Tag: William Walton

  • Shakespeare Inspired Music Today

    Shakespeare Inspired Music Today

    All the world’s a stage, and all the men and women merely players.

    That said, I’ve got but a few hours in which to play music to mark the presumed anniversary today of the birth of the great William Shakespeare.

    We’ll hear works inspired by a number of Shakespeare’s plays, including a “scenario” assembled from William Walton’s magnificent score for Laurence Olivier’s acclaimed film adaptation of “Henry V.” The speaker will be none other than Christopher Plummer.

    Today’s Noontime Concert will serve as prologue, with the Rolston String Quartet coming your way from the Church of the Holy Trinity, Rittenhouse Square, in Center City Philadelphia. The program, presented by Astral Artists, will include works by Mozart (the String Quartet No. 18 in A major, K. 464), Ligeti (the Quartet No. 1, “Metamorphoses nocturnes”), and Beethoven (the Quartet No. 13 in B-flat major, Op. 130).

    … [M]ay we cram
    Within this wooden “O” the very casques
    That did affright the air at Agincourt?
    O, pardon!

    Piece out our imperfections with your thoughts, from 12 to 4 p.m. EDT, on WWFM – The Classical Network and wwfm.org.

  • Rutter’s Gloria with the Bach Choir

    Rutter’s Gloria with the Bach Choir

    Get your afternoon off to a glorious start with John Rutter’s “Gloria.” The “Gloria” will be the centerpiece of today’s Noontime Concert, featuring The Bach Choir of Bethlehem.

    Rutter’s “Gloria,” commissioned in 1974, is perhaps the composer’s most ambitious piece to have found permanent favor with audiences during the Christmas season. But of course the “Gloria” can be enjoyed at any time; it was given its world premiere in May. The work is a festive setting of the second part of the Latin Order of Mass, marked by fanfares aplenty. In fact, there would be no “Gloria” without the ceremonial precedent of William Walton. It’s only appropriate, then, that the concert open with Walton’s uplifting “Coronation Te Deum,” written for the 1953 coronation of Elizabeth II.

    In between will be more reflective music by American composer Morten Lauridsen – his 1980 cycle “Mid-Winter Songs,” after poetry of Robert Graves – and the choir’s namesake Johann Sebastian Bach – his Cantata 118 “O Jesu Christ, meins Lebens Licht” (“O Jesus Christ, light of my life”).

    The concert will be led by the ensemble’s long-time artistic director, Greg Funfgeld. The program was given twice – on March 17 at the State Theatre Center for the Arts in Easton, PA, and on March 18 at Bryn Mawr Presbyterian Church.

    The Bach Choir, which gave its first performance of Bach’s Mass in B minor all the way back in 1900, is America’s oldest Bach choir (established in 1898) and one of the crown jewels of the Lehigh Valley music scene. Its performances have attracted international acclaim.

    The ensemble will celebrate its 111th Annual Bach Festival in Bethlehem, PA, over the next two weekends, beginning on Friday. For tickets and a complete schedule, visit http://www.bach.org.

    Following today’s Noontime Concert, stick around for William Walton’s Symphony No. 1. Like the Graves poetry that forms the basis of Lauridsen’s “Mid-Winter Songs,” the genesis of Walton’s symphony was very much tied up with the complexities of its creator’s love-life.

    The glory of music prevails. Join me this Tuesday from 12 to 4 p.m. EDT, on WWFM – The Classical Network and wwfm.org.

  • Richard III Leighton on The Classical Network

    Richard III Leighton on The Classical Network

    We’ll begin and conclude by putting a little English on it, on The Classical Network.

    At 4:00, we’ll mark the birthday today of Richard III with works by William Walton and Bedrich Smetana. Then at 6:00, we’ll honor English composer Kenneth Leighton.

    Leighton’s “Veris Gratia” (1950) betrays a spiritual kinship with the music of Ralph Vaughan Williams, Herbert Howells, and his champion and friend Gerald Finzi.

    Completed at the age of 21, the suite is scored for oboe, cello and orchestra. Though the musical language is in the tradition of the English pastoralists, gentle, tonal and melodic, Leighton’s yearning to be his own man is already evident in some of the harmonies. The work is based on an earlier cantata of the same name, a setting of Medieval Latin lyrics in English translation. Finzi conducted the suite several times, including its first performance. In gratitude, Leighton dedicated the work to his memory, following Finzi’s untimely death.

    Leighton emerged from a working class background in Yorkshire. He exhibited talent early as a chorister and pianist, before receiving a scholarship to study Classics at Queen’s College, Oxford. Simultaneously, he embarked on a degree in music. There, he studied with Bernard Rose. Finzi and Vaughan Williams interceded on his behalf, facilitating and attending performances of his works. Leopold Stokowski conducted the premiere of his “Primavera Romana” with the Royal Liverpool Philharmonic.

    Soon after, Leighton left for Rome to study with Goffredo Petrassi. This led to his exposure to a wider range of European composers and techniques. In some of his pieces, he even flirts with serialism. He certainly developed a more modern, though generally lyrical and always personal style.

    As a person, he enjoyed family and teaching. He was less fond of the administrative duties that were part of being a university professor. At his core, he was a shy and private man, who cherished peace and quiet.

    Leighton is often reductively referred to as a “church composer,” which is ironic, since he was not overly fond of church or even conventionally religious. He preferred the transcendent qualities of poetry and nature, and enjoyed taking long walks through the Scottish Highlands with his dog. Though he spent much of his adult life in Scotland, on the faculty of the University of Edinburgh, Leighton never forgot his origins. He always regarded himself as a down-to-earth Yorkshireman.

    Watch for Clarence in the malmsey butt, then kick back with the cows, from 4 to 7 p.m. EDT, on WWFM – The Classical Network and wwfm.org.

  • Walton Bennett Biggs Birthday Music

    Walton Bennett Biggs Birthday Music

    Okay, kids! Get ready to celebrate the birthdays of Sir William Walton, Sir Richard Rodney Bennett, and E. Power Biggs today. In our last hour together, we’ll have some English music for children. All that and more, coming your way from 4 to 7 p.m. EDT, on WWFM – The Classical Network and at wwfm.org.

  • Composers and Koalas A Musical Encounter

    Composers and Koalas A Musical Encounter

    Apropos of nothing – composers with koalas.


    PHOTOS: (Counter-clockwise from top) Igor Stravinsky, Sir William Walton and Leonard Bernstein

    Koala sings Mozart’s Requiem:

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