Get ready for an exercise in postmodern self-reflexivity, this week on “Picture Perfect,” as we take a look at movies about music and musicians.

Federico Fellini’s “Orchestra Rehearsal” (1978) is a mock-documentary that presents the symphony orchestra as a metaphor for the human condition. Full of political overtones, the film explores the joys, sorrows, frustrations and triumphs of the musicians, who struggle with the concepts of individual liberty, tyranny and the collective good. The project would mark the final collaboration between Fellini and Nino Rota. The two artists first came together in 1952 on Fellini’s “The White Sheik.” They would go on to create such classics as “La Strada,” “Nights of Cabiria,” “La dolce vita” and “8 ½.”

We’ll also hear music from the Canadian art house hit “The Red Violin” (1998). The film traces the history of the fictional title instrument from its creation in 17th century Cremona to the present day. The violin passes through the hands of a child prodigy, into those of a romantic virtuoso in the Paganini mold; then to China during the Cultural Revolution; and finally to a Canadian auction house. John Corigliano wrote the Academy Award-winning music, which is performed on the soundtrack by violinist Joshua Bell.

Finally, we’ll turn to a classical music film noir from Hollywood’s Golden Age. “Deception” (1946) tells the tale of a dangerous love triangle between Bette Davis, Paul Henreid and Claude Rains. Much of the plot hinges on the premiere of a new cello concerto by a celebrated-though-fictional composer, played by Rains, who puts a fragile cellist, his rival in love, played by Henreid, through the psychological ringer. The music, which serves as both underscore and crux of the story, is by Erich Wolfgang Korngold. The composer subsequently published the “fictional” concerto as his Op. 37.

All aboard the musical ouroboros! Join me for music from movies about music and musicians, this Friday evening at 6:00 EDT, on WWFM – The Classical Network and wwfm.org.

The overheated trailer for “Deception:”

PHOTO: Henreid wore a special jacket to accommodate the arms of two professional cellists who stood behind him as he emoted. On the film’s soundtrack the concerto was performed by Eleanor Aller Slatkin, the mother of Leonard Slatkin.