Category: Daily Dispatch

  • Happy Birthday Lalo Schifrin!

    Happy Birthday Lalo Schifrin!

    This week’s “Picture Perfect” will be full of music from movies focusing on indigenous tribes of Latin America. But somehow none of the scores will be by Argentinian-born Lalo Schifrin. Instead, there will be music by Heitor Villa-Lobos, Branislau Kaper, Elmer Bernstein, and Silvestre Revueltas. (Listen today at 8:00 EDT/5:00 PDT on kwax.uoregon.edu .) Schifrin was born in Buenos Aires on this date in 1932.

    He is the composer of over 100 film and television scores, including those for “Cool Hand Luke,” “Bullitt,” “Dirty Harry,” “Enter the Dragon,” “Mannix,” “Starsky and Hutch,” “Rush Hour,” and of course, “Mission: Impossible.”

    A highly-respected jazz pianist, he was discovered by Dizzy Gillespie, who hired him on spot. Schifrin composed for Dizzy an extended work for big band, “Gillespiana,” in 1958. He worked frequently with Clint Eastwood and scored George Lucas’ first feature, “THX-1138.” He was unceremoniously fired from “The Exorcist,” after director William Friedkin invited him into his office and hurled his recording of the score out the window into the parking lot. But that’s Friedkin for you.

    In all, Schifrin collected 22 Grammy nominations (winning five times), four Primetime Emmy nominations, and six Academy Award nominations. He received an honorary Oscar in 2018.

    Schifrin has been living in the United States since 1958 (he became a U.S. citizen in 1963), making a very healthy living, arranging and composing across a variety of genres, encompassing bossa nova, jazz, bebop, rock, and classical, all the while cashing those lucrative Hollywood paychecks – and collecting royalties for the continued use of his indelible theme in the “Mission: Impossible” film franchise.

    So no Lalo Schifrin on “Picture Perfect” today. (We did get to enjoy “Bullitt” a couple of weeks ago.) Nevertheless, we wish him a very happy birthday!


    “Concierto Caribeño” for flute and orchestra

    Lalo Schifrin and Dizzy Gillespie

    “Cool Hand Luke”

    Rejected score from “The Exorcist”

    The disturbing trailer

    Lalo receives his honorary Academy Award from Eastwood

    Schifrin’s greatest hit

    More about today’s “Picture Perfect”

    https://www.facebook.com/photo?fbid=1328200414765685&set=a.883855802533484

  • Villa-Lobos’s Hollywood Rainforest

    Villa-Lobos’s Hollywood Rainforest

    When Heitor Villa-Lobos was contracted by M-G-M to write music for a big screen adaptation of W.H. Hudson’s novel “Green Mansions” (1959), expectations ran high on both sides. The Brazilian master began immediately, diving into the project with characteristic gusto. After all, he had been writing music inspired by the rainforest for his entire career.

    Unfortunately, he had very little affinity for the practicality of the filmmaking process, turning in musical impressions of scenes from the book. The studio was befuddled. Since Villa-Lobos was unable to adapt to the customary way of doing things, he was replaced by M-G-M house composer Branislau Kaper, who used the Villa-Lobos material as a springboard for his own dramatic conception. The result is part Villa-Lobos, part Kaper, and all M-G-M gloss.

    Villa-Lobos was a little embittered by his Hollywood experience. He promptly assembled a multi-movement symphonic poem, “Forest of the Amazon” (1958), some 75 minutes in length, which employed his rejected sketches. He made a recording of 45 minutes of the music in 1959, for which the soprano Bidu Sayão came out of retirement.

    This week on “Picture Perfect,” we’ll hear selections from both versions of “Green Mansions,” as well as from the Mayan adventure “Kings of the Sun” (1963), by Elmer Bernstein, and “La noche de los Mayas” (“The Night of the Mayas,” 1939), by Mexican composer Silvestre Revueltas.

    If you can’t beat the heat, join it! It’s an hour of tropical inspirations from films centered on the indigenous peoples of Latin America, on “Picture Perfect,” music for the movies, now in syndication on KWAX, the radio station of the University of Oregon!


    Clip and save the start times for all three of my recorded shows:

    PICTURE PERFECT, the movie music show – Friday at 8:00 PM EDT/5:00 PM PDT

    SWEETNESS AND LIGHT, the light music program – ALL NEW! – Saturday at 11:00 AM EDT/8:00 AM PDT

    THE LOST CHORD, unusual and neglected rep – Saturday at 7:00 PM EDT/4:00 PM PDT

    Stream them, wherever you are, at the link!

    https://kwax.uoregon.edu/


    PHOTO: The project that left Villa-Lobos feeling green around the gills

  • Lou Harrison Solstice Ballet Summer Music

    Lou Harrison Solstice Ballet Summer Music

    It’s 4:40 EDT.

    Join the Sun Lion, the Moon Bull, and Mother Earth in welcoming summer with the ballet “Solstice” (1949) by American composer Lou Harrison. The actual music starts at the 2-minute mark. Before that is a brief spoken intro.

  • Summer Solstice Heat Wave Mid-Atlantic

    Summer Solstice Heat Wave Mid-Atlantic

    As our mega heat wave continues to intensify here in the mid-Atlantic, moronic sun-worshippers everywhere welcome the longest day. Summer arrives in the Northern Hemisphere at 4:40 p.m. EDT.

    We can thank these cheery gnomes, with their wooden clogs and domesticated insects, for all of our woes. Hail, His Majesty, the Sun!

  • Wild Wild West Discussion on Roy’s Tie-Dye Sci-Fi

    Wild Wild West Discussion on Roy’s Tie-Dye Sci-Fi

    Roy and I have already experienced two heat-related brownouts between us, but I’ll remind you anyway: if all proceeds as planned, we’ll hold our (already-been-postponed-from-last-week) discussion about the classic television series “The Wild Wild West” (1965-69) tomorrow night on Roy’s Tie-Dye Sci-Fi Corner.

    Artemus Gordon is hard at work devising a back-up energy source, in proto-steampunk fashion. Hope to see you in the comments section as we endeavor to overcome all obstacles with our visionary gadget-of-the-week, this Friday evening at 7:00 EDT!

    https://www.facebook.com/roystiedyescificorner

    You’ll find more information in my post from last Thursday and some interesting remarks about the show’s music in the comments section.

    https://www.facebook.com/photo/?fbid=1323473315238395&set=a.883855802533484

    A reminder that all episodes of “The Wild Wild West” are available for free streaming on Pluto TV.

    https://pluto.tv/us/on-demand/series/63726e731ac5b40013b79c9f/season/1?fbclid=IwZXh0bgNhZW0CMTAAAR2h2cth_nNHeSxNEpfJ0d8-2lHPUdaNBQkzm_U4kXi_RinDbv3Hv2St9EA_aem_ZmFrZWR1bW15MTZieXRlcw

Tag Cloud

Aaron Copland (93) Beethoven (95) Composer (114) Film Music (132) Film Score (143) Film Scores (255) Halloween (94) John Williams (193) KWAX (229) Leonard Bernstein (103) Marlboro Music Festival (125) Movie Music (147) Mozart (88) Opera (206) Philadelphia Orchestra (89) Picture Perfect (174) Princeton Symphony Orchestra (108) Radio (88) Ross Amico (244) Roy's Tie-Dye Sci-Fi Corner (290) The Classical Network (101) The Lost Chord (268) Vaughan Williams (103) WPRB (396) WWFM (881)

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