The composer Heinrich von Herzogenberg (1843-1900), born in Graz, studied in Vienna, where he became a lifelong friend of Johannes Brahms. Of course, being friends with Brahms was a complicated matter. In particular, the older composer was not very diplomatic in his assessment of Herzogenberg’s music. However, toward the end of his life, he grudgingly offered, “Herzogenberg is able to do more than any of the others.”

This Sunday night on “The Lost Chord,” we’ll have music by Brahms’ faintly-praised confidant.

In 1874, Herzogenberg co-founded the Leipzig Bach-Verein, which dedicated itself to the revival of all the Bach cantatas. He served as its music director for ten years. Following the death of his wife in 1892, he turned increasingly to the writing of sacred music. In particular, he composed music for services of a Lutheran church in Strasbourg, though he himself remained a Roman Catholic. His models for these pieces were, naturally, the oratorios and passions of Bach.

Three large-scale works of the period call for members of the congregation to participate in the singing of the chorales.

“Die Geburt Christi,” or “The Birth of Christ,” written in 1894, betrays the influence of composers admired by Herzogenberg. However, the work is not always as “Brahmsian” as one might expect. A prominent role is given to church hymns, with the inclusion of folk material and some familiar Christmas melodies.

We’ll hear selections from Parts One and Two – “The Promise” and “The Fulfillment” – and then, after a break, the whole of Part Three, “The Adoration.”

I hope you’ll join me for “German Shepherds,” Herzogenberg’s musical telling of the Nativity story, this Sunday night at 10:00 EST, on WWFM – The Classical Network and at wwfm.org.