Tag: Sunday Morning Opera

  • Georgian Opera on WPRB Sunday

    Georgian Opera on WPRB Sunday

    Sandy Steiglitz is under the weather, and I’ve got Georgia on my mind.

    Join me tomorrow as I fill in as a last-minute substitute for this week’s “Sunday Morning Opera.” I am looking forward to sharing a rarely-heard work by Zakharia Paliashvili (1871-1933), who is regarded as the “Father of Georgian Music.”

    “Abesalom and Eteri,” composed between 1909 and 1918, is based on the medieval Georgian folk poem, “Eteriani.” In the best Romantic tradition, the story is one of star-crossed love in an historical setting. The musical language is an appealing fusion of folk song and pageantry. In 2004, excerpts from the work were adapted into the National Anthem of Georgia.

    The recording we’ll hear was issued on the Deutsche Grammophon label back in the 1979, but to my knowledge it has been unavailable in the West for decades.

    Join me this Sunday morning from 7 to 10:00 EDT (remember tonight is the clock change, as we spring forward into Daylight Saving Time) for this rare opportunity to enjoy Paliashvili’s “Abesalom and Eteri,” on WPRB 103.3 FM and at wprb.com.

    Best wishes to Sandy, and get well soon!

  • Korngold Wolf-Ferrari Opera on WPRB

    Korngold Wolf-Ferrari Opera on WPRB

    Wake up to your conflicted emotions with Erich Wolfgang Korngold’s “Violanta,” and then sneak a cigarette with Ermanno Wolf-Ferrari’s “Il segreto di Susanna” (“Susanna’s Secet”). I’ll be filling in for Sandy Steiglitz today for “Sunday Morning Opera,” from 7 to 10 ET, on WPRB 103.3 FM and at wprb.com.

  • Haddon Hall Opera Mother’s Day Breakfast

    Haddon Hall Opera Mother’s Day Breakfast

    Perhaps as an alternative to waiting in line at the diner on Mother’s Day, you can cook breakfast for Mom at home and listen to “Haddon Hall.” Sir Arthur Sullivan’s rarely-heard light opera, given its premiere in 1892, will be the featured work on Sandy Steiglitz’s “Sunday Morning Opera.”

    “Haddon Hall” is one of the works Sullivan composed without Gilbert, in the wake of the team’s temporary dissolution following “The Gondoliers.” Savoy Opera impresario Richard D’Oyly Carte, no doubt crestfallen at the G & S separation, introduced Sullivan to Sydney Grundy. The result was a mild satire that left audiences accustomed to Gilbert’s barbed observations vaguely dissatisfied.

    The opera dramatizes the elopement of Dorothy Vernon of Haddon Hall in 1563, against her father’s wishes, with John Manners, son of Thomas Manners, 1st Earl of Rutland. The conflict may have been in part religious (the Vernons were Catholic, the Manners Protestant); it was most certainly financial (as the second son of an earl, Manners’ prospects were uncertain). If all this sounds a tad dry to American sensibilities, Grundy moves the action forward a century to about 1660, recasting it against the backdrop of unrest between Royalists and Roundheads. Isn’t that much more interesting?

    There’s also a fuming Scottish stereotype in the person of “The McCrankie,” a particularly strict Puritan from the Isle of Rum, who sings to the accompaniment of bagpipes and drinks whisky from a flask, ha ha.

    Anyway, the music should be nice. Purportedly, it bears the stamp of Sullivan’s only grand opera, “Ivanhoe,” which had been completed only the year before.

    “Haddon Hall” enjoyed a vogue among amateur groups in the 1920s, but has since drifted into obscurity. The 2000 recording features Mary Timmons, Maxwell Smart (no shoe phone jokes, please), and Alan Borthwick. The performance is conducted by David Lyle.

    “Sunday Morning Opera” can be heard on WPRB Princeton at 103.3 FM, beginning at 5:30 a.m. The main attraction begins at 7:00. After the opera, in the time remaining, Sandy will celebrate the birthday of Richard Tauber. You can listen online at http://www.wprb.com.

    More about “Sunday Morning Opera” here: http://www.cs.princeton.edu/~san/schedule.html


    PHOTO: When men were men, and women were women – if only we could tell them apart

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