Tag: WWFM

  • Chelm’s Wise Fools Meet Bach on WWFM

    Chelm’s Wise Fools Meet Bach on WWFM

    In Jewish lore, the wise men of the Polish city of Chelm may be very wise indeed, but they sure do lack common sense. For example, when carrying logs down a mountain to build their dwellings, they encounter someone who suggests it might be easier simply to roll them down. They recognize this as a very good idea – so they carry the logs back up the mountain and proceed to roll them down.

    This kind of playful irony informs the tales of Isaac Bashevis Singer, Aaron Zeitlin, and Sholem Aleichem. More to our purposes, the folkloric antics inspired composer Matthew H. Fields when he came to write his “Sages of Chelm.” The work falls into three movements: “Khutzpah,” “Tsores,” and “Simchas.” We’ll enjoy the piece on this last day of Hanukkah, beginning at 3:00 EST.

    In the meantime, here’s a link to a round-up of favorite Chelm stories:

    https://www.myjewishlearning.com/article/the-sages-of-chelm/

    I’ll actually be in a little earlier than usual today, to host “Bach at One.” The Choir of Trinity Wall Street and Trinity Baroque Orchestra will present the Cantata BWV 8 “Liebster Gott, wenn Werd ich sterben” (“Dearest God, when will I die?”), under the direction of Julian Wachner. Then we’ll get a taste of “Pipes at One,” with Kent Tritle on the organ of Trinity’s St. Paul’s Chapel. Featured composers will include Dietrich Buxtehude, Nicolas de Grigny, Louis Marchand, Jean Langlais, Felix Mendelssohn, and of course Bach. As the titles of the programs suggest, these concerts will be broadcast back-to-back (Bach-to-Bach?), beginning at 1:00 EST.

    Then, following “Sages of Chelm,” it will be business as usual at 4:00 EST, as I offer a skillful juxtaposition of birthday anniversaries and commuter entertainment, with some intimations of Christmas folded into the mix.

    The “ch” in “Chelm” is pronounced like the “ch” in “Bach.” It’s not just the cold weather that will have me clearing my throat during this musical marathon run, from 1 to 7 p.m. EST, on WWFM – The Classical Network and wwfm.org.


    The People of Chelm and the Cat:

    https://www.yiddishbookcenter.org/collections/oral-histories/excerpts/woh-ex-0002054/people-chelm-and-cat

  • Sibelius Birthday Tribute Finnish Music

    Sibelius Birthday Tribute Finnish Music

    All hail Finland’s great composer! Happy birthday, Jean Sibelius!

    Sibelius wrote a ton of music inspired by the Kalevala, the Finnish national epic. Join me for one of the lesser known of these, tomorrow night on “The Lost Chord,” at 10:00 EST, on WWFM – The Classical Network and wwfm.org. The program will also include works by Robert Kajanus and Uuno Klami.

    Cigars and vodka all around!


    Here’s Kajanus conducting Sibelius’ Symphony No. 3.

    https://www.youtube.com/watch?v=5kaz56nbwns

    I was playing this recording when Sibelius’ grandson fortuitously wandered into my bookshop in, I believe, 1998. A formula for instant friendship!


    IMAGE: “Kajustaflan,” painted by Akseli Gallén-Kallela. Pictured (from left to right): the artist, composer Oskar Merikanto (blacked out), Robert Kajanus and Jean Sibelius.

    More about “The Symposium,” with the original version of Gallén’s painting, here:

    http://www.sibelius.fi/english/elamankaari/sib_symbosion.htm

    Party on, gentlemen!

  • Krampusnacht Devilish Delights & Dark Carols

    Krampusnacht Devilish Delights & Dark Carols

    Here comes Krampus – and along with him, my most controversial post of the year. I always lose one or two followers over Krampusnacht. Apparently it’s hard for some folks to reconcile Christmas with an Alpine devil. But when it comes to the holidays, the Central European psyche holds nothing in reserve.

    In the grand tradition of spare the rod, spoil the child (Proverbs 13:24), with Krampus the Old World really pulls out all the stops. On December 5, the eve of Saint Nicholas’ Day, it is the custom for an egregiously-horned, whiplash-tongued demon to emerge from his mountain lair, festooned in chains and cow bells, to accompany the Patron Saint of Children on his rounds. Saint Nick bestows small gifts to all the good boys and girls; the bad are handed over to Krampus.

    Garden-variety naughtiness may earn the sting of a switch; but the especially ill-behaved are clapped in chains, taken for a short ride in a wicker basket, and then drowned in a stream or immolated by hellfire. With mounting anxiety a thousand times worse than the anticipation of a bad report card, a wee sinner pulls the sweat-soaked blankets over his head and begins to pray vociferously for a stocking full of coal.

    It is with mixed emotions that I watch Saint Nick’s dark helper creep ever closer to the mainstream. It used to be that there were one or two books of vintage postcards, and they were out of print and difficult to get a hold of. Now Krampus has become something of a shadow industry. He’s even been the subject of a major motion picture, for crying out loud. I never thought I would see it, but The Man is trying to appropriate Krampus, just like he did rock ‘n’ roll. But you can’t keep a good demon down. As long as there are people fed up with Black Friday sales on Thanksgiving, there will always be plenty of fuel for a reactionary Black Christmas. And no amount of tinsel is going to change that.

    If there is any classical music written for Krampus, I have yet to hear it. Therefore, as a kind of place holder on this Krampusnacht, I will offer a suite by Finnish composer Einar Englund for a film inspired by another bizarre legend, that of “The White Reindeer.” Don’t go into it expecting any Rankin-Bass Rudolph. This is Lapland, after all, the land of shape-shifting, vampiric livestock. This Rudolph sports teeth like The Abominable.

    It’s also the birthday today of pianist Krystian Zimerman. He’ll be the soloist in Franz Liszt’s “Totentanz” (“Dance of Death”). As time allows, we’ll even have a diabolical sleigh-ride courtesy of Bernard Herrmann.

    Oh yes! We’ll also mark the birthdays of Francesco Geminiani, Vítězslav Novák, Osvaldo Golijov, and José Carreras, with a little more Hanukkah music tossed into the mix, from 4 to 6 p.m. EST. Then stick around for “Music from Marlboro.” We’ll embrace the saints at 6 – more about that in an upcoming post – on WWFM – The Classical Network and wwfm.org.

    This year’s Parade of Spirits, Liberty Lands, formerly known as Krampuslauf, spills into the streets of Philadelphia’s Northern Liberties neighborhood on December 15. The event will benefit Delaware Valley homeless shelters.

    Go ahead and unfollow me, if you must. You can stop your ears, but you can’t stop Krampus.

  • Handel’s Judas Maccabaeus on WWFM

    Handel’s Judas Maccabaeus on WWFM

    During these shortest days of the year, we can use all the light we can get. With three candles in the menorah last night, we’ll celebrate the second day of Hanukkah with a complete recording of Handel’s other holiday oratorio, “Judas Maccabaeus.”

    Handel’s overshadowed masterpiece relates the successful victory of the Jewish people over the Seleucids, who would have had them worshiping Zeus! (In 170 BC, that was actually a thing.) Cannily, the premiere was scheduled to take place at Covent Garden in April 1746, to coincide with the return of William Augustus, Duke of Cumberland and youngest son of King George II, who had only just successfully routed the Jacobites at Culloden. Surfing the predicted wave of patriotic fervor, the 61 year-old Handel had engineered another smash.

    We’ll hear a complete performance of the work, following today’s Noontime Concert – another holiday treat centuries in the making – “Nowell Sing We: A Medieval Celebration,” presented by the Brooklyn-based ensemble Alkemie. The program is organized around the theme of Twelfth Night and/or Epiphany, celebrated at the far end of the Christmas season, and illustrated through musical selections from the 11th through 16th centuries.

    The performance took place on January 4, 2018, at St. Bartholomew’s Church, 50th Street and Park Avenue, in Midtown Manhattan, where free concerts are held every Thursday at 1:15 p.m.

    The broadcast is made possible in part by Gotham Early Music Scene, or GEMS. GEMS is a non-profit corporation that supports and promotes artists and organizations in New York City devoted to early music – music of the Middle Ages, Renaissance, Baroque, and early Classical periods. For more information and GEMS’ events calendar, look online at gemsny.org.

    Immediately following today’s concert broadcast, enjoy Norman Dello Joio’s “Variants on a Mediaeval Tune” – the tune being the familiar Christmas melody “In dulci jubilo.” Then at 1:00, arrange yourself a plate of rugelach and settle in for “Judas Maccabaeus.”

    What’s old is new, with the ensemble Alkemie; then get a Handel on the Maccabees, between 12 and 4 p.m. EST, on WWFM – The Classical Network and wwfm.org.

  • Webern Fine Rota and More on WWFM

    Webern Fine Rota and More on WWFM

    When is music not Fine? When it’s by Webern, of course!

    The playlist today will consist of works by birthday celebrants Irving Fine, Anton Webern, Nino Rota (both film and concert pieces), Jose Serebrier, Antonio Soler, and Paul Turok. We’ll also mark the second evening of Hanukkah.

    Better pick up some more candles!

    All fire codes will be flouted, from 4 to 7 p.m. EST, on WWFM – The Classical Network and wwfm.org.

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