Later tonight, with all the cooking, conviviality, and hopefully clean-up winding down, settle in for an hour of reflection, with two works by English composers inspired by the Nativity.

Alongside Sir Charles Villiers Stanford and Sir Edward Elgar, Sir Hubert Parry was one of the key figures of the so-called “English Musical Renaissance.” He influenced a whole generation of much better-known composers, including Ralph Vaughan Williams and Gustav Holst. We’ll hear his “Ode on the Nativity,” given its first performance on the same concert, at the Hereford Three Choirs Festival in 1912, as Vaughan Williams’ “Fantasia on Christmas Carols.”

Vaughan Williams, the great-nephew of Charles Darwin, and an atheist in his youth, later softened into a kind of “cheerful agnosticism.” He dearly loved the King James Bible, and he especially enjoyed Christmas. Of course, he wrote much music on the subject. In fact, his very last composition was “The First Nowell.” He worked diligently at the piece, inspired by medieval pageants, during his final month, but died suddenly before its completion.

However, even at 85 years-old, RVW retained a remarkable level of concentration. He managed to pound out the whole thing in short score in only a few weeks. Furthermore, he had fully orchestrated the first two-thirds. The finishing touches were applied by his assistant, Roy Douglas – he of “Les Sylphides” fame.

If you like the “Fantasia on Christmas Carols,” I think you’ll really enjoy this. It’s pastoral music for a pastoral scene. I hope you’ll join me for “A Play in a Manger,” THIS SUNDAY NIGHT, ONE HOUR LATER THAN USUAL, AT 11:00 EST, on WWFM – The Classical Network and wwfm.org.

Until then, best wishes for a happy and meaningful Christmas!