If this project is successful, it will be the most exciting cinematic discovery since the complete “Metropolis” was uncovered in Buenos Aires in 2008. Then maybe Orson Welles and Robert Wise will be reconciled in heaven.
After shooting wrapped for “The Magnificent Ambersons” in 1942, Welles took off for Rio de Janeiro to begin work on his next project, entrusting Wise, his editor, to carry his plans to fruition – which he dutifully did. However, following a disastrous preview screening, Wise suddenly found himself in an awkward position. RKO ordered him back into the editing booth to reconfigure Welles’ original blueprint, this time under hardnosed studio supervision. Furthermore, he was instructed to shoot a new ending. Needless to say, Welles and Wise, both nominated for Academy Awards for “Citizen Kane” (Welles won, with Herman Mankiewicz, for his screenplay), would never work together again.
In all, 43 minutes of footage were cut from “The Magnificent Ambersons” and melted down for nitrate during World War II, dashing any hope that the film might be restored to its original version.
Until now.
Could we actually see “The Magnificent Ambersons” in the form Welles originally intended?
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