Category: Daily Dispatch

  • James Earl Jones Voice of A Generation

    James Earl Jones Voice of A Generation

    Everyone knows James Earl Jones is the indelible voice of Darth Vader, one of the most recognizable of all movie villains; but he’s also the voice of democracy in my favorite recording of Aaron Copland’s “Lincoln Portrait.” No one delivers “of the PEOPLE, by the PEOPLE, and for the PEOPLE” like Jones. I’ll be thinking of him when I pull the lever, or whatever the hell they’ll have us do now, this November.

    In “Field of Dreams,” he plays a character who’s not even in the book upon which it’s based. (That would be “Shoeless Joe,” by W.P. Kinsella; believe it or not, in the book – which for me lacks the resonance of the movie – the character is J.D. Salinger!)

    Jones steals home and steals the movie here:

    A great voice and a great loss. R.I.P.

  • Anthony Checchia Philadelphia Music Legend Dies

    I am very sorry to learn that Anthony Checchia has died, a great lost to the Philadelphia Chamber Music Society (which he cofounded), the Marlboro Music Festival, and the City of Philadelphia. Condolences to all, especially his widow, the soprano Benita Valente.

  • Dvořák’s Quirky Passions Beyond Music

    Dvořák’s Quirky Passions Beyond Music

    This exhibition is past, but I found it interesting to read about a few of Dvořák’s “guilty pleasures,” beyond trainspotting and feeding pigeons.

    https://www.nm.cz/en/program/exhibitions/the-guilty-pleasures-of-antonin-dvorak

    More about Dvořák and pigeons in this Classic Ross Amico post from last year:

    https://www.facebook.com/photo?fbid=1165039271081801&set=a.883855802533484

    And another on Dvořák and trains from 2018:

    https://www.facebook.com/photo?fbid=1062790070554949&set=a.279006378933326

    Happy birthday, Antonin Dvořák, “guilty” as charged.

  • Back to School with Sweetness and Light

    Back to School with Sweetness and Light

    This week on “Sweetness and Light,” we’re headed back to school.

    We’ll have frothy music on scholastic themes. None frothier than a head of beer, conjured perhaps by Emil Waldteufel’s “Estudiantina,” or “Band of Students.” Listeners of a certain age may associate this music with a popular jingle for Rheingold Beer. Clearly its inclusion suggests a double-significance – not that I condone riotous student behavior (unless, of course, I’m invited)!

    I’ll also share one of my favorite lesser-heard works of Ralph Vaughan Williams: the “Charterhouse Suite,” a collection of light dances for strings, named for the public school the composer attended, beginning at the age of 15. Pendants will add that the work was actually arranged from an earlier “Suite of Six Short Pieces” for piano.

    Franz Joseph Haydn’s Symphony No. 55 is often referred to as the “Schoolmaster.” Passages are said to be strikingly similar to those in a lost Haydn divertimento, identified as “The Schoolmaster in Love.” In particular, it’s been suggested that the dotted rhythm of the second movement of the symphony calls to mind a schoolmaster’s wagging finger – disrupted at intervals by musical sighs as he swoons with love.

    Along the way, we’ll also enjoy music by Richard Addinsell, Gilbert & Sullivan, and Sigmund Romberg.

    Put on your school clothes, boys and girls, and learn your lessons well. You’ll get a gold star when you join me for “Sweetness and Light,” this Saturday morning at 11:00 EDT/8:00 PDT, exclusively on KWAX, the radio station of the University of Oregon!

    Stream it wherever you are at the link:

    https://kwax.uoregon.edu/

  • Saygun Turkish Composer Black as Hell Music

    Saygun Turkish Composer Black as Hell Music

    There is a Turkish proverb: “Coffee should be black as Hell, strong as death, and sweet as love.”

    The music of Ahmed Adnan Saygun is very good coffee indeed. Saygun (pictured, right) rode a wave of Turkish nationalism to become his country’s foremost composer in the Western classical tradition. Perhaps best remembered abroad as an associate of Béla Bartók (pictured, left), Saygun was a prominent ethnomusicologist, but also an important educator and cultural administrator.

    On this, the anniversary of his birth (in 1907), savor an hour of Saygun’s sometimes sweet, often astringent, always rewarding music, including a selection of “Etudes on Aksak Rhythms” (1964), his Suite for Violin and Piano (1956), and the Piano Concerto No. 1 (1951-57).

    The refreshments are guaranteed to be aromatic, bold, and rich, on “Turkish Toughie” – this Saturday’s edition of “The Lost Chord” – now in syndication on KWAX, the radio station of the University of Oregon!


    Clip and save the start times for all three of my recorded shows:

    PICTURE PERFECT, the movie music show – Friday at 8:00 PM EDT/5:00 PM PDT

    SWEETNESS AND LIGHT, the light music program – ALL NEW! – Saturday at 11:00 AM EDT/8:00 AM PDT

    THE LOST CHORD, unusual and neglected rep – Saturday at 7:00 PM EDT/4:00 PM PDT

    Stream them, wherever you are, at the link!

    https://kwax.uoregon.edu/

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