Category: Daily Dispatch

  • PDQ Bach Tribute Airs on KWAX

    PDQ Bach Tribute Airs on KWAX

    What a mare’s nest! So many envelopes and crossfades in this session for tomorrow’s “Sweetness and Light,” a whirlwind tribute to Peter Schickele, who died on Tuesday at the age of 88. We’ll hear some of his classic PDQ Bach comedy skits interspersed with selections from his “serious music.” As always, the program is calculated to charm and to cheer. Stream it on Saturday morning at 11:00 EST/8:00 PST, exclusively on KWAX, the radio station of the University of Oregon! https://kwax.uoregon.edu/

  • Tudor Movie Music: “Picture Perfect” on KWAX

    Tudor Movie Music: “Picture Perfect” on KWAX

    This week on “Picture Perfect,” it’s an hour of tunes for the Tudors.

    We’ll hear selections from “Young Bess” (1953), with Jean Simmons as the future Elizabeth I. The colorful and entertaining cast also includes Stewart Granger, Deborah Kerr, and most notably Charles Laughton, who reprises his memorable characterization of Henry VIII. Laughton was honored with an Academy Award for Best Actor for playing Henry in the 1933 film, “The Private Life of Henry VIII.” Miklós Rózsa’s score conjures the era of the great MGM Technicolor spectacles.

    By the time of the events portrayed in “Mary, Queen of Scots” (1971), Elizabeth already wears the crown, albeit uneasily, due to the perceived threat of her first cousin once removed. Vanessa Redgrave is Mary and Glenda Jackson is Elizabeth, with a supporting cast that includes Timothy Dalton, Nigel Davenport, Patrick McGoohan, Trevor Howard, and Ian Holm. As seems to be the custom in dramatic interpretations of the historical events, the film features several fictitious encounters between the queens, even though in reality the two never met. The poignant score is by John Barry.

    “Anne of the Thousand Days” (1969) tells the story of Henry’s doomed second wife, Anne Boleyn. This time Richard Burton plays the king. Anne is played by Genevieve Bujold. Despite mixed reviews, the film was nominated for ten Academy Awards and recognized for its exceptional costumes. Among the other nominees was Georges Delerue for his period-flavored music.

    Finally, in a lighthearted change of pace from all the intrigue and execution, we turn to a big screen adaptation of Mark Twain’s “The Prince and the Pauper” (1937). Set in the time of Prince Edward (later Edward VI), Twain’s novel plays on the conceit that the heir apparent, at some point, becomes confused with a commoner, who happens to bear an uncanny resemblance to him.

    Top-billed Errol Flynn is really a supporting player as the devil-may-care Miles Hendon, who throws in his lot with the scraggly-looking prince, though he hardly believes his claims. Though it would still be a year until the release of “The Adventures of Robin Hood,” Flynn was already well on his way to becoming the screen’s quintessential swashbuckler, thanks to his turn in “Captain Blood” (1935). He easily dominates the film, and it’s a treat to see him duel with his old pal Alan Hale.

    Montagu Love plays Henry VIII, though he’s upstaged by a scheming Claude Rains as Edward Seymour, the Earl of Hertford. Composer Erich Wolfgang Korngold follows Flynn all the way, his music full of swagger and fun.

    Help yourself to a joint of mutton, and hang on to your heads! It’s time for the Tudors, on “Picture Perfect,” music for the movies, now in syndication on KWAX, the radio station of the University of Oregon!

    Remember, KWAX is on the West Coast, so there’s a three-hour difference for those of you listening in the East. Here are the respective air-times for all three of my recorded shows (with East Coast conversions in parentheses):

    PICTURE PERFECT, the movie music show – Friday on KWAX at 5:00 PM PACIFIC TIME (8:00 PM EST)

    SWEETNESS AND LIGHT, the light music program – ALL NEW! – Saturday on KWAX at 8:00 AM PACIFIC TIME (11:00 AM EST)

    THE LOST CHORD, unusual and neglected rep – Saturday on KWAX at 4:00 PM PACIFIC TIME (7:00 PM EST)

    Stream all three, at the times indicated, by following the link!

    https://kwax.uoregon.edu/

  • Peter Schickele, P.D.Q. Bach Creator, Dies

    Peter Schickele, P.D.Q. Bach Creator, Dies

    Composer and parodist Peter Schickele has died.

    Schickele was best known for his “discovery” of P.D.Q. Bach, whom he slyly promoted as the last and least of Johann Sebastian Bach’s progeny – “the 21st of Bach’s 20 children.” P.D.Q.’s manuscripts invariably turned up in the most undignified of places (leaky-ceilinged castles, the bottoms of bird cages, and as coffee maker filters). The music was introduced in performance and on record by “Professor” Peter Schickele, an equally amusing, unreliable source. The combination entertained for more than 50 years, a veritable automat of freewheeling parody, excruciating puns, and good old-fashioned, pie-in-the-face slapstick.

    Some of the gags flirted with tedium, but there was always a diamond or two in the rough. If nothing else, you could always count on Schickele’s Jekyll-and-Hyde act to skewer the solemn conventions of classical music.

    Frustratingly, his comic success undermined Schickele the “serious” composer. He studied with two of America’s most respected symphonists, Roy Harris and Vincent Persichetti. Under his own name, he produced over 100 works. These could be wildly pluralistic in nature, drawing on folk, jazz, blues, or rock influences. A number of his contemporaries pursued similar impulses (William Bolcom, for one, and it didn’t keep him from winning a Pulitzer), but Schickele never escaped the long shadow of low humor. Which is a shame, as his music is ceaselessly vital, conveying exuberance, invention, and a kind of genial wit.

    Schickele also wrote scores for film (“Silent Running”) and songs for Broadway (“O Calcutta!”). For 15 years, he hosted his own syndicated radio show, “Schickele Mix.”

    I interviewed him once and met him at a concert at the College of New Jersey in 2014. By that time, he was no longer swinging onto stage by a rope, as he did at Carnegie Hall. Instead, his comic creations were executed by others as he oversaw the shenanigans like something of a dignified lion – albeit a wry lion – providing commentary by way of brief and informal exchanges with Wayne Heisler, TCNJ Associate Professor of Historical and Cultural Studies in Music.

    P.D.Q. was classical music’s most prolific dad joke, perpetrating groaners like “No-No Nonette,” “Unbegun Symphony,” and “Pervertimento for Bagpipe, Bicycle and Balloons.”

    An obituary in the New York Times encapsulates it very well: “In creating P.D.Q.’s oeuvre and putting it onstage, Mr. Schickele cannily deconstructed the classical music of Mozart’s time and just as cannily reassembled it in precisely the wrong configuration.”

    It was humor that could engage on two levels, appealing to anyone who ever laughed at someone slipping on banana peel, but also to those who understood the enormity of his musical crimes.

    He was rewarded with five Grammy Awards (one for him, and four for P.D.Q.) and by audiences full of chortling fans for over five decades.

    Schickele died on Tuesday at the age of 88 – coincidentally the number of keys on a short-tempered clavier.

    R.I.P.


    On “The Tonight Show”

    With Itzhak Perlman and John Williams

    Part 1

    Part 2

    In better definition, and still entering on a rope in Houston in his 70s

    Playing it straight: Quartet for Clarinet, Violin, Cello and Piano

    String Quartet No. 1 “American Dreams,” etc.

    Joan Baez sings Schickele in “Silent Running”

    The composer interviewed by Bruce Duffie

    https://www.bruceduffie.com/schickele.html

  • Breaking In A New Editor Tips For Writers

    Breaking In A New Editor Tips For Writers

    Breaking in a new editor.

    Suggested word count: 1200
    Submission: 2040

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