Category: Daily Dispatch

  • Movie Music Talk Princeton Oct 8

    Movie Music Talk Princeton Oct 8

    The last time I tried to post about this it was taken down and I was threatened with banishment. I understand it might not be everyone’s cup of tea, but seriously? In yesterday’s post, I mused over and invited speculation as to why this might have been.

    Hopefully Facebook’s new hypervigilant A.I. golem is looking the other way, because I’m about to give it another shot:

    If you’re in the area, consider dropping by Princeton Public Library on October 8 at 7 p.m. for my highly-subjective and occasionally even irrefutable observations on the evolution of movie music from the early days of silent film to the 21st century – with plenty of love lavished on some of my favorite, formative scores.

    The event is free, so if you don’t like it, you’ll still get your money’s worth. Thanks to the Princeton Symphony Orchestra for cohosting the talk. Hope to see you there, and at one of the PSO’s future concerts!

  • Facebook Algorithm Issues Comments Removed?

    Facebook Algorithm Issues Comments Removed?

    Has anyone else been having issues with Fa ce book recently? More than usual, I mean?

    Have you heard anything about the alg orithm having been tweaked?

    The reason I ask is that because within the past week or so, I’ve had several comments re moved. I’m wondering if it’s because they contained question marks, so that perhaps the f ilter confused them with transparent ph ishing schemes. You know, those random introductions from supposedly adoring admirers that attempt to sca m you into friending them. It might also be possible that the system has been tweaked so as to be extra vigilant at heading off rhetoric and vitriol with the el ection season heating up.

    Of course, the day-to-day operations of Fa ce book no longer seem to be run by people at all. Some Fa ce book Frankenstein could simply have thrown a lever and unleashed an A. I. automaton, and now it’s raging across the so cial m edia platform de leting posts and ba nning people and lo cking users out of their accounts, seemingly willy-nilly. Another user contacted me recently to let me know she was lo cked out for “un usual ac tivity,” because she attempted to respond to an understandable increase of well-wishers on her birthday.

    With the de letion of my comments, I received a boiler plate explanation stating that they had been identified as s pam. When my post (promoting my upcoming talk at Princeton Public Library on October 8 ) was removed, I was notified that it was because it vio lated community st andards. And no, the vio lation had nothing to do with promoting the event. I did share the announcement from another page, but that wasn’t in vio lation of any Fa ce book rule. I can only assume it was something in my characteristically witty commentary that the soulless al gorithm didn’t get (kind of like my old boss).

    These de letions were accompanied by ominous warnings that repeat of fenses could result in time-outs or banishment. With all the illiterate garbage and ugly, inflammatory bear-baiting on the pl atform, obviously the guy they want to go after is the one who gets ten likes on his posts about classical music.

    I was offered the option to ap peal the post de letion, which of course I did. (No such options were offered for the re moved messages.) Supposedly, the case will be reviewed within a certain number of days, and if it’s found the judgment was in error, the post will be restored. I’m not holding my breath. Everyone knows there are a very limited number of live people working in the boiler room at Fa ce book.

    I apologize for the gratuitous number of spaces inserted into potentially sensitive words, my attempt to dodge having even this re moved, as an earlier attempt to explain what was happening in a message thread caused the comment to be de leted.

    Naturally, I don’t want to be exiled from Fa ce book. It’s yet another reminder that I shouldn’t be investing so much of myself here, beyond perhaps posting fluff and teasers, and that really I should be shifting my longer-form rants and ruminations to a blogging platform.

    I took a screen shot of one of the notices, which I will include in the comments below.

  • Autumn Delights Fall Fun & Festivities

    Autumn Delights Fall Fun & Festivities

    When autumn arrives this morning at 8:43 EDT, I’ll be shaking the moths out of my sweaters and layering on the flannels and devouring fruit pies and Spiced Wafers and swilling pots of coffee and pans of hot cider and quaffing mugs of soup and bowls of chili and inciting leaf battles and soaping windows and watching monster movies and poring over events calendars for library book sales and hurling peanuts at squirrels and cavorting with Bacchus and building a playlist of wistful Brahms, energetic Baroque, and cloudy day Bruckner. From now until Thanksgiving life will be very good indeed. Welcome, Autumn, season of Cockaigne, Dionysian paradise, wonderland of revelry and solitude!

  • Autumn Equinox Rediscovering American Composers

    Autumn Equinox Rediscovering American Composers

    This week on “The Lost Chord,” in anticipation of tomorrow’s Autumn Equinox, lend a little color to your weekend with seasonal evocations by two American composers.

    Henry Hadley (1871-1937) studied at home with George Whitefield Chadwick and in Vienna with Eusebius Mandyczewski. In Europe, he befriended Richard Strauss and conducted the Berlin Philharmonic in his own Symphony No. 3. He was assistant conductor at the Mainz Opera, later music director of the Seattle Symphony, and became the first conductor of the San Francisco Symphony. One of his operas, “Cleopatra’s Night,” was performed at New York’s Metropolitan Opera. He served a stint as assistant conductor of the New York Philharmonic, he founded the National Association of Composers and Conductors, and he was instrumental in establishing the Berkshire Music Festival at Tanglewood. He guest conducted orchestras from Buenos Aires to Tokyo. Why then do so few remember him?

    We’ll dig deep into the leaf pile of music history to revive Hadley’s Symphony No. 2, from 1901, subtitled “The Four Seasons.” The work begins with an evocation of a turbulent winter storm, followed by “Spring,” then “Summer.” The symphony concludes with a melancholy portrait of autumn, enlivened by the appearance of some rollicking hunting horns.

    Toward the end of the hour, we’ll have just enough time for music by Leo Sowerby (1895-1968), sometimes called “the Dean of American Church Music.” Sowerby was awarded the Pulitzer Prize for Music in 1946 for his cantata “Canticle to the Sun.” As antidote to the reflective nature of Hadley’s “Autumn,” we’ll conclude with the exuberant “Comes Autumn Time,” an uplifting work for solo organ.

    I hope you’ll join me for “Well-Seasoned” – American composers of experience celebrate autumn – on “The Lost Chord,” now in syndication on KWAX, the radio station of the University of Oregon!


    Clip and save the start times for all three of my recorded shows:

    PICTURE PERFECT, the movie music show – Friday at 8:00 PM EDT/5:00 PM PDT

    SWEETNESS AND LIGHT, the light music program – ALL NEW! – Saturday at 11:00 AM EDT/8:00 AM PDT

    THE LOST CHORD, unusual and neglected rep – Saturday at 7:00 PM EDT/4:00 PM PDT

    Stream them, wherever you are, at the link!

    https://kwax.uoregon.edu/

  • Celebrating Holst Folk Music & The Planets

    Celebrating Holst Folk Music & The Planets

    This week on “Sweetness and Light,” to mark the sesquicentenary of the birth of Gustav Holst (born on this date in 1874), we’ll have a down-to-earth celebration of the composer of “The Planets.”

    Holst wrote some very interesting and effective works in a modestly modernist style, but the emphasis this morning will be on his delectable folk-inflected music. In the company of his lifelong friend, Ralph Vaughan Williams, Holst struck out for the fields and fens, documenting by cylinder and notating by hand songs of the English countryside, preserving them against the oblivion of encroaching industrialization. Recognizing their rich potential as raw material for the development of a distinctly “English” national sound, the two artists began assimilating characteristics into their own respective styles.

    Since Holst’s day job was as director of the St. Paul’s Girls’ School (from 1905 until his death in 1934), it’s hardly surprising that the larger portion of the music to be heard during the hour will be devoted to pieces introduced by the students and faculty.

    We’ll enjoy a worthy successor to the popular “St. Paul’s Suite” of 1913, the “Brook Green Suite,” composed two decades later. The St. Paul’s School is located on Brook Green in Hammersmith, London. The performance will surely be of added interested in that it will be conducted by composer’s daughter, Imogen Holst.

    Of course, when celebrating Holst, we can’t very well ignore “The Planets.” For a light music show, it goes without saying, the most jovial of these is “Jupiter, the Bringer of Jollity.” The big tune at its generous heart was further popularized as the patriotic hymn “I Vow to Thee, My Country.” Holst was a master orchestrator (it’s amusing to reflect that his instrument was the trombone), but I think you’ll find his own arrangement for two pianos to be fresh and surprisingly illuminating. Our performers will be Richard Rodney Bennett and Susan Bradshaw.

    The Suite No. 2 for Military Band of 1911 is based on a number of delightful folk tunes, including “Swansea Town,” “I’ll Love My Love,” “A Blacksmith Courted Me,” “Dargason,” and “Greensleeves.” We’ll hear it played by the Dallas Wind Symphony, directed by Howard Dunn. And as a bonus, we’ll follow it with Holst’s setting of one of the songs for men’s chorus, sung by the Baccholian Singers of London.

    Finally, we’ll have the substantial choral ballet of 1926, “The Golden Goose,” on a scenario adapted from a tale of the Brothers Grimm,” again given its debut at St. Paul’s. This one is long on charm, chockful of good tunes in a folk style. Hilary Davan Wetton will direct the Guildford Choral Society and Philharmonia Orchestra. What’s not to love?

    There’s gold in them thar hills! I hope you’ll join me for a Holst sesquicentennial tribute, on “Sweetness and Light,” this Saturday morning at 11:00 EDT/8:00 PDT, exclusively on KWAX, the radio station of the University of Oregon!

    Stream it wherever you are at the link:

    https://kwax.uoregon.edu/

Tag Cloud

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