcast of a first-rate, virtually unknown American opera, in a recording which is not commercially available, with valuable insights from the composer’s closest confidante, who sang in the work’s first performance.

    It all comes your way tomorrow, on “Sunday Morning Opera,” from 7 to 10 a.m. EST, on WPRB 103.3 FM and at wprb.com.


    Tune in early to enjoy a pre-show treat, the world premiere broadcast of collaborations with pianist Richard Rome, a producer in the field of commercial music, in arrangements made by Cascarino, who will conduct the orchestra in a program of works on celestial themes. The album, recorded at Cinecittà studios, outside Rome, was never released. Musicians for the sessions were assembled from performers who were heard on the soundtracks of Italian films of the era, who recorded for RCA Italia, and who played at La Scala Milan. The airing of this music, great background for your morning coffee, will begin around 6:30 a.m.


    PHOTO: John Cheek as William Penn, with my guest, soprano Dolores Cascarino (née Ferraro), as Gulielma

  • Support WPRB Opera Radio & Fall Membership Drive

    Support WPRB Opera Radio & Fall Membership Drive

    Keeping opera on the air these days takes more than just a spear and magic helmet.

    We’re looking to raise funds for “Sunday Morning Opera,” as WPRB 103.3 FM continues with its Fall Membership Drive. I’ll be answering phones for Sandy until 10:00. Nobody knows more about opera than she. If her thoughtful blend of the classic and the unusual gets your Sundays off to a good start, call 609-258-1033, or pledge your support at wprb.com.

    Sandy will be my co-host this Thursday as we sample from more than two dozen unique thank you gifts in an attempt to lure you into supporting Classic Ross Amico. I hope you will do your part to fuel the diverse, creative, and idiosyncratic programming on this community-driven, independent radio station. Call 609-258-1033, and thank you!

    http://wprb.com/wprb-membership-drive-2016

  • Korngold’s “Die Kathrin” on WPRB Sunday

    Korngold’s “Die Kathrin” on WPRB Sunday

    I know it’s so early that even the roosters will be brewing their coffee, but if you want to get a taste of the melodic fecundity and lush orchestrations of Erich Wolfgang Korngold as opera composer, you’ll want to tune in to WPRB tomorrow for “Sunday Morning Opera” with Sandy Steiglitz.

    Sandy will be celebrating Korngold’s birthday with a complete recording of the composer’s final opera “Die Kathrin.” The piece is gorgeous. It may not be his most profound work for the stage, but it contains one great melody after another. Also, it is the opera closest in style to his film scores. He completed it in 1937, the same year as his work on “The Prince and the Pauper.” By that time, he had already written his Academy Award winning music for “Anthony Adverse.” “Captain Blood” was two years in the past. The opening of the opera (set outside a cinema!) sounds like it could have been written for “The Adventures of Robin Hood.”

    Technically the show runs from 6 to 10 a.m., with the opera beginning at 7; but because of the length, the main attraction this week will begin at 6:45 EDT. It makes no difference to Sandy; she’s there at 5:30 anyway, cleaning the studio and sharing the music she loves. So tune in early. I don’t know anyone who knows as much about opera, in terms of both repertoire and its recorded history, as Sandy does. It’s worth your while getting to know her show.

    Hear “Sunday Morning Opera” tomorrow morning on WPRB 103.3 FM or at wprb.com. Korngold goes great with breakfast. Happy birthday, EWK!


    Renée Fleming sings the Letter Song from “Die Kathrin”:

    https://www.youtube.com/watch?v=VcNJRo4K7fs

    Korngold plays it (courtesy of Brendan Carroll):

    https://www.youtube.com/watch?v=KgLXGInLMpc

    In case you missed it, here’s an interview I did with Sandy in 2012 for the Trenton Times.

    http://www.nj.com/times-entertainment/index.ssf/2012/08/sunday_morning_opera_host_sand.html


    PHOTO: Erich Wolfgang Korngold in 1937

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